This article needs additional citations for verification .(May 2023) |
"Never Change" | ||||
---|---|---|---|---|
![]() | ||||
Single by Fightstar | ||||
from the album Be Human | ||||
Released | 20 July 2009 (UK) | |||
Recorded | 2008 | |||
Length | 2:59 | |||
Songwriter(s) | Charlie Simpson, Alex Westaway, Dan Haigh, Omar Abidi | |||
Producer(s) | Carl Bown, Fightstar | |||
Fightstar singles chronology | ||||
|
"Never Change" is the third single to be taken from Fightstar's third studio album, Be Human , and was released on 20 July 2009. [1]
CD: [2]
Digital Download
Chart (2009) | Peak position |
---|---|
Scottish Singles Chart [3] | 22 |
UK Singles Chart | 132 |
UK Rock Chart | 4 |
UK Indie Chart | 11 |
Charles Robert Simpson is an English singer, songwriter, and musician from Suffolk. He is a member of the BRIT Award winning pop-punk band Busted and he is also lead vocalist and rhythm guitarist in the post-hardcore band Fightstar. AllMusic has noted that Simpson is "perhaps the only pop star to make the convincing transition from fresh-faced boy bander to authentic hard rock frontman". Simpson is a multi-instrumentalist, playing guitar, bass, keyboard, piano and drums.
Fightstar is a British rock band from London that formed in 2003. The band is composed of lead vocalist, guitarist and keyboardist Charlie Simpson, guitarist and co-vocalist Alex Westaway, bassist Dan Haigh and drummer Omar Abidi. Generally considered a post-hardcore band as a whole, Fightstar are known to incorporate metal, alternative rock and other genres into their sound. Their 2005 debut EP, They Liked You Better When You Were Dead, was released in 2005 and was a critical success.
They Liked You Better When You Were Dead is the debut EP by English rock band Fightstar, released on 28 February 2005 through Sandwich Leg Records. The release proved a critical success, in spite of the cynics' initial expectations of the band. It has been said that the EP helped "present Fightstar as a British rival to the East Coast alternative rock scene". Alex Westaway, the band's lead guitarist and co-lyricist drew the artwork based on Edward Norton for the inlay of the booklet, as the record was inspired by author Chuck Palahniuk and the film adaptation Fight Club.
Never Gone is the fifth studio album released by American vocal group Backstreet Boys as the follow-up to their fourth studio album Black & Blue (2000), after a short hiatus. Never Gone was originally due for release in 2004, but the release date for the album was pushed to June 14, 2005, for unknown reasons.
What's Love Got to Do with It is the first soundtrack by American singer Tina Turner, released on June 15, 1993, by Parlophone. It served as the soundtrack album for the 1993 Tina Turner biographical film of the same name, which was released by Touchstone Pictures that same year. It mostly consists on re-recorded versions of her greatest hits during her period with the Ike and Tina Revue. In celebration of the 30th anniversary of What's Love Got to Do with It, the album was re-released on April 26, 2024 with remixes, single edits and rarities.
"I Could Never Take the Place of Your Man" is a song written and recorded by American musician Prince. It was released as the final single from his ninth studio album Sign o' the Times (1987), becoming the third top-ten hit off the album. It has since been covered by numerous artists.
"Feelin' Way Too Damn Good" is a song by Canadian rock band Nickelback. Lead vocalist Chad Kroeger wrote the lyrics while the entire band composed the music. It was released on March 15, 2004, as the third single from their fourth studio album, The Long Road (2003). It reached the top 40 in Australia and the United Kingdom, topping the latter country's rock chart. It was also successful in Canada, peaking at number 26 on the Radio & Records CHR/Pop Top 30 chart and number four on the publication's Rock Top 30 listing.
Nightflight to Venus is the third studio album by Euro-Caribbean group Boney M., and was released in June 7, 1978. The album became a major success in continental Europe, Scandinavia, and Canada, topping most of the album charts during the second half of 1978 and also became their first UK number one album. In Canada, it received a nomination for a 1980 Juno Award in a category 'International Album of the Year'.
Grand Unification is the debut studio album by British post-hardcore band Fightstar, released on 13 March 2006 through Island Records. Based upon the Neon Genesis Evangelion franchise, Grand Unification was produced by Colin Richardson and is considered a concept album. The artwork, drawn digitally by Daniel Conway, portrays scenes similar to that of the ruined cities in Evangelion. It is also thought to believe the cover has taken influence from the song "Grand Unification Part 2" as the lyric "hold my hand until the waves come" and the cover features two persons holding hands waiting for what appears to be a flood. The lyrics are themed around social commentary at the end of the world, while the album's title refers to the Human Instrumentality Project.
"Headlong" is a song by British rock band Queen, released as the third single from their fourteenth studio album, Innuendo (1991). The song was written by Queen guitarist Brian May, who intended to record it for his then-upcoming solo album Back to the Light (1992), but when he heard Queen lead singer Freddie Mercury sing the track, he allowed it to become a Queen song. As with all the songs on Innuendo, the track was promptly credited to the entire band.
One Day Son, This Will All Be Yours is the second studio album by British post-hardcore band Fightstar, released on 24 September 2007 through Institute Recordings, itself a subsidiary of independent label Gut Records. Recorded in Los Angeles and produced by Matt Wallace, the album debuted at number twenty seven on the UK Albums Chart and was preceded by the free downloadable single, "99" and first official single, "We Apologise for Nothing". As with the bands debut album, Daniel Conway digitally painted the albums artwork.
"The English Way" was the first single to be taken from Fightstar's third studio album, Be Human. It was released on 3 November 2008.
Be Human is the third studio album by English alternative rock band Fightstar, released on 20 April 2009 through independent label Search and Destroy Records, itself distributed by PIAS Recordings. The album was recorded between August and December 2008 in Chesterfield and London, with the band co-producing alongside Laruso guitarist Carl Bown. Additional recording took place Air Studios with string composer Audrey Riley. Unlike their first two studio releases, Daniel Conway did not contribute to the album's artwork, instead the band approached Ryohei Hase who digitally painted the cover art.
"A City on Fire" is a song by English post-hardcore band Fightstar, released 20 December 2009, on Search and Destroy Records as a digital download only.
"King For A Day" is a 1985 song by the British band the Thompson Twins. It was released as the third single from the band's fifth album Here's to Future Days.
"100 Grandkids" is a song recorded by American rapper Mac Miller for his third studio album GO:OD AM (2015). It was released on August 7, 2015, by Warner Bros. Records as the lead single from Miller's major label debut album. The song is divided into two parts: "Grandkids", produced by Sha Money XL, and "100 Grand" produced by ID Labs.
Behind the Devil's Back is the fourth studio album by British post-hardcore band Fightstar. The album was released on 16 October 2015 via the band's own record label - distributed by Warner Music. The album was funded via a Pledge Music campaign, which launched in July 2015.
The Early Years 1965–1972 is a box set that compiles the early work of the English rock band Pink Floyd, released on 11 November 2016. It was released by Pink Floyd Records with distribution held by Warner Music for the UK and Europe and Sony Music for the rest of the world.
Timeless is the fourth solo studio album by Canadian country singer Dallas Smith, and was released through 604 Records on August 28, 2020.
"Slide" is a song by Scottish pop band The Big Dish, which was released in 1986 as the second single from their debut studio album Swimmer. The song was written by Steven Lindsay and produced by Ian Ritchie.