They Liked You Better When You Were Dead | ||||
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EP by | ||||
Released | 28 February 2005 | |||
Recorded | November 2004 | |||
Studio | Criterion Studios, London, England | |||
Genre | ||||
Length | 25:39(EP) 38:39 (Mini-LP) | |||
Label | ||||
Producer | Mark Williams | |||
Fightstar chronology | ||||
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Singles from They Liked Better When You Were Dead | ||||
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They Liked You Better When You Were Dead is the debut EP by English rock band Fightstar, released on 28 February 2005 through Sandwich Leg Records. The release proved a critical success, in spite of the cynics' initial expectations of the band. It has been said that the EP helped "present Fightstar as a British rival to the East Coast alternative rock scene". [1] Alex Westaway, the band's lead guitarist and co-lyricist drew the artwork based on Edward Norton for the inlay of the booklet, [2] as the record was inspired by author Chuck Palahniuk and the film adaptation Fight Club . [3]
The UK version contained 5 tracks (including a sixth hidden track), meaning the EP was ineligible for the UK Singles Chart. However, the release proved popular enough to warrant a reprinting on 23 March 2005. The music video for "Palahniuk's Laughter" enjoyed heavy rotation on music channels and spent many weeks in charts based on video and radio requests. [4] The EP was released in April 2006 in North America through Deep Elm Records [5] as an extended mini-album.
During 2003, when Charlie Simpson was still an active member of successful pop trio Busted, he met fellow songwriter-guitarist Alex Westaway and drummer Omar Abidi at a party. He was by this stage becoming increasingly frustrated by the music he was performing in Busted and stated he had "all of this creativity pent up inside and I just needed to vent it somewhere, and I was writing a lot of songs but I couldn’t play them, because I didn’t have anyone to play them with". [6]
Westaway subsequently moved into Simpson's spare room after dropping out of university and the pair began writing together. Over the next six months, the EP had been written. [3] Alex later invited school friend, bassist Dan Haigh, to practise with the band and the foursome soon began booking regular rehearsal sessions together. [6] Later, after Simpson had decided to focus on Fightstar full-time, the band entered Criterion Studios in London with producer Mark Williams to begin tracking. [6] Recording sessions were often interrupted as during this period Simpson was in the middle of a sold-out stint of Wembley shows with Busted. [7] Commenting on recording period, Simpson later stated:
This EP was all I cared about. It consumed my mind. It was the first time I'd recorded anything that I loved. I was 18 and we were just kids having fun. It was the most innocent record because we weren't thinking about how it might be received at all. We just wanted to record some songs. There were no limitations: we were just doing it for ourselves. It was such a fun time. I'll always remember those days. We didn't have a care in the world. [7]
The song "Mono", named in honor of the Japanese band of the same name, was recorded during a thunderstorm. Shortly before the track's heavy finale, it's possible to hear the sound of Simpson screaming in the rain after he ran outside, unaware the studio's room mics were capturing his antics. [7] The video for promotional video "Palahniuk's Laughter" was directed by bassist Dan Haigh and was released to music stations shortly after Simpson's official departure from Busted.
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
Aversion | [9] |
Kerrang! | |
MusicOMH | (favorable) [10] |
Punknews.org | [11] |
Rock Sound | 9/10 |
Sputnikmusic | [12] |
Following much scepticism during the band's emergence due to Charlie Simpson's past, things began to turn in the quartet's favour. A string of positive reviews to early live shows were followed by acclaimed reaction to the EPs release.
Allmusic were highly favourable, awarding four stars. They wrote, "At a time when post-hardcore's torch seems to have been almost completely passed to succeeding generations of screamo bands, Fightstar stand firmly enough on the mother country of their genre to do well by the legacy of groups such as Fugazi and Helmet. Vocalists Al Westaway and Charlie Simpson utilize a distinct sound that reaches total catharsis. Train-like guitar work also adds strength to the record, creating drama and tension in the key moments. The driving force behind most of the songs, however, is the rhythm section. The tight bass lines and tighter drumming are what lead each track through its arc, shirking convention when things start to get clichéd". [8]
American music website Aversion awarded the album four stars in their review. They commented; "Few can really channel an obsession with a celebrity into something truly productive – bedroom shrines and mashed potato monuments are just creepy. But four North Londoners known as Fightstar have done just that with their infatuation with Fight Club author, Chuck Palahniuk. Through passionate musicianship that's equal parts serenading melody and jarring punch, these blokes unleash a welcome roundhouse kick to the face of overly sensitive emo rock, triggering crying fits and bloodying scarves". [9]
British rock publication, Kerrang! , awarded an "excellent" four K rating in their review. They wrote, "They Liked You Better When You Were Dead delivers. Articulate rage, barbed guitars and epic choruses recall the likes of Thursday or Brand New. 'Palahniuk's Laughter' floors the listener with a mammoth-rolling riff. 'Speak Up' builds into walls of noise and anguished vocals. The six and a half minutes of 'Mono' are simply majestic, featuring barely audible swirling guitars and whispered vocals that grow into a momentous, bludgeoning roar. Simpson and Westaway play like they have been in the same band for years, weaving intricate soundscapes and dark passages of crushing noise. Stunning post-hardcore."
Vik Bansal of MusicOMH was also very positive in his review. With regards to Simpson abandoning his former pop career, he stated, "They Liked You Better When You Were Dead is such a good debut EP that the fact Monsieur Simpson used to be part of a heinous crime against humanity's ears is an irrelevant piece of history that will soon be consigned to pub quizzes and trivia board games". He picked out "Mono" as a stand-out track; "'Mono' is the centrepiece of the EP - a brooding slowie that builds into a swathing crescendo of weighty power chords and will have you reaching for the repeat button as soon as it's over". [10] Rock Sound were also full of praise in their review, scoring the album at 9/10; "Fightstar clearly demonstrate that they can hold their own in a world of heavy, emotional rock. Anyone who likes Muse, Biffy Clyro, Radiohead and even Scissorfight will find something to be absorbed in here. Brilliantly executed".
Adam Knott of Sputnikmusic said during his review that the album was, "one of the most surprising first impressions I've ever heard". Awarding an "excellent" four out of five rating, he added; "The combination of grit and beauty is most prominent on 'Until Then', which morphs from an all-out rocker to a softly crooned middle section and back again, and it's this duality which lends itself to multiple listens. To say that Fightstar's debut EP showed promise or potential would be a disservice - They Liked You Better When You Were Dead is in and of itself a release well worthy of a place on any discerning music-lover's bedroom shelf". [12]
All lyrics are written by Charlie Simpson and Alex Westaway; all music is composed by Fightstar [13] .
No. | Title | Length |
---|---|---|
1. | "Palahniuk's Laughter" | 4:10 |
2. | "Speak Up" | 3:27 |
3. | "Mono" | 6:26 |
4. | "Lost Like Tears in Rain" | 4:07 |
5. | "Amethyst" (contains the hidden track "Hazy Eyes") | 7:19 |
Total length: | 25:39 |
No. | Title | Length |
---|---|---|
1. | "Paint Your Target" | 3:18 |
2. | "Palahniuk's Laughter" | 4:10 |
3. | "Amethyst" | 4:20 |
4. | "Lost Like Tears in Rain" | 4:06 |
5. | "Speak Up" | 3:27 |
6. | "Until Then" | 4:40 |
7. | "Cross Out the Stars" | 5:02 |
8. | "Hazy Eyes" | 3:10 |
9. | "Mono" | 6:22 |
Total length: | 38:39 |
The following personnel contributed to They Liked You Better When You Were Dead: [13]
Region | Date | Label | Type | Format | Catalogue # | Ref. |
---|---|---|---|---|---|---|
Japan | 25 February 2005 | Universal | EP | Digipack | UICI1043 | [14] |
Europe | 28 February 2005 | Sandwich Leg | EP | Digipack | CID887 | [15] |
North America | 12 April 2006 | Deep Elm | Mini-LP | Compact Disc | DER-453 | [16] |
Busted are an English pop-punk band from Southend-on-Sea, Essex, consisting of James Bourne, Matt Willis and Charlie Simpson. Formed in 2000, the band had four UK number-one singles, won two Brit awards, released four studio albums and sold over 5 million records worldwide. The band released the albums Busted in 2002 and A Present for Everyone in 2003 before disbanding in January 2005. Following the split, all three members pursued separate musical careers: Simpson as the frontman for the post-hardcore band Fightstar, Bourne as the lead singer of pop-punk band Son of Dork and Willis as a solo artist. The band reunited in 2015, embarking on the Pigs Can Fly arena tour in May 2016 and released their third studio album, Night Driver, on 25 November 2016. On 26 October 2018, Busted announced their fourth album Half Way There, released on 1 February 2019, as well as a UK arena tour. At the end of 2019, the band embarked on a hiatus to pursue solo projects. In 2023, Busted announced their return for their 20 year anniversary, consisting of an upcoming album and tour.
Charles Robert Simpson is an English singer, songwriter and musician from Suffolk. He is a member of the pop-punk band Busted and he is also the lead vocalist and the rhythm guitarist in the British post-hardcore band Fightstar. AllMusic has noted that Simpson is "perhaps the only pop star to make the convincing transition from fresh-faced boy bander to authentic hard rock frontman". Simpson is a multi-instrumentalist, playing guitar, bass, keyboard, piano and drums.
Fightstar are a British rock band from London that formed in 2003. The band is composed of lead vocalist, guitarist and keyboardist Charlie Simpson, guitarist and co-vocalist Alex Westaway, bassist Dan Haigh and drummer Omar Abidi. Generally considered a post-hardcore band as a whole, Fightstar are known to incorporate metal, alternative rock and other genres into their sound. During the band's early days, they were viewed sceptically by critics because of Simpson's former pop career with Busted. Their live shows got a more positive reaction, and their 2005 debut EP, They Liked You Better When You Were Dead, was a critical success.
A Present for Everyone is the second studio album by English pop punk band Busted. It was released on 17 November 2003 by Universal Island Records and features a sound mixing pop punk and power pop material with traditional pop rock. Five singles were released from the album, including the number-one hits "Crashed the Wedding", "Who's David" and "Thunderbirds / 3AM".
Grand Unification is the debut studio album by British post-hardcore band Fightstar, released on 13 March 2006 through Island Records. Based upon the Neon Genesis Evangelion franchise, Grand Unification was produced by Colin Richardson and is considered a concept album. The track "Lost Like Tears in Rain" contains the line "It's Neon Genesis" to support the band's interest in the anime series. The artwork, drawn digitally by Daniel Conway, also portrays scenes similar to that of the ruined cities in Evangelion. It is also thought to believe the cover has taken influence from the song "Grand Unification Part 2" as the lyric "hold my hand until the waves come" and the cover features two persons holding hands waiting for what appears to be a flood. The lyrics are themed around social commentary at the end of the world, while the album's title refers to the Human Instrumentality Project.
Dan Haigh is an English musician, film director, video game designer, writer and visual effects artist. He is best known as co-founder of synthwave band Gunship and as the bass player in the English rock band Fightstar.
"Hazy Eyes" is the fourth single from the debut Fightstar album Grand Unification. Written by Charlie Simpson and Alex Westaway, "Hazy Eyes" was released a year after the first single "Paint Your Target".
One Day Son, This Will All Be Yours is the second studio album by British post-hardcore band Fightstar, released on 24 September 2007 through Institute Recordings, itself a subsidiary of independent label Gut Records. Recorded in Los Angeles and produced by Matt Wallace, the album debuted at number twenty seven on the UK Albums Chart and was preceded by the free downloadable single, "99" and first official single, "We Apologise for Nothing". As with the bands debut album, Daniel Conway digitally painted the albums artwork.
"Floods" is the fourth single from Fightstar's second studio album, One Day Son, This Will All Be Yours. It was originally intended to be released as the second single, however this was changed to "We Apologise For Nothing" due to the recent floods in the UK at that time.
"Deathcar" is the third single from Fightstar's second album One Day Son, This Will All Be Yours, and was released on 3 December 2007.
"The English Way" was the first single to be taken from Fightstar's third studio album, Be Human. It was released on 3 November 2008.
Be Human is the third studio album by English alternative rock band Fightstar, released on 20 April 2009 through independent label Search and Destroy Records, itself distributed by PIAS Recordings. The album was recorded between August and December 2008 in Chesterfield and London, with the band co-producing alongside Laruso guitarist Carl Bown. Additional recording took place Air Studios with string composer Audrey Riley. Unlike their first two studio releases, Daniel Conway did not contribute to the album's artwork, instead the band approached Ryohei Hase who digitally painted the cover art.
"Never Change" is the third single to be taken from Fightstar's third studio album, Be Human, and was released on 20 July 2009.
Alex Westaway is the lead vocalist of Gunship and co-vocalist and guitarist of the rock band Fightstar alongside Charlie Simpson, Omar Abidi and Dan Haigh.
"A City on Fire" is a song by English post-hardcore band Fightstar, released 20 December 2009, on Search and Destroy Records as a digital download only.
Young Pilgrim is the debut studio album by British singer-songwriter Charlie Simpson. The album was produced by Danton Supple and was released on 15 August 2011 through independent label PIAS Recordings.
Behind the Devil's Back is the fourth studio album by British post-hardcore band Fightstar. The album was released on 16 October 2015 via the band's own record label - distributed by Warner Music. The album was funded via a Pledge Music campaign, which launched in July 2015.
Night Driver is the third studio album by English pop rock band Busted. It was released through East West Records on 25 November 2016, and is the band's first album of new material in thirteen years, following on from A Present for Everyone (2003). The album marked a notable shift in sound from their previous albums, incorporating synthpop and alternative pop elements. It received positive reviews from critics.
Gunship is a British synthwave band formed in 2014 by Dan Haigh and Alex Westaway; they were later joined by drummer Alex Gingell.
"Nineties" is a song by English pop punk band Busted. It was released on 2 November 2018 as the lead single from their fourth studio album, Half Way There (2019).
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