One Day, Son, This Will All Be Yours | ||||
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Studio album by | ||||
Released | 24 September 2007 | |||
Recorded | April–May 2007 | |||
Studio | The Pass and Studio Delux Los Angeles, California | |||
Genre | ||||
Length | 46:12 (Original) 105:20 (Deluxe) | |||
Label | ||||
Producer | Matt Wallace | |||
Fightstar chronology | ||||
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Singles from One Day Son, This Will All Be Yours | ||||
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One Day Son, This Will All Be Yours is the second studio album by British post-hardcore band Fightstar, released on 24 September 2007 through Institute Recordings, itself a subsidiary of independent label Gut Records. Recorded in Los Angeles and produced by Matt Wallace, the album debuted at number twenty seven on the UK Albums Chart and was preceded by the free downloadable single, "99" and first official single, "We Apologise for Nothing". As with the bands debut album, Daniel Conway digitally painted the albums artwork. [1]
The tracks "Unfamiliar Ceilings" and "H.I.P. (Enough)" are both representations of Fightstar's continued interest in the Neon Genesis Evangelion franchise. The former song title comes from a line that the protagonist, Shinji Ikari, speaks during the series. The latter is an acronym for "Human Instrumentality Project", the goal of the fictional secret society "Seele". The third single, "Deathcar", also contains two b-sides; namely "Nerv/Seele" (named after the 2 factions from the Evangelion series) and the track "Shinji Ikari", after the aforementioned character of the same name. [2] Bass Player Dan Haigh is primarily responsible for bringing the influence of Evangelion to Fightstar. [3]
It was announced in June 2009 that the album was being re-released as a deluxe edition, containing a bonus CD including b-sides from the original recording sessions and live versions of "99" and "Deathcar". [4] The new edition was released on 6 July 2009 in the United Kingdom and 11 August for the United States release via Edsel Records, [5] who specialise in repackaged albums.
The album, re-issued in vinyl format, appeared on Amazon as a pre-order in late September.[ when? ]
The album was written and demoed in Northampton at Alex Westaway's barn and then recorded in Los Angeles with producer Matt Wallace (Faith No More, Satchel, Deftones) in Spring 2007. Recording took place in the studios next to Metallica, who at the time were in the early stages of production on their ninth album Death Magnetic . [6]
Lyrically, the album is more of a "personal record" according to frontman Charlie Simpson, as opposed to Grand Unification , which was written as more of a social commentary with a concept based on the Japanese anime series Neon Genesis Evangelion . [7]
He stated that the end of his seven-year relationship whilst writing the album was the reason for this and songs "Deathcar" and "Unfamiliar Ceilings" were directly about the breakup. The track "Floods" was in reference to global warming and "One Day Son" was written about war and the consequences it may have on future generations. [8] "99" was given its name because when Simpson was trying to rename the demo of the track he dropped his laptop down the stairs and the only key that worked was the 9. [9]
Speaking about the general meaning behind the album title, Simpson stated:
"One Day Son This Will All Be Yours" was taken from a picture I saw. It's kind of... the state of things in Iraq at the moment, and it was just basically saying that with everything going on at the moment, whether it be global warming or the wars, or anything in peoples' personal lives – the actions we take now. The repercussions of it, a lot of the things that us a human race are doing at the moment – we're going to see the consequences in fifty years when we're all pretty much old and ready to pop our clogs. It is our kids and our kids' generations that'll deal with it. [8]
"99" was the first new material promoted from the album. Kerrang! Radio premiered the song on 4 April 2007 announcing it would be download-only and would be available online. [9] The band put a temporary microsite online as of 11 May where fans could sign up and download the single and accompanying video for free. In May and June, the band went on a US tour alongside Emanuel, Madina Lake and Firescape. [10] For the remainder of June, the band toured with Alexisonfire, Funeral for a Friend and Emanuel. [11]
"Floods" was intended to be the first official single, but was later changed to "We Apologise For Nothing" in light of the recent flooding in Britain. On 23 November, a music video was released for "Deathcar". [12] "Deathcar" was the band's next single, which was the first record on the VinylDisc format to be released in the UK. [13] The band supported Coheed and Cambria on the Kerrang! Tour in the UK in January and February 2008. [14] "Floods" was finally released as the third official single on 3 March 2008. The band released a music video for "I Am the Message" on their website on 7 June. [15] "I Am the Message" was released as the fifth and final single on 16 June, before the band begin working on new material.
Review scores | |
---|---|
Source | Rating |
AbsolutePunk | 83% [16] |
BBC Music | (favourable) [17] |
City Life | (favourable) [18] |
In the News | 7/10 [19] |
Kerrang! | [20] |
Q | [21] |
Rock Sound | 8/10 [22] |
The album received strong reviews upon its release, further increasing the band's respect and popularity within the UK's alternative rock/metal scene. The release saw the band expand their sound and push further into both lighter and heavier territories, with a mixture of more melodic soundscapes and heavier metallic styles. [8]
HMV described the album as "a harder effort than previous album Grand Unification, this album is a thrilling mixture of alt. rock and post-hardcore". [23] Joe DeAndrea of AbsolutePunk.net scored the album at 83%, and praised the diversity of songs on offer:
If you like the direction One Day Son takes with "Deathcar", you'll surely enjoy "H.I.P. (Enough)" and "Tannhauser", the tracks that are no doubt the hardest the band's ever written. One Day Son closes with the relaxing "Unfamiliar Ceilings", featuring soft female vocals and a kick drum while lacking the big guitar riffs that are present in almost all of the songs in this album. [7]
Robert Jackman of the BBC was generally favourable, although he did state the album was "tugged in too many directions". He went on to add, "Radio-friendly single '99' is weighty yet melodic, 'You and I' is a ripening attempt at a breathy serenade, while harder tracks like 'Tannhauser' throb with well-regimented aggression, threatening to pulverise anyone who might question the band's rock credentials". [17] In the News awarded the album 7/10. Lewis Bazley was favourable, although he stated the second half of the album didn't hold up as strong as the first:
The first half of the album is superb post-hardcore, with Wallace's production helping the growing vocal confidence of Simpson and Westaway and Abidi's percussion providing weighty accompaniment to the vicious riffs. Though Deathcar's an outstanding headbanger, it's also a snapshot of the album's failing. The tendency to slip into the genre convention of sludgy opening riff followed by tuneful verses and soaring refrains would be more acceptable if said riffs were anything to write home about, but they're too often so uninspired and anachronistic that you dread their post-chorus return. It's a pity, because the opening seven tracks and the intriguing climax show the band's immense talent. Good, but not quite great – yet. [19]
British publication Kerrang! gave the album KKKK's (4/5) and summarized: "this is an album with a gigantic heart, a work that places them among the best Britain has to offer. It could well make them unstoppable". [20] Q Magazine also rated the album 4/5, stating: "the intricate instrumental passages, multi-tracked vocal harmonies and pounding riffs hint at Muse-scale ambition and intellect". [21]
All lyrics are written by Charlie Simpson and Alex Westaway; all music is composed by Fightstar, [24] except where noted
No. | Title | Length |
---|---|---|
1. | "99" | 4:05 |
2. | "We Apologise for Nothing" | 4:13 |
3. | "Floods" | 3:34 |
4. | "One Day Son" | 4:13 |
5. | "Deathcar" | 3:58 |
6. | "I Am the Message" | 2:59 |
7. | "You & I" (featuring Rachel Haden) | 4:16 |
8. | "Amaze Us" | 4:30 |
9. | "H.I.P. (Enough)" | 3:00 |
10. | "Tannhäuser Gate" | 3:20 |
11. | "Our Last Common Ancestor" | 3:56 |
12. | "Unfamiliar Ceilings" (featuring Rachel Haden) | 4:07 |
Total length: | 46:12 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Gracious" (featuring Rachel Haden) | 3:43 | |
2. | "Hold Out Your Arms" (live acoustic) | 4:13 | |
3. | "In Between Days" (The Cure cover) | Robert Smith | 3:34 |
4. | "Abuse Me" (Silverchair cover) | Daniel Johns | 2:51 |
5. | "Breaking the Law" (Judas Priest cover) | Rob Halford, K.K. Downing, Glenn Tipton | 2:59 |
6. | "NERV/SEELE" | 3:52 | |
7. | "Shinji Ikari" | 3:59 | |
8. | "Deathcar" (live) | 5:25 | |
9. | "99" (live) | 4:19 | |
10. | "Flotation Therapy" | 3:29 | |
11. | "Zihuatanejo" | 3:32 | |
12. | "Floods" (instrumental) | 3:33 | |
13. | "Dark Star" | 3:43 | |
14. | "Where's the Money, Lebowski?" | 3:26 |
The following personnel contributed to One Day Son, This Will All Be Yours: [24]
Region | Date | Label | Format | Catalogue # | Ref. |
---|---|---|---|---|---|
United Kingdom | 24 September 2007 | Gut | Compact Disc + DVD, digital download | SADCDA002 | [23] |
6 July 2009 | Edsel | Compact Disc, digital download | EDSD2063 | [25] | |
18 October 2019 | Edsel | Vinyl, digital download | B07WSPJWV1 | [26] | |
United States | 11 August 2009 | Edsel | Compact Disc, digital download | EDSD2063 | [27] |
Chart | Peak position [28] |
---|---|
Scottish Albums Chart [29] | 30 |
UK Albums Chart | 27 |
UK Indie Albums Chart | 3 |
Busted are an English pop-punk band from Southend-on-Sea, Essex, consisting of James Bourne, Matt Willis and Charlie Simpson. Formed in 2000, the band has had four UK number-one singles, won two Brit Awards, released four studio albums and sold over 5 million records worldwide. The band released the albums Busted in 2002 and A Present for Everyone in 2003 before disbanding in January 2005.
Charles Robert Simpson, known professionally as Charlie Simpson, is an English singer, songwriter, and musician from Suffolk. He is a member of the BRIT Award winning pop-punk band Busted and he is also lead vocalist and rhythm guitarist in the post-hardcore band Fightstar. AllMusic has noted that Simpson is "perhaps the only pop star to make the convincing transition from fresh-faced boy bander to authentic hard rock frontman". Simpson is a multi-instrumentalist, playing guitar, bass, keyboard, piano and drums.
Fightstar are a British rock band from London that formed in 2003. The band is composed of lead vocalist, guitarist and keyboardist Charlie Simpson, guitarist and co-vocalist Alex Westaway, bassist Dan Haigh and drummer Omar Abidi. Generally considered a post-hardcore band as a whole, Fightstar are known to incorporate metal, alternative rock and other genres into their sound.Their 2005 debut EP, They Liked You Better When You Were Dead, was released in 2005 and was a critical success.
They Liked You Better When You Were Dead is the debut EP by English rock band Fightstar, released on 28 February 2005 through Sandwich Leg Records. The release proved a critical success, in spite of the cynics' initial expectations of the band. It has been said that the EP helped "present Fightstar as a British rival to the East Coast alternative rock scene". Alex Westaway, the band's lead guitarist and co-lyricist drew the artwork based on Edward Norton for the inlay of the booklet, as the record was inspired by author Chuck Palahniuk and the film adaptation Fight Club.
Rachel Haden is an American musician and one of the triplet daughters of jazz bassist Charlie Haden.
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Grand Unification is the debut studio album by British post-hardcore band Fightstar, released on 13 March 2006 through Island Records. Based upon the Neon Genesis Evangelion franchise, Grand Unification was produced by Colin Richardson and is considered a concept album. The artwork, drawn digitally by Daniel Conway, portrays scenes similar to that of the ruined cities in Evangelion. It is also thought to believe the cover has taken influence from the song "Grand Unification Part 2" as the lyric "hold my hand until the waves come" and the cover features two persons holding hands waiting for what appears to be a flood. The lyrics are themed around social commentary at the end of the world, while the album's title refers to the Human Instrumentality Project.
Dan Haigh is an English musician, film director, video game designer, writer and visual effects artist. He is best known as co-founder of synthwave band Gunship and as the bass player in the English rock band Fightstar.
Brigade are a British alternative rock band from London, England, formed in 2003. The four-piece consisted of lead vocalist and rhythm guitarist Will Simpson, lead guitarist and backing vocalist James Plant, bassist Naoto Hori, and drummer Andrew Kearton.
"The Beast", known by the Japanese title "Unfamiliar Ceilings", is the second episode of the anime Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and Yōji Enokido and directed by Kazuya Tsurumaki. It aired originally on TV Tokyo on October 11, 1995.
"Floods" is the fourth single from Fightstar's second studio album, One Day Son, This Will All Be Yours. It was originally intended to be released as the second single, however this was changed to "We Apologise For Nothing" due to the recent floods in the UK at that time.
"Deathcar" is the third single from Fightstar's second album One Day Son, This Will All Be Yours, and was released on 3 December 2007.
Alternate Endings is a compilation album by English post-hardcore band Fightstar, released 11 August 2008 on Gut Records. It features previously unreleased material, b-sides, covers and live radio recordings from the previous four years.
"The English Way" was the first single to be taken from Fightstar's third studio album, Be Human. It was released on 3 November 2008.
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"Never Change" is the third single to be taken from Fightstar's third studio album, Be Human, and was released on 20 July 2009.
Alex Westaway is an English musician. He is the lead vocalist of Gunship and co-vocalist and guitarist of the rock band Fightstar alongside Charlie Simpson, Omar Abidi and Dan Haigh.
"A City on Fire" is a song by English post-hardcore band Fightstar, released 20 December 2009, on Search and Destroy Records as a digital download only.
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Gunship is a British synthwave band formed in 2014 by Dan Haigh and Alex Westaway; they were later joined by drummer Alex Gingell.
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