"In Between Days" | ||||
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Single by The Cure | ||||
from the album The Head on the Door | ||||
B-side |
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Released | 19 July 1985 [1] | |||
Recorded | 1985 | |||
Studio | Angel Recording Studios, London | |||
Genre | ||||
Length | 2:57 | |||
Label | Fiction | |||
Songwriter(s) | Robert Smith | |||
Producer(s) |
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The Cure singles chronology | ||||
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Music video | ||||
"In Between Days" on YouTube |
"In Between Days" (sometimes listed as "Inbetween Days" or "In-Between Days") is a song by the English rock band The Cure, released on 19 July 1985 as the first single from the band's sixth album The Head on the Door .
The song was an international success. In the UK, it was the band's ninth chart single and their fourth consecutive Top 20 hit; [4] while in the US it was their first single to reach the Billboard Hot 100, where it peaked at number 99. [5] It was a Top 20 hit in Australia and New Zealand [6] and also charted in several European countries, [7] [8] increasing the popularity of the band.
The video was filmed on 18 June 1985 at Fulham Studios, London and created by Tim Pope. The video depicts the band playing, enhanced by 360-degree shots and drawn-in, colourful socks. Robert Smith had a camera, held by cables, which he could push away and hold at will; as did Porl Thompson, fixed on his guitar. [9]
Tim Pope said of the video "I think Robert is a true English eccentric, you see. He's an absolute nutcase; he's absolutely mad. Therefore, the films are very easy because I just do a close-up of his face and let him go a bit mad." Smith has stated that it was one of his favourite Cure videos, feeling "it captures the song", saying "We wanted to make a video that portrayed us as we are, without looking glamorous or anything, because I got very fed up with seeing people strutting and preening in videos. I think it’s the most tedious thing in the world, seeing the same people with different faces." [10]
"In Between Days" is widely regarded as one of the Cure's best songs. In 2019, Billboard ranked the song number three on their list of the 40 greatest Cure songs, [11] and in 2023, Mojo ranked the song number two on their list of the 30 greatest Cure songs. [12]
John Leland at Spin said, "It has the bittersweet feel of a New Order record, with a hyperstrummed acoustic guitar for depth. The boys even offer a genuine glimmer of hope, and the tune fairly breezes by on its own momentum." [13]
UK 7" single
UK 12" single
U.S. 7" single
U.S./Canadian 12" single
UK CD
Chart (1985) | Peak position |
---|---|
Australia (Kent Music Report) [14] | 16 |
UK Singles Chart | 15 |
U.S. Billboard Hot 100 | 99 |
U.S. Billboard Hot Dance Club Play | 39 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [15] | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
Year | Artist | Album |
---|---|---|
1990 | John Eddie | Rubáiyát: Elektra's 40th Anniversary |
2000 | Luka Bloom | Keeper of the Flame |
2003 | Ben Folds | Speed Graphic |
2003 | Sunfactor | One Thousand Screaming Children |
2005 | Korn | Unplugged |
2005 | La Portuaria | Rio |
2006 | Sunshiners | Sunshiners |
2008 | Mumm-Ra | Out of the Question EP |
2008 | Blackblack | Perfect as Cats |
2008 | Fightstar | Alternate Endings |
2009 | Get Cape. Wear Cape. Fly | Covers |
2011 | Kim Wilde | Snapshots |
2015 | Tigers Jaw | Devinyl Splits No. 3: Tigers Jaw x Kevin Devine |
2017 | Karen Souza | Velvet Vault |
The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. Their debut album, Three Imaginary Boys (1979), along with several early singles, placed the band at the forefront of the emerging post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the goth subculture that eventually formed around the genre.
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