The Top | ||||
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Studio album by | ||||
Released | 4 May 1984 [1] | |||
Recorded | 1983–1984 | |||
Studio |
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Genre | ||||
Length | 40:55 | |||
Label | Fiction | |||
Producer | ||||
The Cure chronology | ||||
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Singles from The Top | ||||
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The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. [2] Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
After recording psychedelic album Blue Sunshine for the one-off project the Glove during summer 1983, Robert Smith finished off the year composing and working on two other studio albums at the same time: The Top for the Cure and Hyæna for Siouxsie and the Banshees. Smith was still the official guitarist of the Banshees while he wrote The Top.
For The Top, Smith teamed up with Cure co-founding member Lol Tolhurst, who had given up drums for keyboards, and new drummer Andy Anderson, who had previously performed on the UK top 10 single "The Lovecats". Porl Thompson was credited for playing saxophone on "Give Me It". All the songs are credited to Smith but three tracks were co-written with Tolhurst: "The Caterpillar", "Bird Mad Girl" and "Piggy in the Mirror". [3]
The album's style is eclectic, with Smith using various instruments including violin and flute. "Bird Mad Girl" is in a Spanish style, while "Wailing Wall" contains Middle Eastern undertones. Sounds critic Jack Barron described the opening track "Shake Dog Shake" as "urbane metal". [4]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Austin Chronicle | ![]() ![]() ![]() ![]() ![]() |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 6.9/10 [8] |
Q | ![]() ![]() ![]() ![]() ![]() |
Record Mirror | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Smash Hits | 8/10 [12] |
Sounds | ![]() ![]() ![]() ![]() ![]() |
Uncut | ![]() ![]() ![]() ![]() ![]() |
Prior to its release, the Cure had been promoting the forthcoming album, performing live twice on UK television. In late February, they had played two songs on BBC Two's Oxford Road Show, "Shake Dog Shake" and "Give Me It" and in early April, they had appeared on Channel Four's The Tube to perform three other tracks, "Bananafishbones", "Piggy in the Mirror" and the title track of the record. The Top album was released on 4 May 1984 by record label Fiction. It was a commercial success in the UK, peaking at No. 10 on the UK Albums Chart. [14] "The Caterpillar" was the sole single released from the album.
Upon its release, the reaction in the British press was mostly positive. Steve Sutherland of Melody Maker praised the album for its "psychedelia that can't be dated", [15] while Andy Strike of Record Mirror called it "a record of wicked originality and wit". [10] In Smash Hits , Mark Ellen deemed The Top a "weird and wonderful" album with songs that "seem both enticing and faintly dangerous". [12] In contrast, Barron at Sounds noted that The Top is "too often not the true bottom line in reflected experience to be indisposable", but nevertheless prophesied, "In 20 years' time, when the next generation blush with excitement at the word 'Psychedelic', it'll be regarded as a classic". [4] On a more skeptical note, NME reviewer Danny Kelly considered it self-indulgent, qualifying it as "an ambitious, difficult record". [16]
In a retrospective review, Q writer Tom Doyle dismissed The Top as "a transitional record of forgettable songs". [9] Thomas Inskeep of Stylus Magazine wrote that The Top "may well be the nadir of their catalog", concluding he would call it "a transitional album and leave it at that, for what came subsequently was an honest-to-goodness marvel". [17] Chris True of AllMusic noted that while it is "an album obviously recorded under stress, drink, and drugs", Smith's ability "to fuse the paranoia and neuroses of former work with his newfound use of pop melody and outside influences" makes the record "a necessary step in the evolution of the band". [5]
All songs written by Robert Smith, except where noted.
Side A
Side B
No. | Title | Length |
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1. | "You Stayed ... (Robert Smith Home Demo 8/82)" | 2:21 |
2. | "Ariel (Robert Smith Home Demo 8/82)" | 2:58 |
3. | "A Hand Inside My Mouth (Des Dames Studio Demo 8/83)" | 3:40 |
4. | "Sadacic (Olympic Studio Robert Smith Demo 12/83)" | 4:17 |
5. | "Shake Dog Shake (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 4:56 |
6. | "Piggy in the Mirror (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 3:40 |
7. | "Birdmad Girl (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 3:36 |
8. | "Give Me It (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 3:43 |
9. | "Throw Your Foot (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 3:31 |
10. | "Happy the Man (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 2:46 |
11. | "The Caterpillar (Garden/Eden Studios Robert Smith and Andy Anderson Demo 12/83)" | 4:17 |
12. | "Dressing Up (Genetic Studio Guide Vocal/Rough Mix 2/84)" | 2:14 |
13. | "Wailing Wall (Genetic Studio Rough Mix 2/84)" | 4:59 |
14. | "The Empty World (Live Bootleg – Hammersmith Odeon 5/84)" | 2:47 |
15. | "Bananafishbones (Live Bootleg – Hammersmith Odeon 5/84)" | 2:57 |
16. | "The Top (Live Bootleg – Hammersmith Odeon 5/84)" | 7:13 |
17. | "Forever (version) (Live Bootleg – Zenith Paris 5/84)" | 4:58 |
The Cure
Additional musicians
Production
Chart (1984) | Peak position |
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Dutch Albums (Album Top 100) [18] | 12 |
German Albums (Offizielle Top 100) [19] | 44 |
New Zealand Albums (RMNZ) [20] | 23 |
Swedish Albums (Sverigetopplistan) [21] | 31 |
UK Albums (OCC) [14] | 10 |
US Billboard 200 [22] | 180 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [23] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
The Cure are an English rock band formed in 1976 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. Their debut album, Three Imaginary Boys (1979), along with several early singles, placed the band at the forefront of the emerging post-punk and new wave movements that were gaining prominence in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the goth subculture that eventually formed around the genre.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. The title is a pun on the children's game Chinese whispers.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Galore: The Singles 1987–1997 is the second singles compilation by The Cure and was released on 28 October 1997. It contains singles from the years 1987–1997. The song "Wrong Number" is the only new song on the album. The album cover features Isabel Caroline Slark photographed by Ralph John Perou c.1997.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
Concert: The Cure Live is the first live album by English rock band the Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford during The Top tour. The cassette tape edition featured, on the B-side, a twin album of anomalies, titled Curiosity : Cure Anomalies 1977–1984.
The Cure in Orange is a concert film by British rock group The Cure. It was shot on 35mm film at the Théâtre antique d'Orange in the French countryside, on 8, 9, and 10 August 1986. Band members Robert Smith, Simon Gallup, Porl Thompson, Boris Williams (Drums), and Lol Tolhurst (Keyboards) make their way through 23 songs, under the direction of Tim Pope.
Pearl Thompson is an English musician and artist. Thompson is best known as a member of the English alternative rock band The Cure from 1983-1993 and 2005-2011, during which he was credited as Porl Thompson and played mainly guitar with occasional keyboards and saxophone. After leaving the Cure he has focused on a successful career as a visual artist.
Laurence Andrew Tolhurst is an English musician, songwriter, producer, and author. He was a founding member of the Cure, for which he first played drums before switching to keyboards. He left the Cure in 1989 and later formed the bands Presence and Levinhurst. He has also published two books and developed the Curious Creatures podcast. This has led him to collaborate with Budgie and Jacknife Lee and the release of an album, Los Angeles (2023).
"The Caterpillar" is a song by English rock band The Cure, released as the sole single from their fifth studio album The Top (1984), on 30 March 1984. It was written by Robert Smith and Lol Tolhurst. It spent seven weeks in the UK Singles Chart, peaking at number 14 on 7 April of that year. It spent five weeks on the Dutch charts in June 1984, reaching number 35 there on 2 June. It reached number 51 on the Australian Kent Music Report chart.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
"Catch" is a song by English rock band The Cure released on 22 June 1987 as the second single from their album Kiss Me, Kiss Me, Kiss Me (1987). It was only released as a single in the UK, where it charted at No. 27, and Europe.
"Hot Hot Hot!!!" is a single by British rock band the Cure released on 8 February 1988. It is taken from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song reached number 45 in the UK, whereas it was more successful in Ireland where it reached number 18, and in Spain where it reached the Top 10.
"Fascination Street" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). It was issued as a single only in North America, as the band's American record company refused to release the band's original choice, "Lullaby", as the first single. The song became the band's first number-one single on the US Billboard then-newly created Modern Rock Tracks chart, staying on top for seven weeks.