|Three Imaginary Boys|
|Studio album by|
|Released||11 May 1979|
|Studio||Morgan Studios, London|
|The Cure chronology|
|The Cure studio album chronology|
Three Imaginary Boys is the debut studio album by English rock band The Cure, released on 11 May 1979 by Fiction Records. It was later released in the United States, Canada, and Australia with a different track listing as a compilation album titled Boys Don't Cry .
Three Imaginary Boys was released on 11 May 1979 by record label Fiction. The record company decided which songs were put on the album, as well as the cover artwork, without Robert Smith's consent. For all Cure albums since, Smith has ensured that he is given complete creative control over the final product before it goes on sale.The "Foxy Lady" soundcheck, with vocals sung by Michael Dempsey, was not supposed to be on the album, and was removed for the American release. Smith has stated that "songs like 'Object' and 'World War' and our cover of 'Foxy Lady' were Chris Parry's choice".
The album was reissued on 29 November 2004 and featured a second disc of unreleased material, including songs recorded under the band name Easy Cure with Porl Thompson. It was originally supposed to be released in early 2004 along with the band's next three studio albums ( Seventeen Seconds , Faith and Pornography ), but was delayed multiple times before being released by itself at the end of 2004. As it featured a variety of old songs, it was the only Deluxe Edition by the band that did not include an alternate version of each song on the first disc. Some of the early booklets in the reissue had missing lyrics, which were made available on the Cure's website in PDF form.[ citation needed ] All copies since contain the lyrics. A one-disc reissue was released on 5 September 2005, containing only the original album. It was also released in the standard jewel case rather than in a box. In some countries, the Deluxe Edition has become a collector's item as production was phased out, being replaced by the more economic single-disc version.
|The Irish Times|
|The Rolling Stone Album Guide|
Despite Smith's displeasure with the record, Three Imaginary Boys was well received critically at the time of its release. ' Dave McCullough praised it in a 5-star review and noted: "The Cure are going somewhere different on each track, the ideas are startling and disarming." McCullough noted the variety of the material and qualified "Grinding Halt" as a "pop song that reminds you of the Isley Brothers or the Buzzcocks." Red Starr, writing in Smash Hits , described the album as a "brilliant, compelling debut." However, NME 's Paul Morley did not share the same point of view and wrote: "Most of the time, it's a voice catching its breath, a cautiously primitive riff guitar, toy drumming and a sprightly bass."Sounds
Chris True of AllMusic retrospectively called the album "a very strong debut" and a "semi-detached bit of late-'70s English pop-punk".Nitsuh Abebe of Pitchfork likened the album to a "new wave Wire... [or] Joy Division" and called it "as original a record as anything else to spin off from the tail end of punk." He also called the album "spiky post-punk." BBC Music critic Simon Morgan said "Smith was forging his own take on the post-punk zeitgeist," while author Martin C. Strong said it "remains among the Cure's finest work," adding that "their strangely accessible post-punk snippets lent an air of suppressed melancholy." The album was also described as "a collection of melodic but slightly kooky power-pop" by Chris Gerard of PopMatters .
|1.||"10:15 Saturday Night"||3:42|
|1.||"Foxy Lady" (The Jimi Hendrix Experience cover version)||Jimi Hendrix||2:29|
|4.||"Fire in Cairo"||3:23|
|5.||"It's Not You"||2:49|
|6.||"Three Imaginary Boys"||3:17|
|7.||"The Weedy Burton"||1:04|
|1.||"I Want to Be Old" (SAV studio demo, October 1977; previously unreleased)||2:36|
|2.||"I'm Cold" (SAV studio demo, November 1977)||3:21|
|3.||"Heroin Face" (live in The Rocket, Crawley, December 1977; previously available on Curiosity)||2:40|
|4.||"I Just Need Myself" (PSL studio demo, January 1978; previously unreleased)||2:14|
|5.||"10:15 Saturday Night" (Robert Smith home demo, February 1978)||4:36|
|6.||"The Cocktail Party" (group home demo, March 1978; previously unreleased)||4:17|
|7.||"Grinding Halt" (group home demo, April 1978)||3:31|
|8.||"Boys Don't Cry" (Chestnut studio demo, May 1978; previously available on Curiosity)||2:45|
|9.||"It's Not You" (Chestnut studio demo, May 1978)||3:16|
|10.||"10:15 Saturday Night" (Chestnut studio demo, May 1978)||3:41|
|11.||"Fire in Cairo" (Chestnut studio demo, May 1978)||3:42|
|12.||"Winter" (Three Imaginary Boys studio outtake, October 1978; previously unreleased)||3:46|
|13.||"Faded Smiles" (also known as "I Don't Know"; Three Imaginary Boys studio outtake, October 1978; previously unreleased)||2:16|
|14.||"Play with Me" (Three Imaginary Boys studio outtake, October 1978; previously unreleased)||3:30|
|15.||"World War" (on early copies of Boys Don't Cry )||2:38|
|16.||"Boys Don't Cry" (also on Boys Don't Cry)||2:37|
|17.||"Jumping Someone Else's Train" (also on Boys Don't Cry)||2:59|
|18.||"Subway Song" (live in Nottingham, October 1979; previously available on Curiosity)||2:27|
|19.||"Accuracy" (live in Nottingham, October 1979)||2:36|
|20.||"10:15 Saturday Night" (live in Nottingham, October 1979)||4:38|
The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member. The band's debut album, Three Imaginary Boys (1979), along with several early singles, placed the band in the post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.
Robert James Smith is an English singer, songwriter, musician, and record producer. He is best known as the lead singer, guitarist, primary songwriter, and only continuous member of the rock band the Cure, which he co-founded in 1978. He was also the lead guitarist for the band Siouxsie and the Banshees from 1982 to 1984, and was part of the short-lived group the Glove in 1983.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Faith is the third studio album by English rock band The Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous album Seventeen Seconds (1980), which would conclude with their next album Pornography (1982).
Boys Don't Cry is The Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album Three Imaginary Boys with material from the band's 1978–1979 era.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records.
Pornography is the fourth studio album by English rock band The Cure, released on 3 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
The Top is the fifth studio album by English rock band The Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
The Head on the Door is the sixth studio album by English rock band The Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Join the Dots: B-Sides & Rarities is a box set of The Cure, released on 26 January 2004, by their former record label Fiction. This box set is a four-disc compilation of B-sides and rarities, digitally remastered by Chris Blair at Abbey Road Studios from their original tapes. The box set includes all B-sides by the band, apart from a number of remixes, as well a number of unreleased songs and songs that had been out of physical circulation for years. Many of the songs had not appeared on CD before. The set includes a booklet with track-by-track commentary and an extensive overview of the band's history up to 2004, followed by an extensive list of The Cure's discography.
Standing on a Beach is a singles compilation album released by English rock band The Cure in May 1986, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
Concert: The Cure Live is the first live album by English rock band the Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford during The Top tour. The cassette tape edition featured, on the B-side, a twin album of anomalies, titled Curiosity : Cure Anomalies 1977–1984.
Live at the Witch Trials is the debut studio album by The Fall. It was released on 16 March 1979, through record label Step-Forward. It is not, despite its title, a live album and was recorded in a studio in a single day and mixed by producer Bob Sargeant.
The Cure in Orange is a concert film by British rock group The Cure. It was shot on 35mm film at the Théâtre antique d'Orange in the French countryside, on 8, 9, and 10 August 1986. Band members Robert Smith, Simon Gallup, Porl Thompson, Boris Williams (Drums), and Lol Tolhurst (Keyboards) make their way through 23 songs, under the direction of Tim Pope.
Pearl Thompson is an English musician and artist. Thompson is best known as a member of the English gothic rock band The Cure from 1983–1994 and 2006–2010, credited as Porl Thompson and playing mainly guitar with occasional keyboards and saxophone. During and after The Cure, Thompson was active with a few other bands and projects but has since retired from music and turned to painting.
Michael Stephen Dempsey is an English musician and composer, who has played bass as a member of several post-punk and new wave bands, including the Cure and the Associates.
Laurence Andrew "Lol" Tolhurst is a founding member and the former drummer and keyboardist of English band The Cure. He left the Cure in 1989 and was later involved in the band Presence and his current project, Levinhurst. In 2011, he was temporarily reunited with the Cure for a number of shows playing the band's earlier work.
"Boys Don't Cry" is a song by English rock band the Cure. It was released in the UK as a stand-alone single in June 1979, and was included as the title track on Boys Don't Cry, the American equivalent to Three Imaginary Boys.
"I'm a Cult Hero" is a single released by an extended lineup of the Cure under the name Cult Hero.
The Cure: "Reflections" refers to a set of shows in which The Cure played their first three albums Three Imaginary Boys, Seventeen Seconds and Faith in full at the VividLive festival at the Sydney Opera House on 31 May and 1 June 2011. All three albums were played in their entirety on both nights, along with several other tracks from the same era.