The Cure | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 25 June 2004 | |||
Recorded | 2003–2004 | |||
Studio | Olympic (London) | |||
Genre | ||||
Length | 71:13 | |||
Label |
| |||
Producer | ||||
The Cure chronology | ||||
| ||||
Singles from The Cure | ||||
|
The Cure is the twelfth studio album by English rock band of the same name, released on 25 June 2004 by Geffen Records. The album was entirely co-produced by American producer Ross Robinson and frontman Robert Smith and spawned the single "The End of the World".
Robinson had previously worked with heavy rock bands such as Korn, Limp Bizkit, Slipknot, At the Drive-In, Glassjaw and the Blood Brothers. This may have contributed to the songs on the album being heavier than previous material by the band. Smith described the record as "Cure heavy", as opposed to "new-metal heavy". [2]
Robinson said The Cure's usual process was to first create the music and Smith would later bring the lyrics. He said he encouraged Smith to write the lyrics first instead. That way the rest of the band could put the feeling expressed into the music they played. [3]
Twenty songs were created during the recording sessions. However, Robinson suggest a different sequencing; Smith explained:
"We did twenty songs in total. There's fifteen being released in this first wave, and three of the five being left off are the most depressing songs we've ever done. Ross Robinson is beside himself with anguish that I've left them off the album. The running order that Ross came up with was an eight-song album of all the big, dark, dismal songs. Then I put together my running order and we played them back-to-back, and I just preferred mine. The fact is, I make the decisions." [4]
Robinson insisted on the group playing together while recording songs, like a live experience. Bassist Simon Gallup did not enjoy working with Robinson, believing that he was "contriving to be eccentric".
"I thought he tried to do things so everybody thought he was eccentric where true eccentrics don’t try to create a persona around them. He would just do, to my mind, things that were unnecessary. He'd say, 'Oh, I'm trying to get a sound like, so it sounds like...' for example, he would pick up my bass, and I'd say, 'Hey, what are you doing?' and he'd say, 'I'm just trying to get the sound so it sounds like your bass,' and I said, 'Well, I know how to get that sound.' There’s more convoluted ways of doing it than trying to create a sound, why not just ask the person who's playing it?" [5]
According to the liner notes, the entire album was recorded live in the studio. Smith said the official track listing includes the closing "Going Nowhere", which was excluded from North American pressings.[ citation needed ]
The artwork was designed by Smith's nephews and nieces: children who were unaware that their drawings were to be put on the album. The drawings were supposed to be of a 'good dream' and a 'bad dream' from each niece and nephew. Smith compiled the best drawings on the album and then produced it. [6]
Robert Smith said in 2024 in an interview with BBC Radio 6 Music presenter Matt Everitt that the album was his least favourite "The Cure album is probably my least favourite album that we’ve made. I don't like some of it, it's the only album that I don’t think works." but also said his favourite song from the album was "Before Three". [7]
The Cure is the first record by the band released by producer Ross Robinson's I Am label, with whom the Cure signed a three-album deal. To promote the album, the band appeared at several festivals in Europe and the United States in spring[ ambiguous ] 2004. They also premièred the song "The End of the World" on The Tonight Show with Jay Leno . In the summer of 2004, the band launched the Curiosa festival, where they performed shows across the United States with a number of bands who have been inspired by the Cure, including Mogwai, Interpol and Muse. The band then performed in Mexico, followed by additional festivals and televised performances in Europe, culminating with the end of 2004. By the end of the year, every song from The Cure had been performed live by the band.
The Cure was first released in Japan on 25 June 2004. [8] It was then released in the UK and Europe on 28 June and then in the US the day after. [9] It debuted at No. 7 in the United States, selling 91,000 copies in its first week of release, [10] and No. 8 in the United Kingdom. [11]
Initial pressings included a bonus DVD containing a documentary of the conception of three songs from the album, titled Making 'The Cure'.
Demos of three songs recorded during the album's sessions, titled "A Boy I Never Knew", "Please Come Home" and "Strum", have leaked as MP3 files.[ citation needed ]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 75/100 [12] |
Review scores | |
Source | Rating |
AllMusic | [13] |
Entertainment Weekly | B [14] |
The Guardian | [15] |
The Independent | [16] |
Mojo | [17] |
NME | 8/10 [18] |
Pitchfork | 7.7/10 [19] |
Q | [20] |
Rolling Stone | [21] |
Spin | B [22] |
Critical response to The Cure has been generally positive. Metacritic calculated the weighted average score given to The Cure at 75 out of 100. [12] Adam Sweeting of The Guardian described it as a "masterful performance all round", highlighting the songs "The End of the World", "Going Nowhere", "Anniversary" and "The Promise". [15] Rob Fitzpatrick of NME described it as "startling from the first listen. " [18] Rob Sheffield of Rolling Stone wrote "it's the grooviest thing, it's a perfect dream", and pointed out the album's highlights as being "Before Three", "Lost" and "(I Don't Know What's Going) On". [21] While stating that "as with Prince on Musicology , Smith allows the Cure's current lineup to become his own tribute band", David Browne of Entertainment Weekly nonetheless concluded that the "newly vibrant music looks back lovingly as well on a time when Cure songs managed to combine a throbbing, oingo-boingo springiness with the depressive angst of suburban-basement isolation". [14]
AllMusic's Stephen Thomas Erlewine was mixed in his review of The Cure, qualifying it as "the type of record that sits on the shelves of diehard fans, only occasionally making its way on the stereo". [13] Andy Greenwald of Blender felt that the band "come off more than ever like a caricature", writing: "There are a few breaks of sunlight, including the single 'The End of the World' and 'Taking Off', a strummy echo of 1992's chart-topping Wish. After that, it's right back into the abyss." [23] The Independent 's Andy Gill panned the album as being "just as stunted musically as emotionally, the bleak chordings and grey washes barely differing throughout, whatever an individual song's outlook." [16]
All lyrics written by Robert Smith; all music by the Cure (Smith, Perry Bamonte, Simon Gallup, Jason Cooper and Roger O'Donnell).
No. | Title | Length |
---|---|---|
1. | "Lost" | 4:07 |
2. | "Labyrinth" | 5:14 |
3. | "Before Three" | 4:40 |
4. | "Truth Goodness and Beauty" (excluded from North American, Brazilian and some European pressings) | 4:20 |
5. | "The End of the World" | 3:44 |
6. | "Anniversary" | 4:22 |
7. | "Us or Them" | 4:09 |
8. | "Fake" (excluded from CDs except in Japan) | 4:43 |
9. | "alt.end" | 4:30 |
10. | "(I Don't Know What's Going) On" | 2:57 |
11. | "Taking Off" | 3:19 |
12. | "Never" | 4:04 |
13. | "The Promise" | 10:21 |
14. | "Going Nowhere" (excluded from North American pressings) | 3:28 |
Total length: | 63:58 |
No. | Title | Length |
---|---|---|
15. | "This Morning" | 7:15 |
Total length: | 71:13 |
Bonus DVD
The Cure
Production
Chart (2004) | Peak position |
---|---|
Australian Albums (ARIA) [24] | 28 |
Austrian Albums (Ö3 Austria) [25] | 12 |
Belgian Albums (Ultratop Flanders) [26] | 7 |
Belgian Albums (Ultratop Wallonia) [27] | 4 |
Czech Albums (ČNS IFPI) [28] | 21 |
Danish Albums (Hitlisten) [29] | 6 |
Dutch Albums (Album Top 100) [30] | 37 |
European Albums ( Billboard ) [31] | 1 |
Finnish Albums (Suomen virallinen lista) [32] | 18 |
French Albums (SNEP) [33] | 4 |
German Albums (Offizielle Top 100) [34] | 3 |
Greek Albums (IFPI) [35] | 12 |
Irish Albums (IRMA) [36] | 18 |
Italian Albums (FIMI) [37] | 2 |
New Zealand Albums (RMNZ) [38] | 32 |
Norwegian Albums (VG-lista) [39] | 10 |
Polish Albums (ZPAV) [40] | 9 |
Portuguese Albums (AFP) [41] | 18 |
Scottish Albums (OCC) [42] | 11 |
Spanish Albums (AFYVE) [31] | 5 |
Swedish Albums (Sverigetopplistan) [43] | 10 |
Swiss Albums (Schweizer Hitparade) [44] | 5 |
UK Albums (OCC) [45] | 8 |
US Billboard 200 [46] | 7 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [47] | Silver | 60,000^ |
United States | — | 317,000 [48] |
^ Shipments figures based on certification alone. |
The Cure are an English rock band formed in Crawley, West Sussex in 1976 by guitarist, lead vocalist, and main songwriter Robert Smith and drummer Laurence Tolhurst. Throughout numerous lineup changes since the band's formation, including stints of guitarist Porl Thompson and drummer Boris Williams, Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. The band's current line-up features Smith and Gallup alongside longtime members, Roger O'Donnell (keyboards), Perry Bamonte (guitar), Jason Cooper (drums) and Reeves Gabrels (guitar).
Wild Mood Swings is the tenth studio album by English rock band the Cure, released on 6 May 1996 by Fiction Records. The album charted at number nine on the UK Albums Chart, staying on chart for six weeks, and charted at number 12 in the US Billboard 200.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Wish is the ninth studio album by English rock band the Cure, released on 21 April 1992 by Fiction Records in the United Kingdom and Elektra Records in the United States. Wish was the most commercially successful album in the band's career, debuting at number one in the UK and number two in the US, where it sold more than 1.2 million copies.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Bloodflowers is the eleventh studio album by English rock band The Cure. It was first released in Japan on 2 February 2000, before being released in the UK and Europe on 14 February 2000 and then the day after in the US by Fiction Records and Polydor Records. Initially the album was to be released in 1999, as it had been completed by May that year, the record company wanted it to be released “post millennial fever,”.
Pornography is the fourth studio album by English rock band the Cure, released on 4 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 13 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Galore: The Singles 1987–1997 is the second singles compilation by The Cure and was released on 28 October 1997. It contains singles from the years 1987–1997. The song "Wrong Number" is the only new song on the album. The album cover features Isabel Caroline Slark photographed by Ralph John Perou c.1997.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
Show is a live album released in 1993 by the British alternative rock band the Cure. It was recorded live over two nights at The Palace of Auburn Hills, Auburn Hills, Michigan in 1992, during the successful Wish tour. Show was also released as a concert video.
Paris is a live album recorded by The Cure at Le Zénith de Paris, in October 1992 during their Wish tour, but released in October 1993. The band announced the album in July 1993.
Standing on a Beach is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
Entreat is a live album by English rock band the Cure, recorded at London's Wembley Arena in July 1989. It consists entirely of songs performed from the band's 1989 record Disintegration; while they were on their international Prayer tour. Initially, Entreat was distributed exclusively in France as a promotional tool in 1989 and then was given away free by HMV stores in the UK and Ireland to customers who purchased two CDs from the band's back catalogue in May 1990. It was then given a full commercial release in March 1991.
"A Forest" is a song by the English rock band the Cure. Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 28 March 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.
The English rock band the Cure has released fourteen studio albums, six live albums, two remix albums, seven compilation albums, eight box sets, twelve extended plays, and forty-seven singles on Fiction Records and Geffen Records. They have also released twelve video albums and forty-four music videos.
4:13 Dream is the thirteenth studio album by English rock band the Cure, released on 27 October 2008 by Suretone and Geffen Records. The album was preceded by four singles, all of which were released on 13th of each month, starting in May with "The Only One" and ending in August with "The Perfect Boy".The band also released a remix EP in September, also on the 13th, titled Hypnagogic States (2008).
{{cite news}}
: CS1 maint: unfit URL (link)