Michael Dempsey | |
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Birth name | Michael Stephen Dempsey |
Born | Salisbury, Southern Rhodesia (Now Harare, Zimbabwe) | 29 November 1958
Origin | Crawley, England |
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Years active | 1972–present |
Member of | Levinhurst |
Formerly of |
Michael Stephen Dempsey (born 29 November 1958) is an English musician, best known as the bassist for The Cure and The Associates.
Dempsey was born in Salisbury, Southern Rhodesia (now known as Harare, Zimbabwe). His family later settled in Crawley, West Sussex, where he was a school friend of future bandmates Robert Smith and Lol Tolhurst. Along with various classmates, the three first formed a band called the Obelisk in 1972, which eventually evolved into the Easy Cure and finally The Cure, the original lineup of which consisted of Dempsey on bass, alongside Smith and Tolhurst. [1]
Upon the official formation of the Cure in 1978, Dempsey was the band's bassist starting with their first single "Killing an Arab" and then their debut album Three Imaginary Boys in 1979. [2] Dempsey has the distinction of being the only member of the Cure other than Smith to perform lead vocals on a released track, doing so for their cover of the Jimi Hendrix song "Foxy Lady" on the 1979 album. [1] During this period he contributed to the brief Cure side project Cult Hero. [3]
During sessions for the band's second album Seventeen Seconds , Dempsey criticized the shift in Smith's songwriting toward gloomy gothic rock. [4] He left the Cure in November 1979 and was replaced by Simon Gallup. [1] He returned to the band briefly in 1986 to appear in a new video for the re-released 1979 song "Boys Don't Cry". [5]
During his later days with the Cure, Dempsey had been filling in for The Associates on bass, and officially joined that band soon after leaving the Cure. He was a member of the Associates until 1983, appearing on the albums Fourth Drawer Down and Sulk . [6] During this period he also served briefly as a session and touring bassist for Roxy Music. [1] Following the death of Associates frontman Billy Mackenzie in 1997, Dempsey now serves as the band's archivist. [7] [8]
Dempsey next joined the new wave band the Lotus Eaters and was a member from 1983 to 1985. In the early 1990s Dempsey made several guest appearances with band Presence, which featured his former Cure bandmate Lol Tolhurst. [9] He later composed music for the animated TV series PB Bear and Friends and scored the short animated film Swan Song. [1] In 2008 he toured with an orchestral group assembled by Ron Geesin to perform the Pink Floyd album Atom Heart Mother . [10] During this period he was also briefly a member of Levinhurst, another project headed by Tolhurst. [2] [11] Dempsey now works in audio production and restoration for various companies, and founded his own firm MDM Media. [1] In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of the Cure. [12]
The Cure
The Associates
The Lotus Eaters
Levinhurst
Three Imaginary Boys is the debut studio album by English rock band the Cure, released on 11 May 1979 by Fiction Records. It was later released in the United States, Canada, and Australia with a different track listing as a compilation album titled Boys Don't Cry.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Boys Don't Cry is the Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album Three Imaginary Boys with material from the band's 1978–1979 era.
Standing on a Beach is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
Concert: The Cure Live is the first live album by English rock band the Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford during The Top tour. The cassette tape edition featured, on the B-side, a twin album of anomalies, titled Curiosity : Cure Anomalies 1977–1984.
Roger O'Donnell is an English keyboardist best known as a longtime member of The Cure, which he first joined in 1987 and for which he has served three different tenures. O'Donnell has also performed as a touring and session keyboardist for many artists and maintains an active solo career.
Simon Johnathon Gallup is an English musician who is best known as bassist for The Cure, which he first joined in 1979 and for which he has played through most of the band's history. Gallup is the second longest-serving member of the band after group leader Robert Smith.
Pearl Thompson is an English musician and artist. Thompson is best known as a member of the English alternative rock band The Cure from 1983-1993 and 2005-2011, during which he was credited as Porl Thompson and played mainly guitar with occasional keyboards and saxophone. After leaving the Cure he has focused on a successful career as a visual artist.
Matthieu Hartley is an English musician, best known as the keyboardist for The Cure from 1979-1980.
Clifford Leon "Andy" Anderson was a British drummer, best known for his work with The Cure and Steve Hillage, as well as a lengthy session career.
Fools Dance were an English rock band active from 1983 to 1987, primarily known for their connections to The Cure.
Laurence Andrew Tolhurst, known professionally as Lol Tolhurst, is an English musician, songwriter, producer, and author. He was a founding member of The Cure, for which he first played drums before switching to keyboards. He left the Cure in 1989 and later formed the bands Presence and Levinhurst. He has also published two books and developed the Curious Creatures podcast.
"Boys Don't Cry" is a song by English rock band the Cure. It was released in the UK as a stand-alone single in June 1979, and was included as the title track on Boys Don't Cry, the American equivalent to Three Imaginary Boys.
"Jumping Someone Else's Train" is a song by English rock band The Cure. Produced by Chris Parry, it was released on 2 November 1979 in the UK as a stand-alone. It later appeared on the US version of the band's debut album, Boys Don't Cry (1980).
"The Walk" is a song by English rock band The Cure, released as a stand-alone single in June 1983. It later appeared on the compilation album Japanese Whispers. It was recorded when the band was briefly reduced to the two founding members Robert Smith and Lol Tolhurst following the departure of bassist Simon Gallup following the end of the band's previous tour in support of the album Pornography. in May 1982. According to Lol Tolhurst, they chose producer Steve Nye at the time due to his work on the album Tin Drum by Japan. Tolhurst later commented: "It was the first time we had worked with a 'proper' producer, as opposed to doing production with an engineer that we really liked. […] He was able to make electronic instruments sound more natural, and that's what we wanted."
"I'm a Cult Hero" is a single released by an extended lineup of the Cure under the name Cult Hero.
Presence were a British rock band formed in 1990, best known for its associations with The Cure. They released the album Inside in 1992 and split the following year.
Levinhurst is an English electronica band formed by keyboardist/drummer Lol Tolhurst, a founding member of The Cure, and his wife Cindy Levinson on vocals. The band's name is a portmanteau of their surnames. To date, Levinhurst has released three studio albums.
The Cure: "Reflections" refers to a set of shows in which The Cure played their first three albums Three Imaginary Boys, Seventeen Seconds and Faith in full at the VividLive festival at the Sydney Opera House on 31 May and 1 June 2011. All three albums were played in their entirety on both nights, along with several other tracks from the same era.