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Standing on a Beach Staring at the Sea | ||||
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Greatest hits album by | ||||
Released | 15 May 1986 | |||
Recorded | 1978–1985 | |||
Length | 45:44 (vinyl edition) 60:40 (CD edition) 85:37 (cassette edition) | |||
Label | Fiction | |||
Producer | The Cure | |||
The Cure chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Blender | [2] |
Robert Christgau | B+ [3] |
The Rolling Stone Album Guide | [4] |
Standing on a Beach (titled Staring at the Sea in CD format in some countries) is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, [5] [6] marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
The "New Voice – New Mix" of "Boys Don't Cry" (released as a single little over a fortnight before Standing on a Beach) was not included on the album; thus the album's singles span only from 1978 to 1985.
"A Forest" on this compilation is the album version (which was also on the 12-inch single) but with the first 59 seconds removed. It is not the 7-inch single edit (which removes a few bars between verses and fades out part way through the guitar solo ending).
The album was critically acclaimed. Stephen Thomas Erlewine of AllMusic called it "one of the finest albums of the '80s". [7]
The album was released on vinyl record, compact disc, audio cassette.
The vinyl edition is a collection of all 13 of the Cure's commercially released singles up to that point in chronological order. "10:15 Saturday Night" was dropped though, possibly because it was only released in France.
The CD edition features the same tracks as the vinyl edition, but also includes an extra track from four of the band's albums. The four songs, although not released as singles, all had music videos made for them.
The cassette edition features the same tracks as the vinyl edition, but also contains all of the band's B-sides that had not, to that point, received a long-play release. This excludes "10:15 Saturday Night" from the "Killing an Arab" single, which was released on the Three Imaginary Boys album, "Plastic Passion" from the "Boys Don't Cry" single, which was released on the Boys Don't Cry album, and the five B-sides from the "Let's Go to Bed", "The Walk" and "The Love Cats" singles, which were released on the Japanese Whispers compilation album. However, the B-side "Mr. Pink Eyes" from the 12-inch version of "The Lovecats" was omitted from Japanese Whispers, and so was included on this release.
These releases were accompanied by a video release, a music video collection titled Staring at the Sea: The Images with the same setlist as the CD version of the album. This was released on Betamax and VHS videocassettes, laser disc (US and Japan only), Video CD (China only) and VHD (Japan only).
All the B-sides on the cassette edition were also later released on the first disc of the Join the Dots compilation in 2004.
The album has been certified 2× platinum in the US.
The man featured on the album cover was not a member of the Cure; he was chosen because his appearance fit the desired aesthetic of the album. His name is John Button, and was at the time a retired fisherman. He also appeared in the music video for "Killing an Arab". According to the band's 2005 biography by Jeff Apter, when asked why he agreed to lend his face to the band's media, Button's answer was, "If I can help these youngsters break through, after all, why not?" [8] He also reportedly said that he would buy a record player and listen to one of the band's songs "out of curiosity, just to see". [9]
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Killing an Arab" | Robert Smith, Lol Tolhurst, Michael Dempsey | Non-album single (1978) | 2:22 |
2. | "Boys Don't Cry" | Smith, Tolhurst, Dempsey | Non-album single (1979) | 2:35 |
3. | "Jumping Someone Else's Train" | Smith, Tolhurst, Dempsey | Non-album single (1979) | 2:54 |
4. | "A Forest" | Smith, Tolhurst, Simon Gallup, Matthieu Hartley | Seventeen Seconds (1980) | 4:53 |
5. | "Primary" | Smith, Tolhurst, Gallup | Faith (1981) | 3:33 |
6. | "Charlotte Sometimes" | Smith, Tolhurst, Gallup | Non-album single (1981) | 4:13 |
7. | "The Hanging Garden" | Smith, Tolhurst, Gallup | Pornography (1982) | 4:21 |
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Let's Go to Bed" | Smith, Tolhurst | Non-album single (1982) | 3:33 |
2. | "The Walk" | Smith, Tolhurst | Non-album single (1983) | 3:28 |
3. | "The Love Cats" | Smith | Non-album single (1983) | 3:38 |
4. | "The Caterpillar" | Smith, Tolhurst | The Top (1984) | 3:38 |
5. | "In Between Days" | Smith | The Head on the Door (1985) | 2:56 |
6. | "Close to Me" | Smith | The Head on the Door (1985) | 3:39 |
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Killing an Arab" | Smith, Tolhurst, Dempsey | Non-album single (1978) | 2:22 |
2. | "10:15 Saturday Night" | Smith, Tolhurst, Dempsey | Three Imaginary Boys (1979) | 3:37 |
3. | "Boys Don't Cry" | Smith, Tolhurst, Dempsey | Non-album single (1979) | 2:35 |
4. | "Jumping Someone Else's Train" | Smith, Tolhurst, Dempsey | Non-album single (1979) | 2:54 |
5. | "A Forest" | Smith, Tolhurst, Gallup, Hartley | Seventeen Seconds (1980) | 4:53 |
6. | "Play for Today" | Smith, Tolhurst, Gallup, Hartley | Seventeen Seconds (1980) | 3:41 |
7. | "Primary" | Smith, Tolhurst, Gallup | Faith (1981) | 3:33 |
8. | "Other Voices" | Smith, Tolhurst, Gallup | Faith (1981) | 4:27 |
9. | "Charlotte Sometimes" | Smith, Tolhurst, Gallup | Non-album single (1981) | 4:13 |
10. | "The Hanging Garden" | Smith, Tolhurst, Gallup | Pornography (1982) | 4:21 |
11. | "Let's Go to Bed" | Smith, Tolhurst | Non-album single (1982) | 3:33 |
12. | "The Walk" | Smith, Tolhurst | Non-album single (1983) | 3:28 |
13. | "The Love Cats" | Smith | Non-album single (1983) | 3:38 |
14. | "The Caterpillar" | Smith, Tolhurst | The Top (1984) | 3:38 |
15. | "In Between Days" | Smith | The Head on the Door (1985) | 2:56 |
16. | "Close to Me" | Smith | The Head on the Door (1985) | 3:39 |
17. | "A Night Like This" | Smith | The Head on the Door (1985) | 4:11 |
Total length: | 1:01:39 |
Presented here is a comparison showing in what format each of the 29 songs on the album can be found, with the position number of that song on that particular format.
Song | Vinyl LP | CD and VHS | Cassette |
---|---|---|---|
"10:15 Saturday Night" | 2 | ||
"A Few Hours After This" | 22 | ||
"A Forest" | 4 | 5 | 4 |
"A Man Inside My Mouth" | 23 | ||
"A Night Like This" | 17 | ||
"Another Journey By Train" | 15 | ||
"Boys Don't Cry" | 2 | 3 | 2 |
"The Caterpillar" | 11 | 14 | 11 |
"Charlotte Sometimes" | 6 | 9 | 6 |
"Close to Me" | 13 | 16 | 13 |
"Descent" | 16 | ||
"The Exploding Boy" | 21 | ||
"The Hanging Garden" | 7 | 10 | 7 |
"Happy the Man" | 19 | ||
"I'm Cold" | 14 | ||
"In Between Days" | 12 | 15 | 12 |
"Jumping Someone Else's Train" | 3 | 4 | 3 |
"Killing an Arab" | 1 | 1 | 1 |
"Let's Go to Bed" | 8 | 11 | 8 |
"The Love Cats" | 10 | 13 | 10 |
"Mr Pink Eyes" | 18 | ||
"New Day" | 25 | ||
"Other Voices" | 8 | ||
"Play for Today" | 6 | ||
"Primary" | 5 | 7 | 5 |
"Splintered in Her Head" | 17 | ||
"Stop Dead" | 24 | ||
"Throw Your Foot" | 20 | ||
"The Walk" | 9 | 12 | 9 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [27] | 3× Platinum | 210,000^ |
France (SNEP) [28] | 2× Gold | 200,000* |
Germany (BVMI) [29] | Gold | 250,000^ |
Netherlands (NVPI) [30] | Gold | 50,000^ |
New Zealand (RMNZ) [31] | Platinum | 15,000^ |
Switzerland (IFPI Switzerland) [32] | Gold | 25,000^ |
United Kingdom (BPI) [33] | Gold | 100,000^ |
United States (RIAA) [34] | 2× Platinum | 2,000,000^ |
Summaries | ||
Worldwide | — | 4,000,000 [35] |
* Sales figures based on certification alone. |
The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. Their debut album, Three Imaginary Boys (1979), along with several early singles, placed the band at the forefront of the emerging post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the subculture that eventually formed around the genre.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. Following the completion of the mixing, founding member Lol Tolhurst was fired from the band.
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Wish is the ninth studio album by English rock band the Cure, released on 21 April 1992 by Fiction Records in the United Kingdom and Elektra Records in the United States. Wish was the most commercially successful album in the band's career, debuting at number one in the UK and number two in the US, where it sold more than 1.2 million copies.
Boys Don't Cry is the Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album Three Imaginary Boys with material from the band's 1978–1979 era.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Pornography is the fourth studio album by English rock band the Cure, released on 4 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. The title is a pun on the children's game Chinese whispers.
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Galore: The Singles 1987–1997 is the second singles compilation by The Cure and was released on 28 October 1997. It contains singles from the years 1987–1997. The song "Wrong Number" is the only new song on the album.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
"A Forest" is a song by the English rock band the Cure. Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 28 March 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.
Michael Stephen Dempsey is an English musician, best known as the bassist for The Cure and The Associates.
"Boys Don't Cry" is a song by English rock band the Cure. It was released in the UK as a stand-alone single in June 1979, and was included as the title track on Boys Don't Cry, the American equivalent to Three Imaginary Boys.
"The Love Cats" is a song by English rock band the Cure, released as a stand-alone single in October 1983.
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
The English rock band the Cure has released thirteen studio albums, six live albums, two remix albums, seven compilation albums, eight box sets, twelve extended plays, and forty-six singles on Fiction Records and Geffen Records. They have also released twelve video albums and forty-four music videos.