Simon Gallup | |
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Background information | |
Birth name | Simon Johnathon Gallup |
Born | Duxhurst, Surrey, England | 1 June 1960
Genres | Post-punk, gothic rock, new wave, alternative rock |
Occupation | Musician |
Instruments |
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Years active | 1975–present |
Member of | The Cure |
Simon Johnathon Gallup [1] (born 1 June 1960) is an English musician who is best known as bassist for The Cure, which he first joined in 1979 and for which he has played through most of the band's history. Gallup is the second-longest-serving member of the band, after leader Robert Smith. [2]
Gallup was born in Duxhurst, Surrey, and his family soon moved to Horley. Starting in 1976, he frequented the music scene in nearby Crawley, where his older brother Ric worked in a record shop and knew many local musicians. [3] In 1977, Gallup formed the punk band Lockjaw, which later evolved into the post-punk band the Magazine Spies (also known as Mag/Spys). [4] Those bands frequently played and socialized with early versions of The Cure. [2]
In late 1979, Gallup participated in the short-lived Cure side project Cult Hero. [5] A short time later, original Cure bassist Michael Dempsey left the band, and Gallup was recruited as his replacement. [6] Gallup played on the albums Seventeen Seconds , Faith , and Pornography ; and on the second of those he began to play keyboards occasionally in addition to his full-time bass duties. [7]
During the tour supporting the Pornography album in 1982, band relations within The Cure became contentious. After a performance in Strasbourg, France, on 27 May 1982, Gallup and Robert Smith got into a fistfight reportedly over a disputed bar tab. [2] The tour continued, and at another performance in Brussels, Belgium, on 11 June, the band invited roadie Gary Biddles (a friend of Gallup's) on stage to sing one song, during which Biddles criticized the other members Smith and Lol Tolhurst. This further exacerbated tensions among the members of the band. [8]
Gallup soon left the Cure and did not speak to Robert Smith again for about eighteen months. [9] Gallup formed a new band called The Cry, which evolved into Fools Dance (with Biddles on vocals) by 1983. That band recorded an early EP featuring Gallup that was not released until 1985. [10] He sang on the tracks "The Ring" and on "Happy Families Waiting (At the Skylab Landing Bay)" the only released recordings in which he ever performed lead vocals.
In late 1984, Biddles brokered a reconciliation between Gallup and Smith. [8] The Cure was in need of a bassist after the departure of Phil Thornalley, and Smith invited Gallup to rejoin the band. [11] [12] Biddles later reformed Fools Dance with a new lineup, while Gallup has remained with the Cure ever since. [2]
In 1992, Gallup was stricken with pleurisy and had to take a medical leave of absence from the Cure for several months. [2] This caused him to miss several dates of the tour for the Wish album, at which time bassist Roberto Soave filled in temporarily. [13] Gallup's son Eden became a member of the Cure's road crew and has occasionally filled in during gigs when his father was unable to appear for personal reasons. [14] In 2019, Gallup was inducted into the Rock and Roll Hall of Fame as a member of the Cure. [15]
In an unexplained incident in August 2021, Gallup announced on Facebook that he had left the Cure after 37 years, stating that he "just got fed up of betrayal." [16] The Cure made no official statement about Gallup's departure, and he later deleted the Facebook post. In October 2021, Gallup issued another Facebook post to clarify that he is still a member of the band. [17]
Simon Gallup is also an accomplished songwriter and wrote the music for many notable songs in The Cure: Lovesong, Untitled, Homesick (co-written with Roger O'Donnell on a vague idea from Lol Tolhurst) on Disintegration (as reported by O'Donnell in his online diary [18] ) but also High on the album Wish and The Perfect Girl on Kiss Me, Kiss Me, Kiss Me among others, according to Robert Smith in online interviews.
Gallup's older brother David Gallup was the manager for his early band Lockjaw. [2] His other brother Ric Gallup has created promotional artwork for Lockjaw, the Magazine Spies, and the Cure; and created the short independent film Carnage Visors which the Cure showed at concerts in 1981. [3]
Simon Gallup's first marriage was to Carol Joy Thompson in 1987; they had two children together before they divorced in 1992. In 1988, Gallup was best man at Robert Smith's wedding. Gallup married his second wife Sarah in 1997, and they have two children together. Sarah died in 2019 of pancreatic cancer. [2]
The Cure are an English rock band formed in Crawley, West Sussex in 1976 by guitarist, lead vocalist, and main songwriter Robert Smith and drummer Laurence Tolhurst. Throughout numerous lineup changes since the band's formation, including stints of guitarist Porl Thompson and drummer Boris Williams, Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. The band's current line-up features Smith and Gallup alongside longtime members, Roger O'Donnell (keyboards), Perry Bamonte (guitar), Jason Cooper (drums) and Reeves Gabrels (guitar).
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. The title is a pun on the children's game Chinese whispers.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 13 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Concert: The Cure Live is the first live album by English rock band the Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford during The Top tour. The cassette tape edition featured, on the B-side, a twin album of anomalies, titled Curiosity : Cure Anomalies 1977–1984.
Michael Stephen Dempsey is an English musician, best known as the bassist for the Cure and the Associates.
Matthieu Hartley is an English musician, best known as the keyboardist for The Cure from 1979-1980.
Fools Dance were an English rock band active from 1983 to 1987, primarily known for their connections to The Cure.
Laurence Andrew Tolhurst is an English musician, songwriter, producer, and author. He was a founding member of the Cure, for which he first played drums before switching to keyboards. He left the Cure in 1989 and later formed the bands Presence and Levinhurst. He has also published two books and developed the Curious Creatures podcast. His most recent studio release is the album Los Angeles (2023), in collaboration with Budgie and Jacknife Lee.
"The Walk" is a song by English rock band The Cure, released as a stand-alone single in June 1983. It later appeared on the compilation album Japanese Whispers. It was recorded when the band was briefly reduced to the two founder members Robert Smith and Lol Tolhurst upon the departure of bassist Simon Gallup in mid-1982, following the end of the band's tour in support of the album Pornography. According to Tolhurst, they chose Steve Nye as producer at the time due to his work on the album Tin Drum by Japan. Tolhurst later commented: "It was the first time we had worked with a 'proper' producer, as opposed to doing production with an engineer that we really liked. […] He was able to make electronic instruments sound more natural, and that's what we wanted."
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
"Catch" is a song by English rock band The Cure released on 22 June 1987 as the second single from their album Kiss Me, Kiss Me, Kiss Me (1987). It was only released as a single in the UK, where it charted at No. 27, and Europe.
"I'm a Cult Hero" is a single released by an extended lineup of the Cure under the name Cult Hero.
Presence were a British rock band formed in 1990, best known for its associations with the Cure. They released the album Inside in 1992 and split the following year.
Babacar was a short-lived rock supergroup formed in England, featuring former members of Shelleyan Orphan, the Cure, and Presence. The group released a self-titled album in 1998.
Levinhurst is an English electronic band formed by keyboardist/drummer Lol Tolhurst, a founding member of the Cure, and his wife Cindy Levinson on vocals. The band's name is a portmanteau of their surnames. To date, Levinhurst has released three studio albums.
The Magazine Spies were an English post-punk band from Horley, formed in 1979. The band is best known for featuring future members of The Cure and Fools Dance. They were also known as The Magspies and Mag/Spys, as references to magpies.
The Cure: "Reflections" refers to a set of shows in which The Cure played their first three albums Three Imaginary Boys, Seventeen Seconds and Faith in full at the VividLive festival at the Sydney Opera House on 31 May and 1 June 2011. All three albums were played in their entirety on both nights, along with several other tracks from the same era.