"Lullaby" | ||||
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Single by the Cure | ||||
from the album Disintegration | ||||
B-side |
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Released | 10 April 1989 [1] | |||
Genre | Gothic rock | |||
Length | 4:10 | |||
Label | Fiction | |||
Songwriter(s) | Roger O'Donnell, Boris Williams, Simon Gallup, Robert Smith, Lol Tolhurst, Porl Thompson | |||
Producer(s) | Robert Smith, Dave Allen | |||
The Cure singles chronology | ||||
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Music video | ||||
"Lullaby" on YouTube |
"Lullaby" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). Released as a single on 10 April 1989, the song is the band's highest-charting single in their home country, reaching number five on the UK Singles Chart. It additionally reached number three in West Germany and Ireland while becoming a top-10 hit in several other European countries and New Zealand. The music video, directed by Tim Pope, won the British Video of the Year at the 1990 Brit Awards.
The meaning of "Lullaby" has been speculated by fans, including as a metonymy for addiction, depression, or sexual assault, [2] and lead singer Robert Smith has offered multiple explanations as to its theme or content, such as childhood nightmares or abuse. [2] One explanation by Smith follows that the song is about the disturbing songs his father sung to him as a kid, and the horrible ending they would always have. [3] Tim Pope, a long-time collaborator of the Cure on many of its music videos, interprets "Lullaby" as an allegory for Smith's drug-addled past. [4]
Upon its release, "Lullaby" became the Cure's highest-charting hit in their home country when it reached number five on the UK Singles Chart. It remains their only single to reach the top five in the United Kingdom. In Ireland, "Lullaby" became the band's third top 10 hit and highest-charting single, reaching number three. [5] The song also reached the top 10 in West Germany, Italy, the Netherlands, New Zealand and Norway. In North America, the song was released as the second single from Disintegration instead ("Fascination Street" was the first), but did not match its predecessor's level of success, only reaching number 74 on the Billboard Hot 100 and number 23 on the Billboard Modern Rock Chart.
Upon the release, a reviewer from Music & Media wrote, "Those of you who feared the worst for the Cure's artistic future after 1986's "Why Can't I Be You?" and "Hot Hot Hot", can stop worrying. Their new single is serious pop music at its best. The backing is a strong, infectious rhythm with subtle plucked violins and sweeping strings, completed by Robert Smith's whispering voice. Although this is not the easiest record to programme it has already become many European DJs' favourite." [6] Jerry Smith from Music Week felt the Cure "are back in superb form with an enveloping marshmallow of a track, exuding atmosphere with soaring strings and breathy vocals. Sure to make a big impression on the charts and heighten anticipation for their new album, Disintegration ." [7] In their review of the album, People Magazine noted that the group "perks up sporadically" on songs like "Lullaby". [8]
In an 2019 retrospective review, Rayna Khaitan from Albumism wrote, "The thrillingly creepy "Lullaby" recalls a familiar sense of claustrophobia prevalent in the Cure's canon, only this time more than others, Smith seems a little intoxicated with the idea of surrender." [9] Stephen Thomas Erlewine from AllMusic described the song as "eerie" and "string-laced". [10] Another editor, Ned Raggett, stated that "Smith's detailing of the spiderman coming along to envelope [sic] and devour is classically Cure, while the tight, haunted-house vibe of the song is another winner." [11]
The accompanying music video for "Lullaby" was filmed at a sound stage in London, England. [12] It features Robert in bed, in a dream sequence, and the rest of the band playing tin soldiers who sporadically appear throughout the music video for a few seconds. [12] The music video, during which Smith plays both the cannibalistic "spiderman" mentioned in the lyrics and his intended victim, concludes with Smith being swallowed by what appears to be a giant spider. [12]
The music video, directed by Tim Pope and edited by Peter Goddard, [13] won British Video of the Year at the 1990 Brit Awards. [2]
The US-only single "Fascination Street" included the B-sides from the UK release of "Lullaby". Therefore, the US release needed some new B-sides. The two live cuts, "Homesick" and "Untitled", are from the limited edition live album Entreat , which was recorded during the Disintegration Tour.
The song was remixed for single release, giving it more of an electronic feel.
* also released on cassette (9 46924-9)
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* gatefold 3" CD
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Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Italy (FIMI) [38] | Gold | 25,000‡ |
United Kingdom (BPI) [39] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
An extended mix appears on the Cure's 1990 remix album Mixed Up .
The song has been sampled by various artists, including Just Jack in the song "Snowflakes" for his 2002 album The Outer Marker , Rachel Stevens in the song "It's All About Me" from her 2005 album Come and Get It , Sono in the song "Someday" from the 2007 album Panoramic View, and by metalcore outfit Motionless In White, in the song "Black Damask (The Fog), for their 2012 album Infamous . It was also sampled by hip hop artist Akala in the song "I Don't Know" on his 2007 album Freedom Lasso . It has been covered by British post-punk revival band Editors on the compilation Radio 1: Established 1967 . Editors' version reappeared on Pictures of You – a tribute to Godlike Geniuses The Cure, which came with the 28 February 2009 issue of NME. "'Lullaby' is the greatest dark pop song... possibly of all years," said bassist Russell Leetch.
It was heavily sampled on the 2007 Faithless track "Spiders, Crocodiles & Kryptonite", which featured on their album To All New Arrivals. Smith provided a new recording of the part of "Lullaby"'s verses, greatly increasing their clarity compared with mix of the original Cure recording.
"Lullaby" was played live during Page & Plant's 1995 No Quarter Tour; the duo's backing band included Porl Thompson on guitar.
The track was used as the backing to the trailer to the TV show The Secret Circle and was featured in the British TV shows Misfits , Fresh Meat , Being Human , as well as Episode 7 of American Horror Story: Hotel .
The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. Their debut album, Three Imaginary Boys (1979), along with several early singles, placed the band at the forefront of the emerging post-punk and new wave movements that had sprung up in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as the goth subculture that eventually formed around the genre.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Wish is the ninth studio album by English rock band the Cure, released on 21 April 1992 by Fiction Records in the United Kingdom and Elektra Records in the United States. Wish was the most commercially successful album in the band's career, debuting at number one in the UK and number two in the US, where it sold more than 1.2 million copies.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
Show is a live album released in 1993 by the British alternative rock band the Cure. It was recorded live over two nights at The Palace of Auburn Hills, Auburn Hills, Michigan in 1992, during the successful Wish tour. Show was also released as a concert video.
"Lovesong" is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland.
"Straight Up" is a song by American recording artist Paula Abdul from her debut studio album, Forever Your Girl (1988). The song is a mid-tempo dance-pop song with influence from new jack swing. Written and produced entirely by Elliot Wolff, the song was released as the album's third single on November 22, 1988, by Virgin Records.
"Pictures of You" is a song by English rock band the Cure. It was released on 19 March 1990 by Fiction Records as the fourth and final single from the band's eighth studio album, Disintegration (1989). The song has a single version which is a shorter edit of the album version. The single reached No. 24 on the UK Singles Charts.
"In Between Days" is a song by the English rock band The Cure, released on 19 July 1985 as the first single from the band's sixth album The Head on the Door.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
"Hot Hot Hot!!!" is a single by British rock band the Cure released on 8 February 1988. It is taken from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song reached number 45 in the UK, whereas it was more successful in Ireland where it reached number 18, and in Spain where it reached the Top 10.
"Fascination Street" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). It was issued as a single only in North America, as the band's American record company refused to release the band's original choice, "Lullaby", as the first single. The song became the band's first number-one single on the US Billboard then-newly created Modern Rock Tracks chart, staying on top for seven weeks.
"Never Enough" is a song by English rock band the Cure, released as a single in September 1990 from their 1990 remix album, Mixed Up. The song topped the US Billboard Modern Rock Tracks chart, reached number three in Finland, and peaked within the top 20 in Germany, Ireland, New Zealand, Spain, and the United Kingdom.
"High" is a song by English rock band the Cure, released as the lead single from their ninth album, Wish (1992), on 16 March 1992. The track received mostly positive reviews and was commercially successful, reaching number one on the US Billboard Modern Rock Tracks chart, number six on the Irish Singles Chart, and number eight on the UK Singles Chart. It charted within the top five in Portugal, where it peaked at number two, and in Australasia, reaching number five in Australia and number four in New Zealand; it is the band's highest-charting single in both countries.
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The English rock band the Cure has released thirteen studio albums, six live albums, two remix albums, seven compilation albums, eight box sets, twelve extended plays, and forty-six singles on Fiction Records and Geffen Records. They have also released twelve video albums and forty-four music videos.