A night-cellar is a cellar which is open for business at night, typically providing food, drink and entertainment. There were many such in London in the 18th century and they were often disreputable.
A night-cellar is a cellar which is open for business at night, typically providing food, drink and entertainment. There were many such in London in the 18th century and they were often disreputable.
George Augustus Sala wrote an account of Evans's Supper Rooms in 1852. This was a famous supper club which would serve hearty food and raucous entertainment in the middle of the night – as late as one in the morning. But he lamented that the night-cellars of the previous century had mostly disappeared in London: [1]
A century since ... this town of London was full of choice holes and corners, known under the generic name of "night cellars." You may see in Liverpool to this day – and I am told, also, in New York — some flourishing specimens of these inviting localities, but they have almost died out in London. The White Horse Cellar in Piccadilly is now a booking-office; the Shades in Leicester Square (underneath Saville House), once Pennant's "pouting house for princes," is a restaurant; the cellar of the Ship at Charing Cross is yet a tavern, but is used more as a waiting-room for passengers by the Kent Road and Deptford omnibuses; and a whole nest of cellars were swept away by the Adamses when the Adelphi Terrace, with a worse range of cellars beneath, as it afterwards turned out, was constructed. But the night cellars of a hundred years ago! What dens, what sinks, what roaring saturnalia of very town scoundrelism they must have been!
...
in this bad place, among these ruffianly companions! horse-jockeys, highwaymen-captains, unfrocked parsons; deboshed adventurers, redolent of twopenny ordinaries and Mount Scoundrel in the Fleet; disbanded lieutenants of phantom regiments; scriveners struck off the rolls, ruined spendthrifts, Irish desperadoes enthusiastic for the Pretender and other men's pence, bankrupt traders, French and Italian rascals flagrant from the galleys of foreign seaports, and all, according to their own showing, distressed patriots; German swindlers and card-sharpers, who declare themselves to be Counts of the Holy Roman Empire, Jew coin-clippers and diamond-slicers, riverside vagabonds in the pay of the commanders of press-gangs on the look-out for benighted journeymen, or dissolute lads who have run away from their apprenticeship or quarrelled with their parents, recruiting crimps for both sexes, usurers looking for prodigals who have yet money to lose, bailiffs' followers looking for prodigals who have lost all and owe more; and, scattered among all this scum of frantic knavery and ragabosh, some gay young sprigs of aristocracy, some officers in the regiment of Guards, some noisy young country esquires of the Western type. This, all garnished with dirt and spilt liquors, with the fumes of rum, Geneva, punch, wine, and tobacco smoke, with oaths and shrieks and horrid songs, with the clatter of glasses and tankards, the clash of rapiers and verberations of bludgeons – is the London night cellar of a hundred years ago. Round Covent Garden such places positively swarmed. The Strand, the neighbourhood of Exeter 'Change, Long Acre, and Drury Lane, reeked with dens of this description. For hereabouts were the playhouses, and in their purlieus, as in those of cathedrals, you must expect to find, and do find, in every age, the haunts of vice and dissipation. It may be profane to say ubi apis ibi mel: but such is the sorry fact.
In the 1840s, there was a popular night-cellar in New York called Butter-Cake Dick's. This was a favourite of the b'hoys and g'hals – the rough young folk of lower Manhattan. [2] Later in the US, cellar bars and clubs became known as dives because one could dive into them without being seen.
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The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.
The Royal Regiment of Horse Guards (The Blues) (RHG) was a cavalry regiment of the British Army, part of the Household Cavalry.
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George Augustus Henry Fairfield Sala was an author and journalist who wrote extensively for the Illustrated London News as G. A. S. and was most famous for his articles and leaders for The Daily Telegraph. He founded his own periodical, Sala's Journal, and the Sydney Savage Club. The former was unsuccessful but the latter still continues.
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Evans Music-and-Supper Rooms was an entertainment venue for music and singing in the early nineteenth century, located at 43 King Street, Covent Garden, London. The venue provided the type of entertainment which later evolved into music hall. What would later be known as the Evans Music and Supper Rooms was initially known as the Thomas Archer House. The house was built by Thomas Archer in 1712 for Admiral Edward Russell, the fourth Earl of Bedford's grandson. The House would later be sold to a man named Joy and turned into The Grand Hotel. Formerly the dining room of the Grand Hotel, a 'song and supper' room was established in the 1840s by W. H. Evans. It was also known as Evans Late Joy's, the venue previously being owned by a man named Joy. In 1842 the rooms were taken over by John Paddy Green, who had been one of Evans's entertainers. Green reconstructed the rooms and maintained their popular reputation. The room was 113 feet (34.4 m) long by 56 feet (17.1 m) wide.
The Swansea Blitz was the heavy and sustained bombing of Swansea by the German Luftwaffe from 19 to 21 February 1941. A total of 230 people were killed and 397 were injured. Swansea was selected by the Germans as a legitimate strategic target due to its importance as a port and docks and the oil refinery just beyond, and its destruction was key to Nazi German war efforts as part of their strategic bombing campaign aimed at crippling coal export and demoralizing civilians and emergency services.
A song and supper room was a dining club in mid-nineteenth century Victorian England in which entertainment and good food were provided. They provided an alternative to formal theatre and music hall with a convivial atmosphere in which the customers were encouraged to perform themselves.
Christoffel Jacobsz van der Laemen or Christoffel van der Laemen was a Flemish painter who specialized in merry company scenes with elegant figures. His favorite themes were card and backgammon players, brothel scenes, the prodigal son, dancing, music making and scenes of food and drink set in elegant rooms, inns and gardens.
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The Old White Horse Cellar at No. 155 Piccadilly was one of the best-known coaching inns in England during the 18th and 19th centuries. The first mention of the White Horse Cellar is in 1720. It was originally located on the corner of Arlington Street, where the Ritz Hotel is now located. The first landlord, a man named Williams, named it in honor of the newly established House of Hanover, whose heraldic emblem featured a white horse. The White Horse rose to prominence under Abraham Hatchett who later moved it to the opposite side of the road on the corner of Albemarle Street, where it was known as "Hatchett’s Hotel and White Horse Cellar". The precise date of the move is not known, but was precipitated by the construction of the Bath Hotel, which was located on the corner of Piccadilly and Arlington as early as 1798. It was torn down in 1884 to make room for the Albemarle.
Royal Artillery Barracks, Woolwich, is a barracks of the British Army which forms part of Woolwich Garrison. The Royal Regiment of Artillery had its headquarters here from 1776 until 2007, when it was moved to Larkhill Garrison.
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