Nina Edge (born 1962) is an English ceramicist, feminist and writer.
Nina Edge is the daughter of a Ugandan Asian and an Englishman. [1] She trained in ceramics in Cardiff. [2]
Edge participated in 'Jagrati', a 1986 exhibition at Greenwich Citizens Gallery by thirteen Asian women artists. [3] Her mixed media artwork 'Snakes and Ladders' (1988) used batik on paper, ceramic and text. [4] Part of the touring exhibition 'Along the Lines of Resistance', it "brought social politics into craft and images of black women into mainstream art galleries and museums". [5]
Lesley Sanderson is a Malaysian British artist. Her work typically focuses on explorations of her duel-heritage identity and its relationship with art. Sanderson's work has been displayed in exhibitions internationally.
The BLK Art Group was the name chosen in 1982 by a group of five influential conceptual artists, painters, sculptors and installation artists based in England. Keith Piper, Marlene Smith, Eddie Chambers and Donald Rodney were initially based in the Midlands.
The Brixton Artists Collective was a group of artists based in Brixton, London, who ran the Brixton Art Gallery (BAG) from 1983 to 1990.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
Chisenhale Gallery is a non-profit contemporary art gallery based in London's East End. The gallery occupies the ground level of a former veneer factory on Chisenhale Road, situated in the London Borough of Tower Hamlets, near Victoria Park and flanking the Hertford Union Canal. Housed in the same building are two other distinct initiatives: Chisenhale Studios and Chisenhale Dance Space, named also for the road on which they reside.
Chila Kumari Singh Burman is a British artist, celebrated for her radical feminist practice, which examines representation, gender and cultural identity. She works across a wide range of mediums including printmaking, drawing, painting, installation and film.
Sutapa Biswas is a British Indian conceptual artist, who works across a range of media including painting, drawing, film and time-based media.
Claudette Elaine Johnson is a British visual artist. She is known for her large-scale drawings of Black women and her involvement with the BLK Art Group, of which she was a founder member. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today". A finalist for the Turner Prize in 2024, Johnson was elected to the Royal Academy of Arts the same year.
No Colour Bar: Black British Art in Action 1960–1990 was a major public art and archives exhibition, the first of its kind in the UK, held at the Guildhall Art Gallery, City of London, over a six-month period, with a future digital touring exhibition, and an associated programme of events. No Colour Bar took its impetus from the life work and archives of Jessica Huntley and Eric Huntley, Guyanese-born campaigners, political activists and publishers, who founded the publishing company Bogle-L'Ouverture Publications and the associated Walter Rodney Bookshop.
Rita Keegan is an American-born artist, lecturer and archivist, based in England since the late 1970s. She is a multi-media artist whose work uses video and digital technologies. Keegan is best known for her involvement with in the UK's Black Arts Movement in the 1980s and her work documenting artists of colour in Britain.
Brenda Patricia Agard was a Black-British photographer, artist, poet and storyteller who was most active in the 1980s, when she participated in some of the first art exhibitions organized by Black-British artists in the United Kingdom. Agard's work focused on creating "affirming images centred on the resilience of the Black woman," according to art historian Eddie Chambers.
Ten.8 was a British photography magazine founded in 1979 and published quarterly in Birmingham, England, throughout the 1980s, folding in 1992.
Shaheen Merali is a Tanzanian writer, curator, critic, and artist. Merali began his artistic practice in the 1980s committing to social, political and personal narratives. As his practice evolved, he focused on functions of a curator, lecturer and critic and has now moved into the sphere of writing. Previously he was a key lecturer at Central Saint Martins School of Art (1995-2003), a visiting lecturer and researcher at the University of Westminster (1997-2003) and the Head of the Department of Exhibition, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003-2008). A regular speaker on ideas of contemporary exhibition making internationally, in 2018 he was the keynote speaker at the International Art Gallery of the Aga Khan Diamond Jubilee Arts Festival, Lisbon.
Roma Potiki is a New Zealand poet, playwright, visual artist, curator, theatre actor and director, as well as a commentator on Māori theatre. She is of Te Rarawa, Te Aupōuri and Ngāti Rangitihi descent. As well as being a published poet, her work is included in the permanent collection of the Dowse Art Museum.
Amanda Bintu Holiday is a Sierra Leonean-British artist, filmmaker and poet.
Paul Goodwin is a British independent curator, urban theorist, academic and researcher, whose projects particularly focus on black and diaspora artists and visual cultures. He is Director at the Research Centre for Transnational Art, Identity and Nation (TrAIN), University of the Arts London.
Said Adrus is an Ugandan-born British multidisciplinary artist. Adrus has lived in the UK, Switzerland, and other countries in Europe.
Maxine Walker is a British-Jamaican photographer and critic. Based in Handsworth and active between 1985 and 1997, Walker has been described by Rianna Jade Parker as "a force within the Black British Art movement". Her photographs emphasise the fictive nature of documentary convention, and "raise questions about the nature of identity, challenging racial stereotypes".