Nine bows in hieroglyphs | |||
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psḏt pḏt pesedjet pedjet [1] |
The Nine Bows is a visual representation in Ancient Egyptian art of foreigners or others. [2] [3] Besides the nine bows, there were no other generic representations of foreigners. [3] Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. [3]
Alternatively, the nine bows may have had a separate or complementary meaning. [3] In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. [3] [4] The number nine was used metaphorically to express totality. [2] Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. [2] [3]
Ancient Egyptians believed in dualism or that two cosmic forces, order and chaos, governed the universe. While the nine bows stood in for Ancient Egypt's enemies, it is also possible that they stood in for disorder as well. [5]
Instances of the nine bows appeared as early as the late predynastic period (3200-3000 BCE). Discovered in Hierakonpolis or Nekhen, here the nine bows were carved on the head of a scepter. [5] As time progressed, the use of the nine bows expanded to other mediums of art.
When in statuette and statue form, it is typical for the nine bows to be displayed underneath feet. [6] The iconography is similar to a biblical text such as Psalm 110:1 “… until I make your enemies your footstool,” meaning the nine bows placement underneath the feet of Pharaohs and other powerful figures, such as a sphinx, were meant to symbolize the enemy being trampled or entirely under control. [6] One such example of the footstool comes from the tomb of Pharaoh-King Tutankhamun. Each time that King Tut stepped on the footstool, he would symbolically be trampling his enemies. [6] Another example, can be seen on the insoles of Pharaoh's sandals. [6] On the sandals, each shoe has eight bows laying horizontally in a vertical line with one another. Four of the bows are at the top of the sandal near the toe, while four are at the heel. Where the arch of the foot would be, there are two foreigners of Ancient Egypt depicted facing outward on each shoe. As with the footstool, whenever the sandals were worn, it would have been as if the enemies of Ancient Egypt were trampled. [6]
One of the oldest representations of the nine bows, and the first representation of the nine bows fully developed, is on the seated statue of Pharaoh Djoser. His feet rest upon part of the nine bows, which may have referred to Nubians during his reign because of their use of bows and arrows. [2] [7]
The pedestal of Ramses II was found in Antinoopolis, El-Minya, Egypt. It is rectangular in shape and made of Egyptian alabaster. [5] The engravings found on three sides are carved using Bas-relief, which is indicative of the New Kingdom and Ramses II's reign. [5] Along with the nine bows depicted on top of the pedestal underneath Ramses II's feet, the pedestal also includes engravings of Ramses II's cartouche along with his Horus name and legends of Ramses II's rule. [5]
Tutankhamun or Tutankhamen, was an ancient Egyptian pharaoh who ruled c. 1332 – 1323 BC during the late Eighteenth Dynasty of ancient Egypt. Born Tutankhaten, he was likely a son of Akhenaten, thought to be the KV55 mummy. His mother was identified through DNA testing as The Younger Lady buried in KV35; she was a full sister of her husband.
Hapi was the god of the annual flooding of the Nile in ancient Egyptian religion. The flood deposited rich silt on the river's banks, allowing the Egyptians to grow crops. Hapi was greatly celebrated among the Egyptians. Some of the titles of Hapi were "Lord of the Fish and Birds of the Marshes" and "Lord of the River Bringing Vegetation". Hapi is typically depicted as an androgynous figure with a prominent belly and large drooping breasts, wearing a loincloth and ceremonial false beard, depicted in hieroglyphics as an intersex person.
Montu was a falcon-god of war in the ancient Egyptian religion, an embodiment of the conquering vitality of the pharaoh. He was particularly worshipped in Upper Egypt and in the district of Thebes.
[Ramesses II] whom victory was foretold as he came from the womb,
Whom valor was given while in the egg,
Bull firm of heart as he treads the arena,
Godly king going forth like Montu on victory day.
Amenhotep III, also known as Amenhotep the Magnificent or Amenhotep the Great and Hellenized as Amenophis III, was the ninth pharaoh of the Eighteenth Dynasty. According to different authors, he ruled Egypt from June 1386 to 1349 BC, or from June 1388 BC to December 1351 BC/1350 BC, after his father Thutmose IV died. Amenhotep was Thutmose's son by a minor wife, Mutemwiya.
Thutmose IV was the 8th Pharaoh of the 18th Dynasty of Egypt, who ruled in approximately the 14th century BC. His prenomen or royal name, Menkheperure, means "Established in forms is Re." He was the son of Amenhotep II and Tiaa. Thutmose IV was the grandfather of Akhenaten.
The New Kingdom, also referred to as the Egyptian Empire, was the ancient Egyptian state between the 16th century BC and the 11th century BC. This period of ancient Egyptian history covers the Eighteenth, Nineteenth, and Twentieth Dynasties. Through radiocarbon dating, the establishment of the New Kingdom has been placed between 1570 BC and 1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period. It was the most prosperous time for the Egyptian people and marked the peak of Egypt's power.
Deir el-Bahari or Dayr al-Bahri is a complex of mortuary temples and tombs located on the west bank of the Nile, opposite the city of Luxor, Egypt. This is a part of the Theban Necropolis.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
Tomb KV43 is the burial place of Thutmose IV, a pharaoh of the Eighteenth Dynasty in the Valley of the Kings in Luxor, Egypt. He was interred with two of his children who predeceased him. The tomb has a dog-leg shape, typical of the layout of early Eighteenth dynasty tombs. KV43 was rediscovered in 1903 by Howard Carter, excavating on behalf of Theodore M. Davis.
The khepresh (ḫprš) was an ancient Egyptian royal headdress. It is also known as the blue crown or war crown. New Kingdom pharaohs are often depicted wearing it in battle, but it was also frequently worn in ceremonies. While it was once called the war crown by many, modern historians refrain from characterizing it thus.
The Staatliches Museum Ägyptischer Kunst is an archaeological museum in Munich. It contains the Bavarian state collection of ancient Egyptian art and displays exhibits from both the predynastic and dynastic periods. The associated small Middle East section displays objects from the areas of Assyrian and Babylonian culture. For decades, the Egyptian museum was located in the Munich Residenz, but it was moved to the Kunstareal in June 2013.
The ancient Egyptian Man-prisoner is one of the oldest hieroglyphs from Ancient Egypt. An iconographic portrayal from predynastic Egypt eventually led to its incorporation into the writing system of the Egyptian language. Not only rebels from towns or districts, but foreigners from battle were being portrayed.
The Dream Stele, also called the Sphinx Stele, is an epigraphic stele erected between the front paws of the Great Sphinx of Giza by the ancient Egyptian pharaoh Thutmose IV in the first year of the king's reign, 1401 BC, during the 18th Dynasty. As was common with other New Kingdom rulers, the epigraph makes claim to a divine legitimisation of kingship.
The ancient Egyptian Branch hieroglyph, also called a Stick, is a member of the trees and plants hieroglyphs.
The Eighteenth Dynasty of Egypt is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. The Eighteenth Dynasty spanned the period from 1550/1549 to 1292 BC. This dynasty is also known as the Thutmoside Dynasty) for the four pharaohs named Thutmose.
This page list topics related to ancient Egypt.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
The Bronze Sphinx of Thutmose III is a statuette of a sphinx made during the 18th Dynasty of Egypt under the reign of Thutmose III, who ruled from c. 1479 to 1425 BCE. Adorned with multiple symbols of royal power, it might have been an element or a lock. It was purchased by the Louvre in 1826, and is part of the permanent collections in the display case 4 in Room 637, Sully Wing, first floor.
The archaeology of Ancient Egypt is the study of the archaeology of Egypt, stretching from prehistory through three millennia of documented history. Egyptian archaeology is one of the branches of Egyptology.
The Regalia of the Pharaoh or Pharaoh's attributes are the symbolic objects of royalty in ancient Egypt. In use between 3150 and 30 BC, these attributes were specific to pharaohs, but also to certain gods such as Atum, Ra, Osiris and Horus. In Egyptian mythology, these powerful gods were considered the original holders of royal power and the first rulers of the Nile Valley.