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A book is a medium for recording information in the form of writing or images, typically composed of many pages bound together and protected by a cover. The technical term for this physical arrangement is codex. In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.
Bibliography, as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology. English author and bibliographer John Carter describes bibliography as a word having two senses: one, a list of books for further study or of works consulted by an author ; the other one, applicable for collectors, is "the study of books as physical objects" and "the systematic description of books as objects".
Paul Gustave Louis Christophe Doré was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.
Artists' books are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects.
The Harvard Classics, originally marketed as Dr. Eliot's Five-Foot Shelf of Books, is a 50-volume series of classic works of world literature, important speeches, and historical documents compiled and edited by Harvard University President Charles W. Eliot. Eliot believed that a careful reading of the series and following the eleven reading plans included in Volume 50 would offer a reader, in the comfort of the home, the benefits of a liberal education, entertainment and counsel of history's greatest creative minds. The initial success of The Harvard Classics was due, in part, to the branding offered by Eliot and Harvard University. Buyers of these sets were apparently attracted to Eliot's claims. The General Index contains upwards of 76,000 subject references.
The dust jacket of a book is the detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that hold it to the front and back book covers.
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically over-looked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
Private press publishing, with respect to books, is an endeavor performed by craft-based expert or aspiring artisans, either amateur or professional, who, among other things, print and build books, typically by hand, with emphasis on design, graphics, layout, fine printing, binding, covers, paper, stitching, and the like.
The history of books became an acknowledged academic discipline in the 1980s. Contributors to the discipline include specialists from the fields of textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words.
Rare Book School (RBS) is an independent 501(c)(3) non-profit organization based at the University of Virginia. It supports the study of the history of books, manuscripts, and related objects. Each year, RBS offers about 30 five-day courses on these subjects. Most of the courses are offered at its headquarters in Charlottesville, Virginia but others are held in New York City, Washington, D.C., and Baltimore, Maryland. Its courses are intended for teaching academics, archivists, antiquarian booksellers, book collectors, conservators and bookbinders, rare book and special collections librarians, and others with an interest in book history.
William Joseph "Dard" Hunter was an American authority on printing, paper, and papermaking, especially by hand, using sixteenth century tools and techniques. He is known for, among other things, the production of two hundred copies of his book Old Papermaking, for which he prepared all aspects: Hunter wrote the text, designed and cast the type, did the typesetting, handmade the paper, and printed and bound the book. A display at the Smithsonian Institution that appeared with his work read, "In the entire history of printing, these are the first books to have been made in their entirety by the labors of one man." He also wrote Papermarking by Hand in America (1950), a similar but even larger undertaking.
The Grolier Club is a private club and society of bibliophiles in New York City. Founded in January 1884, it is the oldest existing bibliophilic club in North America. The club is named after Jean Grolier de Servières, Viscount d'Aguisy, Treasurer General of France, whose library was famous; his motto, "Io. Grolierii et amicorum" [of or belonging to Jean Grolier and his friends], suggested his generosity in sharing books. The Club's stated objective is "the literary study of the arts pertaining to the production of books, including the occasional publication of books designed to illustrate, promote and encourage these arts; and the acquisition, furnishing and maintenance of a suitable club building for the safekeeping of its property, wherein meetings, lectures and exhibitions shall take place from time to time ..."
Peter and Donna Thomas are American papermakers, book artists, and authors. They are co-authors of three commercially published books and produced over 100 limited edition books.
Adelle Lutz is an American artist, designer and actress, most known for work using unconventional materials and strategies to explore clothing as a communicative medium. She first gained attention for the surreal "Urban Camouflage" costumes featured in David Byrne's film True Stories (1986). She has designed costumes for film director Susan Seidelman, theater directors Robert Wilson and JoAnne Akalaitis, and musicians including Byrne, Bono and Michael Stipe. In the 1990s, she began to shift from costume to sculpture, installation art and eventually, performance. Lutz's art and design have been exhibited at the Metropolitan Museum of Art and Fashion Institute of Technology (FIT), the Victoria and Albert Museum and Barbican Art Centre (London), the Montreal Museum of Decorative Arts and the Rock and Roll Hall of Fame (Cleveland), among many venues. In 2002, the Judith Clark Costume Gallery in London presented a career survey. Her work has also been featured in The New York Times, Harper's Magazine, Newsweek, Village Voice, Vanity Fair and Paper and in books on fashion, costume and public art, including Fashion and Surrealism (1987), Designed for Delight (1997), Twenty Years of Style: The World According to Paper (2004), and Because Dreaming is Best Done in Public: Creative Time in Public Spaces (2012). Her work Ponytail Boot (2002) is part of the Metropolitan Museum of Art collection.
Whitfield Lovell is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls. In his most recent work, these drawings are paired with found objects that Lovell collects at flea markets and antique shops.
Terry Belanger is the founding director of Rare Book School (RBS), an institute concerned with education for the history of books and printing, and with rare books and special collections librarianship. He is University Professor Emeritus at the University of Virginia (UVa), where RBS has its home base. Between 1972 and 1992, he devised and ran a master's program for the training of rare book librarians and antiquarian booksellers at the Columbia University School of Library Service. He is a 2005 MacArthur Fellow.
The following outline is provided as an overview of and topical guide to books:
Sidney Tillim was an American artist and art critic, known for his maverick painting and independent point of view on modern art in post-war America. Best remembered for his revival of history painting in the 1970s, Tillim alternated between the figurative and the abstract throughout his career. Likewise, although he wrote on a wide range of topics for Artforum and Arts Magazine, he is most identified with supporting representational art when few did.
The Gehenna Press was one of the earliest limited edition fine arts presses in the United States. Established in 1942 by sculptor and graphic artist Leonard Baskin (1922-2000) while still a student at Yale, the award-winning press went on to publish approximately 200 books in nearly 60 years, finally ceasing operation shortly after Baskin's death in 2000, which also makes it one of the longest-lived small presses in the U.S. The Press is known for its imaginative printing, use of type, binding and book illustration, as well as its collaborative work with several key 20th-century poets, including the United Kingdom's Poet Laureate Ted Hughes, Silvia Plath and, posthumously, James Baldwin. Over the years, the Gehenna's work was widely exhibited in both museums and library collections, and its books are in public collections both in the U.S. and abroad. In 1995, Baskin and his work with the Press were recognized by the Library of Congress with a solo retrospective, the first for a living artist in its history."
References
- Books as Art Objects (Reading Is Optional). Michael Frank, The New York Times , January 2, 2004.
- Ninety from the Nineties: A Decade of Printing. (Catalogue of the exhibition at The New York Public Library.) Text by Virginia Bartow, curator, 2003.