Related Research Articles
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"I Saw Three Ships (Come Sailing In)" is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
"Blacksmith", also known as "A Blacksmith Courted Me", is a traditional English folk song listed as number 816 in the Roud Folk Song Index.
"The Trees They Grow So High" is a Scottish folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
"The Derby Ram" or "As I was Going to Derby" is a traditional tall tale English folk song that tells the story of a ram of gargantuan proportions and the difficulties involved in butchering, tanning, and otherwise processing its carcass.
"A Brisk Young Sailor (Courted Me)" (variously known as "Bold Young Farmer", "The Alehouse", "Died For Love" and "I Wish My Baby Was Born" amongst other titles) is a traditional folk ballad (Roud # 60, Laws P25), which has been collected from all over Britain, Ireland and North America. The song originates in England in the early 1600s.
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
"The Farmer's Boy" is a traditional English folk song or ballad, listed as number 408 in the Roud Folk Song Index. It has been arranged as a military march.
"The Banks of Sweet Primroses", "The Banks of the Sweet Primroses", "Sweet Primroses", "As I Walked Out One Midsummer Morning", "As I Rode Out" or "Stand off, Stand Off" is an English folk song. It was very popular with traditional singers in the south of England, and has been recorded by many singers and groups influenced by the folk revival that began in the 1950s.
"Hares on the Mountain" is an English folk song. Versions of this song have been collected from traditional singers in England, Canada and the US, and have been recorded by modern folk artists.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
References
- 1 2 3 4 5 "The Spanish Merchant's Daughter / No Sir / Ripest Apples". Vwml.org. Retrieved 2017-03-01.
- 1 2 Purslow, F; Marrow Bones: English Folk Songs from the Hammond and Gardiner Manuscripts; London, 1965
- ↑ Stout, E J; Folklore from Iowa; New York; 1936
- ↑ "No Sir! / O No John : Cecil Sharp Manuscript Collection (at Clare College, Cambridge) (CJS2/9/81)". Vwml.org. Retrieved 2017-03-01.
- ↑ Sleeve notes to George Townshend; Come, Hand to Me the Glass; Musical Traditions Records MTCD304/5
- ↑ "No John, No / No, Sir, No / Ripest Apples / Twenty, Eighteen (Roud 146)". Mainlynorfolk.info. Retrieved 2017-03-01.
- ↑ Playford, H; Wit and Mirth: Or, Pills to Purge Melancholy Volume IV; London; 1719 pp82-83
- ↑ "The Spanish Merchant's Daughter / No Sir / Ripest Apples". Vwml.org. Retrieved 2017-03-01.
- ↑ "Poets Box". libcat.csglasgow.org. Retrieved 2017-03-01.
- ↑ "No sir no - Desmond and Shelagh Herring English Folk Music Collection - World and traditional music | British Library". Sounds.bl.uk. Retrieved 2017-03-01.