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No-No Boy | |
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Written by | Ken Narasaki |
Characters | Ichiro Ma Pa Kenji Emi Freddie Taro Eto Mrs. Kanno Jun |
Date premiered | March 27, 2010 |
Place premiered | Miles Memorial Playhouse Santa Monica, California |
Original language | English |
Subject | World War II Draft resistance, Asian American family |
Genre | Drama, Asian American theatre |
Setting | 1946 Seattle |
No-No Boy (2010) is a play written by Ken Narasaki adapted from the novel of the same title by John Okada, originally produced at the Miles Memorial Playhouse in Santa Monica, California, in association with Timescape Arts Group. It is a drama in two acts. (Each act was approximately 50 minutes in length and there was a 15-minute intermission.) The play was directed by Alberto Isaac, [1] and received its world premiere on Saturday, March 27, 2010. (There was a preview on Friday, March 26, 2010 and it closed on Sunday, April 18, 2010.) The story follows a Japanese American World War II draft resister as he returns home from prison, in 1946.
Set after World War II as Japanese Americans return to the West Coast, the play follows draft resister Ichiro Yamada after he is released from prison and struggles to come to terms with his choices while his the community tries to rebuild after a war that has moved them all. [1]
Miles Memorial Playhouse, 1130 Lincoln Blvd, Santa Monica, CA 90403; Opened March 27, 2010; Closed April 18, 2010.
(in order of appearance)
The ending of the play has received criticism due to the uplifting tone of Ken Narasaki's rewrite, compared to Okada's original, bleak ending. By the end of the original novel, Ichiro is walking down a street alone and conflicted, having just seen Freddie, a fellow No-No Boy, die in a car crash while fleeing from a fight with a Nisei veteran. The documentary director Frank Abe describes the stage play's alterations to the plot: "Instead, after a brief knife fight, Freddie escapes. Ichiro goes out dancing — a scene from earlier in the book, with Emi the abandoned wife...Ichiro and Emi kiss. They are going to live happily ever after, doggone it. It's a theatrical moment. It's probably very moving in performance. It's also schmaltz. And It's very wrong." [3] Frank Chin, whose afterword was printed in subsequent editions of "No-No Boy" after having helped republish the novel following Okada's death, was also critical of the rewrite. Chin quipped that, "Car crashes and death are too difficult" to be a part of the Asian American stage, and said of Narasaki's changes, "If you don't like Okada, stay out of his bathroom, bedroom, stay out of his house, get out of his fucking book. Just leave it alone." [4] Chin and Narasaki wrote back and forth, as documented by Chin, with Narasaki of the belief that the deceased Okada would not be so harsh about the changes to his work, and said of Chin that, "You, who were once a life force that helped spawn so many Asian American theater artists have now become a poison determined to kill your fellow artists because they are not you." [5]
During the early years of World War II, Japanese Americans were forcibly relocated from their homes on the West Coast because military leaders and public opinion combined to fan unproven fears of sabotage. As the war progressed, many of the young Nisei, Japanese immigrants' children who were born with American citizenship, volunteered or were drafted to serve in the United States military. Japanese Americans served in all the branches of the United States Armed Forces, including the United States Merchant Marine. An estimated 33,000 Japanese Americans served in the U.S. military during World War II, of which 20,000 joined the Army. Approximately 800 were killed in action.
The Heart Mountain War Relocation Center, named after nearby Heart Mountain and located midway between the northwest Wyoming towns of Cody and Powell, was one of ten concentration camps used for the internment of Japanese Americans evicted during World War II from their local communities in the West Coast Exclusion Zone by the executive order of President Franklin Roosevelt.
No-No Boy is a 1957 novel, and the only novel published by the Japanese American writer John Okada. It tells the story of a Japanese-American in the aftermath of the internment of Japanese Americans during World War II. Set in Seattle, Washington, in 1946, the novel is written in the voice of an omniscient narrator who frequently blends into the voice of the protagonist.
The Military Intelligence Service was a World War II U.S. military unit consisting of two branches, the Japanese American unit and the German-Austrian unit based at Camp Ritchie, best known as the "Ritchie Boys". The unit described here was primarily composed of Nisei who were trained as linguists. Graduates of the MIS language school (MISLS) were attached to other military units to provide translation, interpretation, and interrogation services.
Hisaye Yamamoto was an American author known for the short story collection Seventeen Syllables and Other Stories, first published in 1988. Her work confronts issues of the Japanese immigrant experience in America, the disconnect between first and second-generation immigrants, as well as the difficult role of women in society.
Japanese American history is the history of Japanese Americans or the history of ethnic Japanese in the United States. People from Japan began immigrating to the U.S. in significant numbers following the political, cultural, and social changes stemming from the 1868 Meiji Restoration. Large-scale Japanese immigration started with immigration to Hawaii during the first year of the Meiji period in 1868.
Ken Narasaki is an American playwright and actor. He is the former Literary Manager at East West Players theatre company in Los Angeles. He is the twin brother of civil rights leader Karen Narasaki.
Japan participated in the 2010 Asian Games in Guangzhou, China on 12–27 November 2010.
Saka no Ue no Kumo (坂の上の雲) is a Japanese war drama television series which was aired on NHK over three years, from November 29, 2009 to December 2011, as a special taiga drama. The series runs 13 episodes at 90 minutes each. The first season, with 5 episodes, was broadcast in 2009, while seasons two and three, each with 4 episodes, were broadcast in late 2010 and 2011. While most episodes were shot in Japan, one of the episodes in season two was shot in Latvia. The TV series is based on the 1968 novel of the same name by Ryōtarō Shiba and adapted by Hisashi Nozawa.
99 Years of Love 〜Japanese Americans〜 is a five-episode Japanese-language TV miniseries produced by TBS for its 60th anniversary announced in 3–7 November 2010, starring Tsuyoshi Kusanagi and Yukie Nakama, and sponsored by Toyota and Panasonic.
There is a population of Japanese Americans and Japanese expatriates in Greater Seattle, whose origins date back to the second half of the 19th century. Prior to World War II, Seattle's Japanese community had grown to become the second largest Nihonmachi on the West Coast of North America.
The Heart Mountain Fair Play Committee was a group organized in 1943 to protest the draft of Nisei, from Japanese American concentration camps during World War II. Kiyoshi Okamoto formed a "Fair Play Committee of One" in response to the War Relocation Authority's controversial loyalty questionnaire in 1943, and was later joined by Frank Emi and other inmates of the Heart Mountain camp. With seven older leaders at its core, the Committee's membership grew as draft notices began to arrive in camp. To challenge their forced "evacuation" by the government, they refused to volunteer or participate in the draft, but the Committee required its members to be citizens loyal to the United States willing to serve if their rights were restored. By June 1944, several dozen young men had been arrested and charged by the U.S. government with felony draft evasion. While the camp at Poston, Arizona produced the largest group of draft resisters, at 106, the Fair Play Committee was the most prominent inmate organization to protest the draft, and the rate of draft resistance at Heart Mountain was the highest of any camp. The number of resisters eventually numbered nearly 300 from all ten camps.