No | |
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Origin | Melbourne, Victoria, Australia |
Genres | Post punk |
Years active | 1986–1989 |
Labels |
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Past members | See Members section |
No were an Australian band, active during the late 1980s. They blended electronic music with nihilistic punk rock, in a similar fashion to New York's Suicide. The band was formed by Ollie Olsen (Whirlywirld, Orchestra of Skin and Bone), Marie Hoy (Sacred Cowboys, Orchestra of Skin and Bone) and Michael Sheridan (Great White Noise, Transwaste), [1] later including John Murphy (Whirlywirld, Orchestra of Skin and Bone) and others. [2] [3] They released a self-titled 12" EP (1988) and two LPs; Glory for the Shit for Brains (1987), and Once We Were Scum, Now We Are God (1989). [4]
Following Olsen's work as musical director on Richard Lowenstein's 1986 feature film, Dogs in Space . The soundtrack included two re-recorded Whirlywirld songs, "Win/Lose", and "Rooms for the Memory". The soundtrack album peaking at No. 46 on the Australian album chart [5] and "Rooms for the Memory", which featured Michael Hutchence (INXS), reached No. 11 on the Australian mainstream chart in February 1987. [2]
Olsen then formed No in late 1986, performing on keyboards, vocals, drum machine and sampler, with Marie Hoy on keyboards, vocals, samples alongside Michael Sheridan on guitar. [6] They were subsequently joined by Kevin McMahon on bass guitar. Both Hoy and Olsen had been members of post-punk group Orchestra of Skin and Bone, [2] while Hoy acted in Dogs in Space and provided lead vocals on "Shivers" for its soundtrack. [7] In August 1987, the band supported Big Black when they toured Australia. [8] In November they released their first album, Glory for the Shit for Brains, on Ultimate Records. The songs were all written by Olsen, recorded at Jam Tin Studios in Cheltenham, Victoria, in late 1986/early 1987, and produced by Olsen and Gus Till (Beargarden and Models).
The album was followed in September 1988 by a self-titled EP, on Au-Go-Go Records, which featured a re-working of Jimi Hendrix's "Are You Experienced?". Sheridan later recalled working with Hoy and Olsen, "Surrounded by players of technology I decided to use the hold function on a BOSS DE 200 delay unit to achieve a way of sampling real-time phrases. I'd play these back through a second amplifier. This was a great way to play, having the best of 'hands on' the instrument and off while manipulating ones own sounds via a machine." [9] The remaining songs on No were written by Olsen, recorded in late 1987 at Jam Tin Studios, and produced by the band and Till.
In 1989 the band released its second album, Once We Were Scum, Now We are God, on Au-Go-Go Records. The album was recorded live on 9 September 1988 at the Carlton, Victoria nightclub, Tiger Lounge, and then mixed and produced by the band, Till and Simon Polinski at the Powerplant Studios in Carlton. Byron Colley, in the July 1989 edition of Spin , described the "center of the band's sound is something like a huge Martin Rev automaton, bloated to intensity and gorged with diesel amphetamine. Heaped on top is scittery, scuzzed up, feedback-guitar and Ollie's aggresso-rant-voice-stug. On extended tunes, like "Glory For The Shit For Brains", this has the same intenso-scrunch wallop as Suicide's "Frankie Teardrop" but with only about as much deviation-in-spatial characteristics as a flaming car rolling end over end down a hill. Just beautiful." [10] In a subsequent Spin article/interview with Michael Hutchence, Joel Levy states the album "collapses skittering despair and ranting fury into a swirling cacophony." [11]
While still a member of No, Sheridan formed Dumb and the Ugly (1987–93) with John Murphy on drums and noise tapes (ex-the Wreckery) and David Brown on bass guitar. [2] No disbanded in September 1989 with Olsen and Hutchence collaborating on a musical project, Max Q, co-producing a self-titled album combining electronic music with orchestra, bass, guitar and backing vocals. Max Q also included Sheridan and Murphy, [12] [13] with Hoy supplying backing vocals for the album. [14] [15]
Both albums were later issued on CD.
Michael Kelland John Hutchence was an Australian singer. He was the co-founder, lead singer, and lyricist of the rock band INXS from 1977 until his death in 1997. The band sold over 50 million records worldwide, making them one of Australia's highest-selling music acts of all time. They were also inducted into the ARIA Hall of Fame in 2001.
INXS were an Australian rock band, formed as the Farriss Brothers in 1977 in Sydney. The founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For 20 years, INXS was fronted by Hutchence, whose magnetic stage presence made him the focal point of the band. Initially known for their new wave/pop style, the band later developed a harder pub rock style that included funk and dance elements.
Whirlywirld were an Australian post-punk band led by Ollie Olsen in the late 1970s and early 1980s, and the first of his musical collaborations with drummer John Murphy. They played in Melbourne and Sydney and were supporters of the Melbourne little band scene.
Ollie Olsen was an Australian multi-instrumentalist, composer and sound designer. From the mid-1970s until his later years, he performed, recorded and produced rock, electronic and experimental music. His post punk groups included Whirlywirld (1978–80), Orchestra of Skin and Bone (1984–86) and No (1987–89). Olsen joined with Michael Hutchence to form a short-term band, Max Q, which issued an album in 1989. He co-founded the alternative electronic music record label Psy-Harmonics with Andrew Till in 1993. In 2014 he formed Taipan Tiger Girls.
The Little Band scene was an experimental post-punk scene which flourished in Melbourne, Victoria, Australia from late 1978 until early 1981. Instigated by groups Primitive Calculators and Whirlywhirld, this scene was concentrated in the inner suburbs of Fitzroy and St Kilda, and involved many short-lived bands that played live only once or twice before changing names and swapping members.
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X is the seventh studio album by Australian rock band INXS, released on 25 September 1990 through WEA in Australia, Mercury Records in Europe, and Atlantic Records in the United States and Canada. The follow-up to the massive seller Kick, X scored hits with "Suicide Blonde" and "Disappear". Both singles were later used in the soundtrack to the 1991 American teen comedy Mystery Date. Two other singles from X were "Bitter Tears" and "By My Side" but they had less chart success. A fifth single, "The Stairs", was only issued in the Netherlands to coincide with the release of the Live Baby Live album.
Max Q was a short lived Australian band formed in 1989. Playing electronic music, the band was a collaboration between Michael Hutchence of INXS and Ollie Olsen.
John Russell Murphy was an Australian drummer, percussionist and multi-instrumental session musician who played in Australian and British post-punk, ambient and industrial music groups.
Dumb and the Ugly were an Australian avant-garde metal band. They formed in 1987 with Michael Sheridan on guitar; John Murphy on drums and synthesisers; and David Brown on bass guitar and guitar. Murphy and Sheridan had worked together in previous bands, generally working behind Ollie Olsen.
Michael Sheridan is an Australian guitarist. Having played and recorded with an array of artists his versatility in original music spans the styles of rock, jazz/punk, industrial, metal, and sonic art including glitch & noise. He has released solo works such as Scaleshack,Digital Jamming and collaborations with Nicholas Littlemore and associates. He has been a member of several bands since 1975 including No (1987–1989) with Ollie Olsen and Marie Hoy, which were described as "One of Australias most compelling stage acts incorporating speed metal, hip hop and electro funk". In 1989 he followed Olsen to join Max Q with Michael Hutchence of INXS on vocals.
Marie Hoy is an Australian musician and actress. As a vocalist and keyboardist, she was a member of Sacred Cowboys, Orchestra of Skin and Bone (1984–86), No (1987–89) and a number of bands in Melbourne's little band scene. As an actor, she appeared in the 1986 film Dogs in Space, where she performed the Boys Next Door's track, "Shivers". She worked with performance artist, Stelarc, on a short science fiction film, Otherzone (1998).
Orchestra of Skin and Bone were an Australian post-punk band active from 1984 to 1986. The band's core members were Ollie Olsen, Marie Hoy and John Murphy.
Beargarden was an Australian new wave band from Melbourne which, though well regarded critically, failed to achieve widespread success. It evolved directly from the post-punk group The Ears which disbanded in 1981 and reformed under the new name with Ross Farnell replacing Cathy McQuade on bass. The other members were Sam Sejavka (vocals) Mick Lewis (guitar), Carl Manuell (drums) and Gus Till (keyboards). Lewis was replaced later that year by Shane Andalou.
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Dogs in Space is a 1986 Australian film set in Melbourne's "Little Band" post-punk music scene in 1978. It was directed by Richard Lowenstein and starred Michael Hutchence as Sam, the drug-addled frontman of the fictitious band from which the film takes its name.
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