The Knickerbockers were an American rock band, formed in Bergenfield, New Jersey, United States, in 1964. They were best remembered for their 1965 Beatles sound-alike hit single "Lies".
Sundazed Music is an American independent record label based in Coxsackie, New York. It specializes in obscure and rare recordings from the 1950s to the 1970s. In 2000, Sundazed had a staff of 15 and two mixing studios, including a vintage audio equipment collection.
The Lollipop Shoppe was an American garage rock band formed in Las Vegas, Nevada, in 1966.
Moby Grape is the 1967 debut album by rock band Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on the Billboard 200 albums chart in September 1967.
The Great Society was a 1960s San Francisco rock band that existed from 1965 to 1966, and was closely associated with the burgeoning Bay Area acid rock scene. Best known as the original group of model-turned-singer Grace Slick, the initial line-up of the band also featured her then-husband Jerry Slick on drums, his brother Darby Slick on guitar, David Miner on vocals and guitar, Bard DuPont on bass, and Peter van Gelder on flute, bass, and saxophone. Miner and DuPont did not remain with the band for the duration of its existence.
White Plains were a British pop music group that existed from 1969 to 1976. They had an ever-changing line-up of musicians and five UK hit singles, all on the Deram Records label, in the early 1970s.
The Rising Storm is an American rock group that was active at Phillips Academy in Andover, Massachusetts, United States, between 1965 and 1967. Their music is considered to belong in the folk rock and garage rock genres. The original members of the group were Bob Cohan (guitar), Todd Cohen (bass), Charlie Rockwell (keyboards), Tom Scheft (drums), Tony Thompson, and Rich Weinberg.
Hums of the Lovin' Spoonful is the third album by the folk rock band The Lovin' Spoonful, released in 1966. It peaked at No. 14 on the Billboard Pop Albums chart.
Supersnazz is the first studio album by the garage rock band the Flamin' Groovies. It was released in 1969 on the Epic label. The release was their only album recorded expressly for a major record label, although all of their next five albums were distributed by major labels. Supersnazz was later released in compact disc format in 2000 on Sundazed Records with four edits of songs from the album included as bonus tracks.
Oscar and the Majestics were an American garage punk band formed in Gary, Indiana in 1960. The band, led by Oscar Hamod, achieved regional acclaim and produced seven well-regarded singles in their heyday. As the group progressed, they experimented with psychedelic rock and soul influences which led to their most acclaimed piece, a cover song deemed "House of the Rising Sun 1969".
Ignition is a compilation album by the American garage rock band, The Music Machine, and was released on June 27, 2000 on Sundazed Records. It includes an assortment of rare singles, outtakes, and previously unreleased material spanning from when the group went under the moniker, the Raggamuffins, in 1965, to their disbandment in 1969. The Raggamuffins were a folk rock trio led by Sean Bonniwell, and the prototype group that developed an experimental hard-edge sound, before recruiting two additional members and becoming the Music Machine. By 1969, all the original members, except Bonniwell, departed the group, which was then known as the Bonniwell Music Machine. Though the band would no longer produce hits, such as "Talk Talk" and "The People In Me", it was Bonniwell's most ambitious recording period as he incorporated elements of psychedelia and pop rock into the group's music.
The Bonniwell Music Machine is the second and final album by the American garage rock band, The Music Machine, recorded under the renamed moniker, The Bonniwell Music Machine, and released on Warner Bros. Records, on February 10, 1968. As with their debut LP, the album again saw the band blending garage and psychedelic rock influences, albeit with a greater emphasis on psychedelia than on their previous album release. Prior to completing its recording, all of the group's original members, except for its creative force, Sean Bonniwell, departed, though they would still appear on some of the album's tracks.
Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.
The Remains is the debut album by the American garage rock band the Remains, and was released on Epic Records in September 26, 1966. Though the album was largely overlooked at the time of its original release, The Remains has since received recognition as one of the more cohesive efforts of the era.
The Liberty Bell was an American garage rock/psychedelic rock band from Corpus Christi, Texas who were active in the 1960s. They specialized in a blues-based brand of proto-punk influenced by British groups such as the Yardbirds. The band failed to reach wider audience in the time, but have come to the attention of garage rock collectors and enthusiasts in the intervening years since their breakup, with their work appearing on several compilations.
Teddy and His Patches were an American garage rock band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among psychedelic music enthusiasts, who rediscovered the composition through several compilation albums.
The Paper Garden was an American psychedelic rock band formed in New York City, New York in 1967. After gathering a sizable following in the Northwest, the group recorded their only album, The Paper Garden, in 1968, which promoted several styles ranging from complex orchestration to hard-edged psychedelia. Following its release, the recordings have since become considered one of the more accomplished artistic statements from the psychedelic era.
The Stillroven were an American garage rock and psychedelic band from Robbinsdale, Minnesota, outside of Minneapolis, who were active in the between 1965-1969. They became a local success, enjoying a hit in the Twin Cites area with their version of "Hey Joe". In hopes of reaching a wider audience they relocated, playing for a short time in Tucson, Arizona, but eventually moved their base of operations to Denver, Colorado, where they briefly signed to A&M Records, recording an unreleased album for the label. The group made recordings at Norman Petty's studio in Clovis, New Mexico, before moving to Washington, DC in 1969 and auditioning in New York City to secure another recording arrangement that never materialized. In the intervening years since their breakup in 1969, the group's work has attracted the attention of garage rock and psychedelic enthusiasts and has been included on various re-issues and compilations.
The Druids of Stonehenge were a garage rock and psychedelic band from New York City who were active in the 1960s. They began as an R&B-based rock combo in the vein of the early Rolling Stones called the Druids, but later moved to the West Coast and changed their name to the Druids of Stonehenge, evolving their sound to fit the burgeoning psychedelic rock coming to the fore. In 1968 they recorded the album, Creation, for Uni Records. They broke up in 1969, but have made occasional reunion appearances, such as a performance in New York in 2008.
Sir Winston and the Commons were an American garage rock formed in Indianapolis, Indiana, in 1963. The group released two highly regarded singles, which, upon release, earned the band a regional following, and resulted in reinterest in their music over the years. At the height of their popularity, Sir Winston and the Commons were regulars at the teen dance club the Cellar, in Chicago.
