No Goats, No Glory | ||||
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Studio album by | ||||
Released | 1994 | |||
Genre | Hip hop, Rap rock | |||
Label | Ruffhouse Records/Columbia Records [1] | |||
The Goats chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Robert Christgau | [3] |
The Encyclopedia of Popular Music | [1] |
Entertainment Weekly | A [4] |
MusicHound R&B: The Essential Album Guide | [5] |
Rolling Stone | [6] |
Seventeen | [7] |
No Goats, No Glory is the second album by the American hip hop group the Goats, released in 1994 through Ruffhouse Records. [8] [9] It was the group's final studio album. [10]
The album was produced by the Goats and Joe "The Butcher" Nicolo. Oatie Kato had left the group; Madd and Swayzack recorded the album as a duo, incorporating more of a live band sound. [8] Compared to the debut, the album contained fewer lyrics that dealt with politics, instead embracing "gangster" and party themes. [11]
Entertainment Weekly wrote: "Musically fluid and lyrically poetic, choice cuts like 'Lincoln Drive' exemplify these Philadelphians’ punk-funk sound." [4] Robert Christgau singled out "Butcher Countdown" for praise. [3] The Washington Post thought that "because they're following the trend toward softer, jazzier beats, most of the album has little urgency." [12] Rolling Stone opined that "the athletic scratching and murky, bass-heavy rumble of 'Mutiny' recall prime Eric B. and Rakim jams." [6]
AllMusic thought that "for a perfect example of the hip-hop slide—the notion that an artist's sophomore effort is vastly inferior to the debut—start here." [2]
3 Feet High and Rising is the debut studio album by the American hip hop group De La Soul, released on February 6, 1989, by Tommy Boy Records. It was the first of three collaborations with the producer Prince Paul, and was the critical and commercial peak of both parties. The album title comes from the Johnny Cash song "Five Feet High and Rising". The album contains the singles "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".
The Chronic is the debut studio album by the American hip hop producer and rapper Dr. Dre. It was released on December 15, 1992, by his record label Death Row Records and distributed by Interscope Records. Recording sessions took place in Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood.
Enter the Wu-Tang is the debut studio album by the American hip-hop group Wu-Tang Clan, released on November 9, 1993, by Loud Records and RCA Records. Recording sessions took place during late 1992 to early 1993 at Firehouse Studio in New York City, and the album was produced by the group's de facto leader RZA. Its title originates from the martial arts films Enter the Dragon (1973) and The 36th Chamber of Shaolin (1978).
The Low End Theory is the second studio album by American hip hop group A Tribe Called Quest, released on September 24, 1991, by Jive Records. Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991. The album was primarily produced by group member Q-Tip, with a minimalist sound that combines bass, drum breaks, and jazz samples, in a departure from the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990). Lyrically, the album features social commentary, word play, humor, and interplay between Q-Tip and fellow member Phife Dawg.
Paul's Boutique is the second studio album by American hip hop group Beastie Boys, released on July 25, 1989, by Capitol Records. Produced by the Beastie Boys and the Dust Brothers, the album's composition makes extensive use of samples, drawn from a wide range of genres including funk, soul, rock, and jazz. It was recorded over two years at Matt Dike's apartment and the Record Plant in Los Angeles.
Dummy is the debut studio album by English electronic music band Portishead, released on 22 August 1994 by Go! Beat Records.
Southernplayalisticadillacmuzik is the debut studio album by the American hip hop duo Outkast, released on April 26, 1994, by Arista Records and LaFace Records. Having befriended each other two years prior, rappers André 3000 and Big Boi pursued recording music as a duo and worked with production team Organized Noize, leading to a record contract with LaFace. With the team producing, Outkast recorded the album at the Dungeon, D.A.R.P. Studios, Purple Dragon, Bosstown, and Doppler Studios, all in Atlanta.
Yo! Bum Rush the Show is the debut studio album by American hip hop group Public Enemy, released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York, and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper Chuck D's black nationalist politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.
Supa Dupa Fly is the debut studio album by American rapper Missy "Misdemeanor" Elliott, released July 15, 1997, on The Goldmind, East West, and Elektra Entertainment Group. The album was recorded and produced solely by Timbaland in October 1996, and features the singles, "The Rain ", "Sock It 2 Me", "Hit Em wit da Hee" and "Beep Me 911". Guest appearances on the album include Busta Rhymes, Ginuwine, 702, Magoo, Da Brat, Lil' Kim, and Aaliyah. The album was recorded in just two weeks.
Run-D.M.C. is the self titled debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
The Goats were an American alternative hip hop trio from Philadelphia, Pennsylvania.
Things Fall Apart is the fourth studio album by American hip hop band the Roots, released on February 23, 1999, by MCA Records. Recording sessions for the album took place at Electric Lady Studios during 1997 to 1998, coinciding with recording for other projects of the Soulquarians collective, including D'Angelo's Voodoo (2000), Erykah Badu's Mama's Gun (2000), and Common's Like Water for Chocolate (2000). According to Spin magazine, the album became a landmark moment for the Roots and the collective, as it "swelled the Roots clique into a movement-style posse".
Amplified is the debut studio album of American rapper Q-Tip, released November 30, 1999, on Arista Records. It became his first solo release after the disbandment of his former group A Tribe Called Quest in 1998. Production was primarily handled by Q-Tip and Jay Dee of The Ummah. The album spawned the Billboard Hot 100 hits "Vivrant Thing" and "Breathe and Stop".
Blunted on Reality is the debut studio album released by the American hip-hop group Fugees. The album was released in February 1994 through the Ruffhouse Records label. Three singles were released from the album, including ”Boof Baf”, ”Nappy Heads” and ”Vocab”.
How You Sell Soul to a Soulless People Who Sold Their Soul??? is the tenth studio album by American hip hop group Public Enemy, released August 7, 2007 on Slam Jamz Recordings in the United States. Its release coincided with the 20th anniversary of their career. The album debuted at number 49 on Independent Albums chart, and it received generally positive reviews from most music critics, based on an aggregate score of 71/100 from Metacritic. Music critic Robert Christgau named How You Sell Soul to a Soulless People Who Sold Their Soul??? his second favorite album that didn't make Rolling Stone's Top 50 albums of 2007. In September 2012, the album finally entered the UK chart at number 199, followed by success of the top 5 single "Harder Than You Think" after it became the theme song to the British comedy talk show The Last Leg, which debuted the previous month as The Last Leg with Adam Hills.
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Tricks of the Shade is the debut album by American hip hop group the Goats. It was released on November 3, 1992 though Columbia Records sub-label, Ruffhouse Records and was produced by OaTie Kato and Joe "The Butcher" Nicolo.
Ready to Die is the debut studio album by American rapper The Notorious B.I.G., released on September 13, 1994, by Bad Boy Records and Arista Records. The album features productions by Bad Boy founder Sean "Puffy" Combs, Easy Mo Bee, Chucky Thompson, DJ Premier, and Lord Finesse, among others. It was recorded from 1993 to 1994 at The Hit Factory and D&D Studios in New York City. The partly autobiographical album tells the story of the rapper's experiences as a young criminal, and was the only studio album released during his lifetime, as he was murdered sixteen days before the release of his second album Life After Death in 1997.
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