| No One Man | |
|---|---|
 | |
| Directed by | Lloyd Corrigan |
| Written by | Sidney Buchman Percy Heath (adaptation) |
| Starring | Carole Lombard Ricardo Cortez Paul Lukas |
| Cinematography | Charles Lang |
| Distributed by | Paramount Pictures |
Release date | January 30, 1932 |
Running time | 73 minutes |
| Country | United States |
| Language | English |
No One Man is a 1932 American pre-Code drama film starring Carole Lombard and Ricardo Cortez, and directed by Lloyd Corrigan. It is based on a novel by Rupert Hughes.
Penelope Newbold is a wealthy divorcée looking to remarry. She falls for her physician, Dr. Karl Bemis, but ends up marrying Bill Hanaway. He then has an affair with another woman. After Bill dies of a heart attack, Penelope and Dr. Bemis come together. [1]
International Photographer gave the film a positive, if not overly enthusiastic review, calling "gentlemanly and ladylike" and "smart society stuff." [2]
Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Carole Lombard was an American actress. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema.
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths.
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore and Carole Lombard. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name – itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland – with uncredited contributions from Gene Fowler and Preston Sturges.
Gregory La Cava was an American film director of Italian descent best known for his films of the 1930s, including My Man Godfrey and Stage Door, which earned him nominations for Academy Award for Best Director.
Stanley Cortez, A.S.C. was an American cinematographer. The younger brother of actor and director Ricardo Cortez, Stanley worked on over 70 films, including Orson Welles' The Magnificent Ambersons (1942), Charles Laughton's The Night of the Hunter (1955), Nunnally Johnson's The Three Faces of Eve (1957), and Samuel Fuller's Shock Corridor (1963) and The Naked Kiss (1964).
Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.
Ricardo Cortez was an American actor and film director. He was also credited as Jack Crane early in his acting career.
The Princess Comes Across is a 1936 American mystery comedy film directed by William K. Howard and starring Carole Lombard and Fred MacMurray, the second of the four times they were paired together. Lombard, playing an actress from Brooklyn pretending to be a Swedish princess, does a "film-length takeoff" on MGM's Swedish star Greta Garbo. The film was based on the 1935 novel A Halálkabin by Louis Lucien Rogger, the pseudonym of Laszlo Aigner and Louis Acze.
Lucy Beaumont was an English actress of the stage and screen from Bristol.
No Man of Her Own is a 1932 American pre-Code romantic comedy-drama film starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The film was directed by Wesley Ruggles, and originated as an adaptation of No Bed of Her Own, a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title from Lewton's novel. It is not related to the 1950 film of the same name.
The Gay Bride is a 1934 gangster film-screwball comedy starring Carole Lombard as a wisecracking gold-digger and Chester Morris as the poor man she despises. It was directed by Jack Conway and written by the husband-and-wife team of Sam and Bella Spewak, based on the story "Repeal" by Charles Francis Coe.
Made for Each Other is a 1939 American romantic comedy film directed by John Cromwell, produced by David O. Selznick, and starring Carole Lombard, James Stewart, and Charles Coburn. Lombard and Stewart portray a couple who get married after only knowing each other for one day.
Special Agent is a 1935 American crime drama film directed by William Keighley and starring Bette Davis and George Brent. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney. The film was produced by Cosmopolitan Productions and released by Warner Bros.
Now and Forever is a 1934 American drama film directed by Henry Hathaway. The screenplay by Vincent Lawrence and Sylvia Thalberg was based on the story "Honor Bright" by Jack Kirkland and Melville Baker. The film stars Gary Cooper, Carole Lombard, and Shirley Temple in a story about a small-time swindler going straight for his child's sake. Temple sang "The World Owes Me a Living". The film was critically well received. Temple adored Cooper, who nicknamed her 'Wigglebritches'. This is the only film in which Lombard and Temple appeared together.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
No More Orchids is a 1932 American pre-Code comedy-drama film starring Carole Lombard and Lyle Talbot as mismatched lovers, based on the novel of the same name by Grace Perkins.
The Scarlett O'Hara War is a 1980 American made-for-television drama film directed by John Erman. It is based on the 1979 novel Moviola by Garson Kanin. Set in late 1930s Hollywood, it is about the search for the actress to play Scarlett O'Hara in the much anticipated film adaptation of Gone with the Wind (1939). This film premiered as the finale of a three-night TV miniseries on NBC called Moviola: A Hollywood Saga.
It Pays to Advertise is a 1931 American pre-Code comedy film, based on the play of the same name by Roi Cooper Megrue and Walter C. Hackett, starring Norman Foster and Carole Lombard, and directed by Frank Tuttle.
The Murder of Dr. Harrigan is a 1936 American mystery film directed by Frank McDonald and written by Peter Milne and Sy Bartlett. The film stars Ricardo Cortez, Kay Linaker, John Eldredge, Mary Astor, Joseph Crehan and Frank Reicher. The film was released by Warner Bros. on January 11, 1936. A story by Mignon G. Eberhart was the basis for the film.
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