Noah Isenberg | |
---|---|
Born | Noah William Isenberg June 28, 1967 |
Nationality | American |
Occupation(s) | Associate Dean for Professional Programs at Moody College of Communication, University of Texas at Austin |
Academic background | |
Education | University of Pennsylvania (BA), University of Washington (MA), University of California, Berkeley (PhD) |
Academic work | |
Discipline | Film scholar |
Sub-discipline | Film historian |
School or tradition | Media Studies,Film Studies,Frankfurt School,Critical Theory,Cultural Studies |
Institutions | Moody College of Communication,University of Texas at Austin |
Main interests | German Cinema,Austrian Cinema,Classical Hollywood,Modernism,Film Noir,Fin-de-siècle Vienna,Frankfurt School, |
Website | https://www.noahisenberg.com/ |
Noah William Isenberg (born June 28,1967) is an American film scholar and historian. Isenberg is currently the Charles Sapp Centennial Professor and former Chair of the Department of Radio-Television-Film at The University of Texas at Austin. [1] He previously served as Professor of Culture and Media at Eugene Lang College,where he was also the founding director of the Screen Studies program. Isenberg received his BA in History from the University of Pennsylvania,his MA in German Literature from the University of Washington and his PhD in German Studies from the University of California at Berkeley. [2]
Isenberg taught film studies and German at Wesleyan University from 1995 to 2004. [3] In 2004,Isenberg began teaching as Professor of Culture and Media and the founding Director of Screen Studies at the New School in Greenwich Village. During the summer terms 2013 to 2017,Isenberg was a visiting professor of Film and Media studies at Dartmouth College,where he also held a visiting scholar position at the Leslie Center for the Humanities. In 2017,he was also a visiting professor of Film Studies at the University of Pennsylvania. [3] In 2019,he became chair of the Radio-Television-Film department at the University of Texas at Austin,becoming Associate Dean for Professional Programs in Moody College in 2023. He also serves as the executive director of the university's two study-away centers in Los Angeles and New York. [4]
Isenberg has written extensively on Austrian-American film director Edgar Ulmer and his work. [5] In 2004,he wrote his first article on Ulmer,highlighting the role of exile in Ulmer's work and aesthetics. [6] On the basis of the article,Isenberg received a contract from the University of California for a biography of Edgar Ulmer. While researching Ulmer,Isenberg wrote a book-length study of Ulmer's film Detour,publishing it in 2008. He based that study on unpublished letters,interviews,and other archival materials,covering the film's production history,legacy,and subsequent interpretation. [7] [8] While writing the biography of Ulmer,Isenberg tried to strike a balance between expressing admiration for Ulmer's accomplishments while shying away from "the more hagiographic treatments" the director had received. [9] Due to the uncertain nature of Ulmer's life,Isenberg claims the book is more of a work of "creative nonfiction" than a straightforward biography. [10] The book was published in hardcover in 2014 as Edgar G. Ulmer:A Filmmaker at the Margins;a tenth-anniversary paperback edition is due out in 2024. [11] The New York Times hailed the biography as "a page turner of a biography." [10]
Isenberg describes Ulmer as an inspiration to the do-it-yourself generation of film. [9] He emphasizes the breakneck pace at which Ulmer made his films,as well as the ways in which the director cut corners to speed up production. [12] Isenberg's work also notes the ways in which Ulmer's filmmaking career pays homage to Weimar cinema. [6] Isenberg states that Ulmer never received the recognition he deserved,as he is often dismissed as a director of B-movies, [9] but that he brought an Old World sensibility to a unique and expansive body of work. [10]
Isenberg began working on a book on the film Casablanca out of a desire to "understand something that defies comprehension," namely the widespread appeal of the film to himself and general audiences. Isenberg first pitched the book as Everybody Comes to Rick's:How Casablanca Taught Us to Love Movies. He claims that it was difficult as a film historian not to "get too enraptured" by certain moments in the film. He worked on the book at a quicker pace than usual out of pressure to release it by the film's 75th anniversary. While writing,Isenberg decided to divide the book by the film's themes rather than chronologically. [13] Isenberg interviewed descendants of cast and crew members on the film for the book. [14] It was published in 2017 as We'll Always Have Casablanca:The Life,Legend,and Afterlife of Hollywood's Most Beloved Movie, [15] and was chosen as a Summer Book of 2017 in the Financial Times , [16] while earning a spot on the bestseller list of the Los Angeles Times . [17] In the book,Isenberg details the film's production history,as well as reactions to the film from both mainstream and African-American newspapers. [18] He also draws attention to his conception of the film as primarily a refugee story rather than a romance. [13]
Isenberg has written extensively on American filmmaker Billy Wilder. In 2021,he edited and introduced an anthology of Wilder's journalistic writings of the 1920s and early 30s as Billy Wilder on Assignment:Dispatches from Weimar Berlin and Interwar Vienna. [3] It was selected by distinguished playwright Tom Stoppard as a 2021 Book of the Year in the Times Literary Supplement. Isenberg is currently working on a cultural history of Wilder's Some Like It Hot as well as a short biography of Wilder for the Yale Jewish Lives series. For his Some Like It Hot book,he was a faculty research fellow at the Harry Ransom Center in spring 2022. [19]
In 2016,Isenberg wrote an introduction to the reissue of Vicki Baum's 1929 novel Grand Hotel for the New York Review of Books Classics series. [20] Isenberg serves on the editorial board of the academic journals Film Quarterly and New Review of Film and Television Studies . He is also on the Editorial Advisory Board of the British Film Institute's Screen Studies list and of WeimarCinema.org. [21] [5] He has provided video and audio commentaries for the Criterion Collection,Kino Lorber,and the Cohen Media Group. [5] Isenberg is a standing fellow at the New York Institute for the Humanities, [22] and was the recipient of an inaugural National Endowment for the Humanities Public Scholar Award in 2015-16. [23] His writing has appeared in a number of diverse publications including The Nation,New York Times Book Review,The New Republic,Bookforum,Chronicle of Higher Education, The Paris Review Daily,The Daily Beast,Salon,the Times Literary Supplement ,and the Wall Street Journal . [5]
Billy Wilder was an Austrian-born filmmaker and screenwriter. His career in Hollywood spanned five decades,and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards,a BAFTA Award,the Cannes Film Festival's Palme d'Or and two Golden Globe Awards.
Casablanca is a 1942 American romantic drama film directed by Michael Curtiz and starring Humphrey Bogart,Ingrid Bergman,and Paul Henreid. Filmed and set during World War II,it focuses on an American expatriate (Bogart) who must choose between his love for a woman (Bergman) and helping her husband (Henreid),a Czechoslovak resistance leader,escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans. The screenplay is based on Everybody Comes to Rick's,an unproduced stage play by Murray Burnett and Joan Alison. The supporting cast features Claude Rains,Conrad Veidt,Sydney Greenstreet,Peter Lorre,and Dooley Wilson.
Detour is a 1945 American independent film noir directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. The screenplay was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's 1939 novel of the same title,and released by the Producers Releasing Corporation,one of the so-called Poverty Row film studios in mid-20th-century Hollywood. The film,which today is in the public domain and freely available for viewing at various online sources,was restored by the Academy Film Archive in 2018. In April that year,the 4K restoration premiered in Los Angeles at the TCM Festival. A Blu-Ray and DVD was released in March 2019 from the Criterion Collection. In 1992,Detour was selected for the United States National Film Registry by the Library of Congress as being "culturally,historically,or aesthetically significant".
Edgar Georg Ulmer was a Jewish-Moravian,Austrian-American film director who mainly worked on Hollywood B movies and other low-budget productions,eventually earning the epithet 'The King of PRC',due to his extremely prolific output for the Poverty Row studios. His stylish and eccentric works came to be appreciated by auteur theory-espousing film critics in the years following his retirement. Ulmer's most famous productions include the horror film The Black Cat (1934) and the film noir Detour (1945).
Howard E. Koch was an American playwright and screenwriter who was blacklisted by the Hollywood film studio bosses in the 1950s.
People on Sunday is a 1930 German silent drama film directed by Robert Siodmak and Edgar G. Ulmer from a screenplay by Robert and Curt Siodmak. Curt was the younger brother of Robert Siodmak. The film follows a group of residents of Berlin on a summer's day during the interwar period. Hailed as a work of genius,it is a pivotal film in the development of German cinema and Hollywood. The film features the talents of Eugen Schüfftan (cinematography),Billy Wilder (story) and Fred Zinnemann.
Thomas Elsaesser was a German film historian and professor of Film and Television Studies at the University of Amsterdam. He was also the writer and director of The Sun Island,a documentary essay film about his grandfather,the architect Martin Elsaesser. He was married to scholar Silvia Vega-Llona.
Bart Lytton ( was an American business executive,Democratic Party fundraiser,writer,public relations executive and philanthropist. He was a founder of Lytton Financial Corporation,one of the five largest savings and loans in the United States with $700 million in assets.
Isle of Forgotten Sins is an American South Seas adventure film released on August 15,1943 by PRC,with Leon Fromkess in charge of production,directed by Edgar G. Ulmer and featuring top-billed John Carradine and Gale Sondergaard,whose performance in one of 1936's Academy Award for Best Picture nominees,Anthony Adverse,earned her the first Academy Award for Best Supporting Actress.
New Objectivity was an art movement that emerged in Germany in the early 1920s as a counter to expressionism. The term applies to a number of artistic forms,including film.
Leo Erdody was an American film composer of Hungarian descent. He studied music in Germany,and later went to Hollywood,scoring his first film in 1921. He later joined Producers Releasing Corporation and scored several films for them. For his work on Minstrel Man,he was a nominee for an Academy Award for Best Original Score.
Gary Don Rhodes is an American writer,filmmaker,and film historian. His work encompasses research on early 20th century films and key figures including filmmakers and actors involved in the process. Rhodes is notably recognized for his contribution to classic horror films and his biographical works on Bela Lugosi. In addition to his academic pursuits,he has contributed to the filmmaking domain through the creation of documentaries and mockumentaries. Rhodes holds a tenured faculty position in film studies at Queen's University Belfast.
The Geisha and the Samurai is a 1919 German silent film directed by Carl Boese.
The Wife of Monte Cristo is a 1946 American historical adventure film directed by Edgar G. Ulmer and starring John Loder,Lenore Aubert and Fritz Kortner. The film is a inspired by the novel The Count of Monte Cristo and features its protagonist Edmond Dantès. It was made and distributed by Producers Releasing Corporation,on a higher budget than was usual for the studio which focused on cheap second features. It was successful at the box office.
Thunder Over Texas is a 1934 American populist contemporary Western film directed by Edgar G. Ulmer under the alias Joen Warner and produced by two nephews of Universal Pictures head Carl Laemmle,Arthur and Max Alexander's Poverty Row Beacon Productions. The film's story was written by Shirley Ulmer under the name of Sherle Castle. Shirley was then married to Max Alexander but would soon leave Max to marry Edgar with the result that Lammele blacklisted Ulmer from Hollywood. The film was shot in Kernville,California.
Casablanca is an American drama series,based on the 1942 film of the same name set in the genre of spying and intrigue during World War II. Five episodes were filmed but,following its NBC premiere on April 10,1983,and two additional installments on April 17 and 24,it was taken off the air. The two remaining unaired episodes were ultimately scheduled four months later,during summer programming,and shown on August 27 and September 3.The show was the second attempt at a TV series based on the movie;the first was a 1955 show starring Charles McGraw as Rick Blaine that was also short lived,lasting only 10 episodes longer than the five of this one.
Teresa Alcocer was a prolific Spanish film editor who worked in the industry from the 1940s through the 1990s.
Shirley Kassler Ulmer was an American screenwriter.
Lea Noemi,also known as Lea Eisenberg (1883–1973) was a Yiddish actress,who performed at the Yiddish Art Theater alongside Maurice Schwartz.