![]() First edition | |
Author | Kazuo Ishiguro |
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Language | English |
Genre | Short story collection |
Publisher | Faber and Faber |
Publication date | 7 May 2009 |
Publication place | United Kingdom |
Media type | Print (hardback) |
Pages | 221 pp |
ISBN | 978-0-571-24498-0 |
OCLC | 310156229 |
Nocturnes: Five Stories of Music and Nightfall is a 2009 collection of short fiction by Kazuo Ishiguro. After six novels, it is Ishiguro's first collection of short stories, though it is described by the publisher as a "story cycle". As the subtitle suggests, each of the five stories focuses on music and musicians, and the close of day. The hardback was published by Faber and Faber in the United Kingdom on 7 May 2009 and in the United States by Knopf in September 2009.
As the subtitle suggests, each story focuses on music and musicians, and the close of day. All of the stories have unfulfilled potential as a linking theme, tinged with elements of regret. The second and fourth stories have comic undertones. The first and final stories feature cafe musicians, and the first and fourth stories feature the same character. All five stories have unreliable male narrators and are written in the first person. [1]
Upon release, Nocturnes was generally well-received. [3] Culture Critic assessed critical response as an aggregated score of 81% based on British press reviews. [4] [5] On The Omnivore, a British aggregator of press reviews, the book received an "omniscore" of 3.5 out of 5. [6] [7] According to Book Marks, primarily from American publications, the book received a "positive" consensus, based on eleven critics: four "rave", six "positive", and one "mixed". [8] In the November/December 2009 issue of Bookmarks , the book was scored a 3.5 out of 5. The magazine's critical summary reads: "Perhaps Entertainment Weekly summed it up best by stating that Nocturnes, by any other writer, would be praiseworthy; by a celebrated author like Ishiguro, it can best be likened to a minor work from a master composer". [9]
Robert Macfarlane writes in The Sunday Times that "Closing the book, it’s hard to recall much more than an atmosphere or an air; a few bars of music, half-heard, technically accomplished, quickly forgotten." [10] Christian House of The Independent writes that "Ultimately this is a lovely, clever book about the passage of time and the soaring notes that make its journey worthwhile". [11]
All five stories have unreliable male narrators, who are musicians of some kind, and are written in the first person.
She cannot actually play the instrument at all. So convinced was she of her own musical genius, no teacher ever seemed equal to it, and so rather than tarnish her gift with imperfection, she chose never to realise it at all.
Closing the book, it's hard to recall much more than an atmosphere or an air; a few bars of music, half-heard, technically accomplished, quickly forgotten.
Ultimately this is a lovely, clever book about the passage of time and the soaring notes that make its journey worthwhile.