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Nomy Lamm | |
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Background information | |
Birth name | Naomi Elizabeth Lamm |
Born | September 1, 1975 |
Genres | Riot grrrl, punk rock |
Occupation | Musician |
Instrument(s) | Vocals, accordion, theremin |
Years active | 1991–present |
Naomi Elizabeth "Nomy" Lamm [1] (born September 1, 1975) [2] is an American singer-songwriter and political activist. Lamm has described herself as a "bad ass, fat ass, Jew, dyke amputee." [3] [4] Her left foot was amputated at age three, to be fitted with a leg prosthesis, to treat a bone growth disorder. This trauma influenced Lamm's later work concerning body image. She is also known for her activism on the issue of fat acceptance.
Lamm was involved with musical theater during her youth. She became part of the queercore scene in Olympia, Washington, where she performed with various musicians. In 1991 she published the first of three issues of a zine titled I'm So Fucking Beautiful. The zine's visual narrative of vulnerability deliberately counters its textual power where she expresses her anger at her treatment as a young fat woman. [5]
In 1999, Lamm released a solo debut album of punk rock music with revolutionary themes, titled Anthem. Originally, the record company Talent Show sought to compile the work of the various bands with whom she performed as frontwoman, but Lamm chose to re-record the music as a solo project. Later in 1999, Lamm released The Transfused, a soundtrack to the anti-corporate rock musical that she created with The Need. Lamm also toured as part of Doctor Frockrocket's Vivifying Reanimatronic Menagerie and Medicine Show. Effigy , released by Yoyo Recordings, represented a departure for Lamm, with electronica replacing the sparse production of her previous work. "What I'm doing now is total disco-pop," she said at the time, "but it's still punk because it was created through punk channels using punk ethics."[ citation needed ] Thematically, Effigy continued Lamm's call for a revolution, but this album's focus was on an internal, rather than external revolution.
Lamm continued to publish zines, and she also gave theatrical college lectures on fat oppression, sometimes dressed in fairy wings and waving a magic wand. For this, Lamm was nominated for Ms. magazine's "Woman Of The Year" award. [6] Lamm also toured as part of the spoken word performance troupe, Sister Spit, and wrote as a regular columnist for Punk Planet magazine.
From January 2004 until May 2005, Lamm co-hosted a monthly genderqueer open mike variety show called The Finger with Ana Jae. The show was held at a feminist sex toy store in Chicago, called Early to Bed, and it featured live poetry, improv, comedy, dance, storytelling, video exhibition, folk music, rock music, and performance art. The Finger was said[ by whom? ] to inspire local queer people to take artistic risks and express themselves freely.
Lamm's music is featured in the 2006 documentary, Young, Jewish, and Left . [7] An interview with her about the connections between punk rock and Judaism appear in the DVD extras. Lamm's most recent group musical venture is with the band Tricrotic with Marcus Rogers and Erin Daly. They have recorded one EP. [8]
Her current music project is entitled nomy lamm & THE WHOLE WIDE WORLD. It is a platform for collaborations and workshops with other artists of any genre, such as Dylan Shearer, Mirah, Annah Anti-Palindrome, EPRhyme, and Felonious.
Lamm writes for make/shift magazine in the section called Dear Nomy. [9]
Lamm directed the Artists in Residence Program [10] for Sins Invalid, a non-profit arts organization in the Bay area that features performances about sexuality and disability and centralizes the work of people of color and queer people. [11]
In 2012 Lamm was a keynote speaker at the biannual Femme Conference. She completed writing her first book, for her MFA, a series of short stories about trauma and transformation called 515 Clues. [12]
As of 2017 [update] , Lamm was writing a novel titled The Best Part Comes After the End. [13]
Lamm held an artist talk and creative process workshop for students and the Olympia community on June 6, 2019, at the Kenneth J. Minnaert Center for the Arts Black Box Theater. [14]
Lamm continues writing and performing with Sins Invalid and nomy lamm & THE WHOLE WIDE WORLD.
Lamm participated in a music video for the social-distancing-friendly music series Promising Notes — put together by the Olympia Downtown Alliance, Octapas Cafe and the City of Olympia's Artists on Board project. [15] [16]
Lamm continues writing and releasing music with her band, The Beauty. Their most recent release, "Honey", was written and recorded for the Sins Invalid production "We Love Like Barnacles: Crip Lives in Climate Chaos," which had streamed Oct 23, 24, 25, 2020. [17]
Following a film screening of Sins Invalid's "Unshamed Claim to Beauty", Nomy participated in the Sins Invalid #NoBodyIsDisposable Film Panel (with ASL & embedded captions). [18] [19]
Lamm, who self-identifies as a Jewish witch and is involved with Jewitch Camp, an organization of likeminded witches and neopagans within the Reclaiming tradition of Wicca. She has been ordained as a Kohenet Priestess by the Kohenet Hebrew Priestess Institute and has created a divination deck for the Counting of the Omer between Passover and Shavuot. Lamm practices ceremonial magic, reads tarot, and studies Kabbalah. [20] [21]
Her totem animal, is a seal, described by artist Riva Lehrer as "seen as cute and puppy-like with their enormous eyes and neotenous faces" but also predators [22]
Lamm lives on what she has identified as Squaxin, Nisqually, and Chehalis land in Olympia, Washington with her partner Lisa, along with cats and dogs. [10]
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill, and then fronted the electropunk band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as the Julie Ruin.
Tobi Celeste Vail is an American independent musician, music critic and feminist activist from Olympia, Washington. She was a central figure in the riot grrl scene—she coined the spelling of "grrl"—and she started the zine Jigsaw. A drummer, guitarist and singer, she was a founding member of the band Bikini Kill. Vail has collaborated in several other bands figuring in the Olympia music scene. Vail writes for eMusic.
Team Dresch is an American punk rock band originally formed in 1993 in Olympia, Washington.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
Mirah is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington, in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (2000) and Advisory Committee (2002). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
The Need is an American queercore band formed by the singer and drummer Rachel Carns and the guitarist Radio Sloan in Portland, Oregon, in the mid-1990s.
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Fat feminism, often associated with "body-positivity", is a social movement that incorporates feminist themes of equality, social justice, and cultural analysis based on the weight of a woman or a non-binary feminine person. This branch of feminism intersects misogyny and sexism with anti-fat bias. Fat feminists advocate body-positive acceptance for all bodies, regardless of their weight, as well as eliminating biases experienced directly or indirectly by fat people. Fat feminists originated during third-wave feminism and is aligned with the fat acceptance movement. A significant portion of body positivity in the third-wave focused on embracing and reclaiming femininity, such as wearing makeup and high heels, even though the second-wave fought against these things. Contemporary western fat feminism works to dismantle oppressive power structures which disproportionately affect fat, queer, non-white, disabled, and other non-hegemonic bodies. It covers a wide range of topics such as diet culture, fat-phobia, representation in media, ableism, and employment discrimination.
Rachel Carns is an American musician, composer, artist and performer living in Olympia, Washington, U.S. Raised in small-town Wisconsin, she went on to study painting and drawing at Cooper Union for the Advancement of Science and Art in New York City, where she completed her B.F.A. in 1991. Carns began her career as drummer for Kicking Giant, later collaborating with several bands, including The Need. She is a celebrated graphic designer, working under the name System Lux, and plays drums and percussion with experimental performance art group Cloud Eye Control.
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Eden Daniel Pearlstein, better known by his stage name Eprhyme, is an American Jewish rapper and producer based in Brooklyn, New York. While attending The Evergreen State College in Olympia, Washington, he became involved with the Olympia music scene as half of the hip hop duo Saints of Everyday Failures, with which he released two albums. According to Nic Leonard of the Weekly Volcano, Eprhyme "played a major roll [sic] in the creation of the Olympia hip-hop scene." He was noticed by local independent label K Records, who released his first two singles, "Punklezmerap" and "Shomer Salaam". He then released his debut album, Waywordwonderwill (2009), through Shemspeed Records, before returning to K Records for his follow-up, Dopestylevsky (2011). He is currently part of the alternative hip hop groups Darshan, with vocalist Basya Schechter, and Ruthless Cosmopolitans, with Jon Madof.
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"Punklezmerap" is a song by American rapper Eprhyme, the lead single from his debut solo album Waywordwonderwill (2008). It was released by K Records on March 4, 2008. Produced by Smoke of Oldominion and featuring Nomy Lamm on vocals, the song heavily samples from klezmer and traditional Jewish music. Lyrically, the song details Eprhyme's musical and personal evolution. At the time of its release, "Punklezmerap" was the first K Records hip hop recording in over a decade.
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