Northside Hip Hop Archive (NSHHA) is a digital archive of Canadian hip hop culture from the 1980s and 1990s. NSHHA aims to preserve cultural artifacts from the pioneering years of the Canadian hip hop scene. This online archive digitizes oral histories, event flyers, posters, street magazines, album covers, newspaper articles, graffiti and analog recordings. Founded by Dr. Mark V. Campbell aka DJ Grumps, in 2010, [1] NSHHA “take[s] seriously the accomplishments and hidden histories of Canadian hip hop and is interested in providing resources for future generations of hip hoppers.”
The archive’s funders include Canada Council for the Arts and Heritage Canada.
Campbell was working on a chapter for a high school text book entitled Black History: Africa, the Caribbean and the Americas, when he realized that there was a dearth of information about the Canadian hip hop scene. [2] The memorabilia of Canadian hip hop from before the internet age had not made its way online. He called on hip hop connections from his days as a community radio DJ to source artifacts that would document this music culture. Pioneering Canadian hip hop DJs, emcees, artists and producers contributed personal artifact collections to NSHHA.
T-dot Pioneers, an exhibition at Toronto Free Gallery, launched Northside Hip Hop Archive with an exhibition of plaques, awards, flyers, posters, newspaper articles, vinyl recordings, cassettes, clothing, comics, archival video from b-boy battles, and rare audio footage from community radio shows from across Canada. [3]
In 2019, Northside Hip Hop put on the mixed media exhibition For the Record: ‘An Idea of the North’ Exhibit delineating the role soundsystems and DJs had in the emerging Toronto hip hop scene, in the TD Gallery at the Toronto Reference Library. CBC News writes: “The exhibit tracks the progress of Toronto's hip-hop scene and its growth through the last few decades when bboy battles, independent record labels and community college radio stations were the paths to success.” [4]
In 2018, NSHHA partnered with the McMichael Canadian Art Collection for the exhibition Everything Remains Raw: Photographing Toronto’s Hip Hop Culture from Analogue to Digital, which featured photos from Craig Boyko, Michael Chambers, Stella Fakiyesi, Demuth Flake, Patrick Nichols, Sheinina Raj, and Nabil Shash [5] that documented the growth of the Canadian hip hop music scene.
The exhibition also featured artwork from painter David Strickland, video artist Mark Valino and graffiti writers Elicser, Eklipz, and EGR. The Globe and Mail made note of the juxtaposition of the Gallery, a “purveyor of Canadiana” and hip hop history:
When you visit the McMichael Canadian Art Collection in Kleinburg, before you spot a canvas, before you even touch a door handle, you'll pass by a small cemetery where six members of the Group of Seven are buried. That is to say: There are expectations about the kind of art you'll find there. And a paean to homegrown hip hop likely doesn't count first among them. But if the gallery is committed to its mission, the new exhibit ...Everything Remains Raw is exactly the sort of art it ought to showcase. [6]
The exhibition was part of the Scotiabank CONTACT Photography Festival and is documented in Campbell's book Everything Remains Raw: Photographing Toronto's Hip Hop Culture from Analogue to Digital. [7]
T-Dot Pioneers 2011: The Glenn Gould Remix was a photography exhibit that partnered with the Canadian Broadcasting Corporation to “visually intertwine Toronto’s hip hop history with the various commemorations of famed Canadian classical pianist Glenn Gould.” [8]
In 2016, Northside Hip Hop went on the I Was There! Tour across four cities, highlighting Canadian hip hop icons: DJ Ron Nelson of Toronto; DJ Butcher T of Montreal; emcee Eekwol of Saskatoon and visual artist Eklipz of Hamilton. [9]
Campbell told The Fader : "[I[n the '70s, this guy [Butcher T] was finding his own way to New York to just witness this thing called hip-hop. There was no marketing, no infrastructure — he was just a kid that was excited about what he saw, and he brought that back to Montreal.” [10] He cited the children of Caribbean immigrants as the first, enthusiastic audiences for hip-hop stars from the U.S. such as Biz Markie, Run DMC and Queen Latifah who came to Canada to perform.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
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The Canadian Museum of History is a national museum on anthropology, Canadian history, cultural studies, and ethnology in Gatineau, Quebec, Canada. The purpose of the museum is to promote the heritage of Canada, as well as support related research. The museum is based in a 75,000-square-metre-building (810,000 sq ft) designed by Douglas Cardinal.
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The Cold Crush Brothers are an American hip hop group that formed in 1978 in the Bronx, New York City. They were especially known for their memorable routines which included harmonies, melodies and stage-stomping performances. The Cold Crush Brothers still perform in the United States as of 2023. "A snapshot from hip-hop's 50th summer: A live mixtape"..
Scratch is a 2001 documentary film, directed and edited by Doug Pray. The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences.
Native American Hip Hop is hip hop culture practiced by people of Native American heritage, including Canadian First Nation hip hop artists. It is not a specific form of hip hop but varies in style along the lines of hip hop in general. Native Americans have been present in hip hop culture since its inception as breakdancers, DJs, rappers, and graffiti artists. The Native American contribution to hip hop can occasionally be veiled by the ethnic umbrella term of Hispanic or Latino, terms that may refer to Native Americans in certain contexts.
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
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Leslie Seaforth, better known by his stage name More Or Les, is a Canadian rapper, DJ and producer. He is a member of the Canadian hip hop crew Backburner. He currently resides in his hometown of Toronto, Ontario.
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King of The Dot Entertainment, also known as KOTD, is a Canadian rap battle league founded in Toronto, Ontario, Canada in 2008. The company's HQ is based in Toronto, from which it gets its name. Successful battlers such as Pat Stay, Dizaster, Head Ice, Rone, Arsonal, Charron, Math Hoffa, Madchild, and many more have battled in King of the Dot.
Hip-Hop Evolution is a Canadian music documentary television series that originally aired on HBO Canada in 2016. Hosted by Juno Award-winning artist Shad, the series profiles the history of hip-hop music through interviews with many of the genre's leading cultural figures. The series is produced by Darby Wheeler, Rodrigo Bascuñán, Russell Peters, Scot McFadyen, Sam Dunn and Nelson George. It won the 2016 Peabody Award, and the 2017 International Emmy Award for Best Arts Programming.
Ron Nelson is a Toronto-based DJ, broadcaster, music promoter, producer, educator, and performer best known for his role in popularizing both hip hop music and later dancehall and reggae music in Canada. He helped promote and develop early Canadian hip hop acts such as Maestro Fresh Wes, Michie Mee, Rumble & Strong and the Dream Warriors.
Mark V. Campbell is a Canadian academic, disc jockey and writer. He was raised in Scarborough, a suburb of Toronto, Canada. Currently, he is an assistant professor and Associate Chair of the Department of Arts, Culture and Media, University of Toronto Scarborough. Campbell's work focuses on new modalities of being human, sonic innovations within Black music, and the knowledge production of digital archives.
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