Northumberland House | |
---|---|
Artist | Canaletto |
Year | 1752 |
Type | Oil on canvas |
Dimensions | 84 cm× 137 cm(33 in× 54 in) |
Location | Private Collection |
Northumberland House is a 1752 landscape painting by the Italian artist Canaletto. Painted during his nine-year stay in Britain he depicts Northumberland House on the Strand by Charing Cross in London close to the location of the later Trafalgar Square. [1] [2] Canaletto was commissioned by the Westminster property's owner Sir Hugh Smithson, then 2nd Earl of Northumberland (later the Duke of Northumberland). Smithson was his most important patron during his time in England. [3] The work shows Northumberland House at the middle of the eighteenth century. On the right of the painting is Hubert Le Sueur's Equestrian statue of Charles I
Giacomo Francesco Zuccarelli was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto. In 1768, Zuccarelli became a founding member of the Royal Academy of Arts, and upon his final return to Italy, he was elected president of the Venetian Academy. In addition to his rural landscapes which frequently incorporated religious and classical themes, Zuccarelli created devotional pieces and on occasion did portraiture. Besides paintings, his varied output included etchings, drawings, and designs for tapestries as well as a set of Old Testament playing cards.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
Charles Seymour, 6th Duke of Somerset, KG, PC,, known by the epithet "The Proud Duke", was an English aristocrat and courtier. He rebuilt Petworth House in Sussex, the ancient Percy seat inherited from his wife, in the palatial form which survives today. According to the Encyclopædia Britannica Eleventh Edition, he was a remarkably handsome man, and inordinately fond of taking a conspicuous part in court ceremonial; his vanity, which earned him the sobriquet of "the proud duke", was a byword among his contemporaries and was the subject of numerous anecdotes; Macaulay described him as "a man in whom the pride of birth and rank amounted almost to a disease".
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
Alessandro Longhi was a Venetian portrait painter and printmaker in etching. He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.
Caspar van Wittel or Gaspar van Wittel, known in Italian as Gaspare Vanvitelli or Gasparo degli Occhiali, was a Dutch painter and draughtsman who had a long career in Rome. He played a pivotal role in the development of the genre of topographical painting known as veduta. He is credited with turning topography into a painterly specialism in Italian art.
The Percy family is an ancient English noble family. They were among the oldest and most powerful noble families in Northern England for much of the Middle Ages. The noble family is known for its long rivalry with the House of Neville, another family powerful in northern England during the 15th century. The feud between the two families, known as the Percy-Neville feud led to the Wars of the Roses, at the time known as the Civil Wars, in England.
Hugh Percy, 1st Duke of Northumberland, was an English peer, politician, and landowner.
Farnborough Hall is a country house in Warwickshire, England near to the town of Banbury,. Owned by the National Trust, but administered by the Holbech family; the house is a Grade I listed building.
Michele Marieschi or Michele Giovanni Marieschi, also Michiel, also known as Michiel, was an Italian painter and engraver. He is mainly known for his landscapes and cityscapes (vedute), or views, mostly of Venice. He also created architectural paintings, which reveal his interest in stage design.
Marco Ricci was an Italian painter of the Baroque period.
Jacopo Marieschi (1711–1794) was a Venetian history painter. Formerly he was confused with the prominent vedute painter, Michele Marieschi, his close contemporary.
Joseph Smith, often known as Consul Smith, was the British consul at Venice from 1744 to 1760. He was a patron of artists, most notably Canaletto, a collector and connoisseur, banker to the British community at Venice, and a major draw on the British Grand Tour. His collection of drawings was bought for George III of Great Britain and forms a nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
Mark Louis Hallett is an English art historian specialising in the history of British art. He is the Märit Rausing Director of the Courtauld Institute of Art.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
A View of Walton Bridge is a 1754 landscape painting by the Italian artist Canaletto depicting the construction of a new bridge at Walton, Surrey on the Thames southwest of London, now known as Old Walton Bridge.
The Grand Walk, Vauxhall Gardens is a landscape painting by the Italian artist Canaletto. He had made his name painting scenes of his native Venice, but moved to England for nine years from 1746 and painted many noted views of mid-eighteenth-century Great Britain. Vauxhall Gardens was a fashionable pleasure gardens, located to the south of the Thames in London. A tree-lined walk ran some distance towards a statue of Aurora at the eastern perimeter of the gardens.
Old Horse Guards is a 1749 landscape painting by the Italian artist Canaletto. It depicts the view from St James's Park of the Horse Guards building in London. Built during the reign of Charles II it served as the headquarters of the British Army. At the time he painted it the existing building was due to be pulled down and replaced by the larger building designed by William Kent that still stands today. The painting offers a wider view of Whitehall in the mid-eighteenth century. On the right of the picture is the rear of Downing Street. It is also known by the longer title The Old Horse Guards from St James's Park.
London Seen Through an Arch of Westminster Bridge is an 1747 riverscape painting by the Italian artist Canaletto.