Nothing Sacred | ||||
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Studio album by | ||||
Released | January 8, 1978 | |||
Genre | ||||
Length | 32:31 | |||
Label | DAC | |||
David Allan Coe chronology | ||||
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Nothing Sacred is the eleventh studio album by American country musician David Allan Coe. Released in 1978, it is Coe's fourth independent album, after Penitentiary Blues , Requiem for a Harlequin and Buckstone County Prison. Nothing Sacred was noted for its profane and sexually explicit lyrics, and was released solely by mail order.
In the late 1970s, Coe lived in Key West, Florida, and Shel Silverstein played his album Freakin' at the Freakers Ball for Coe, who proceeded to play a series of his own comedic songs. Silverstein encouraged him to record the songs, leading to the production of this album. [1] Nothing Sacred was released as a mail order-only release, initially advertised in the back pages of the biker magazine Easyriders ; [1] another album of similar material, Underground Album , followed in 1982. [2]
The lyrics of Nothing Sacred are profane and often sexually explicit and describe an orgy in Nashville's Centennial Park and sex with pornographic film star Linda Lovelace. The album also contains a song targeting Anita Bryant, a musician notable for her strong opposition to LGBT rights, specifically her fight to repeal an LGBT anti-discrimination ordinance in Miami-Dade County. In the song, bluntly titled "Fuck Aneta Briant" [ sic ], Coe calls out Bryant as being hypocritical for her opposition to the lifestyles of gay people, stating that "In fact Anita Bryant, some act just like you". [2] [3]
The album also has a song criticizing Jimmy Buffett in response to a feud between the two musicians at the time. Buffett had accused Coe of plagiarizing the melody of "Divers Do It Deeper" from Buffett's "Changes in Latitudes, Changes in Attitudes", stating "I would have sued him, but I didn't want to give Coe the pleasure of having his name in the paper." [2] Coe wrote the song "Jimmy Buffett" in response, with Coe suggesting that he and Buffett "just both get drunk and screw". [2]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The album was generally criticized as being profane and crude. [2] [3] Neil Strauss described the album's material as "among the most racist, misogynist, homophobic and obscene songs recorded by a popular songwriter." [5] AllMusic, which did not have a review the album, gave it three out of five stars. [4]
All songs written by David Allan Coe, except for "Cum Stains on the Pillow (Where Your Sweet Head Used to Be)", which was written by Chinga Chavin.
James William Buffett was an American singer-songwriter. He was known for his tropical rock sound and persona, which often portrayed a lifestyle described as "island escapism" and promoted enjoying life and following passions. Buffett recorded many hit songs, including those known as "The Big 8": "Margaritaville" (1977), which is ranked 234th on the Recording Industry Association of America's list of "Songs of the Century"; "Come Monday" (1974); "Fins" (1979); "Volcano" (1979); "A Pirate Looks at Forty" (1974); "Cheeseburger in Paradise" (1978); "Why Don't We Get Drunk" (1973); and "Changes in Latitudes, Changes in Attitudes" (1977). His other popular songs include "Son of a Son of a Sailor" (1978), "One Particular Harbour" (1983), and "It's Five O'Clock Somewhere" with Alan Jackson (2003). Buffett formed the Coral Reefer Band in 1975.
David Allan Coe is an American singer and songwriter. Coe took up music after spending much of his early life in reform schools and prisons, and first became notable for busking in Nashville. He initially played mostly in the blues style, before transitioning to country music, becoming a major part of the 1970s outlaw country scene. His biggest hits include "You Never Even Called Me by My Name", "Longhaired Redneck", "The Ride", "Mona Lisa Lost Her Smile", and "She Used to Love Me a Lot".
Anita Jane Bryant is a retired American singer and anti-gay activist. She had three top 20 hits in the United States in the early 1960s. She was the 1958 Miss Oklahoma beauty pageant winner, and a brand ambassador from 1969 to 1980 for the Florida Citrus Commission.
Clifford Joseph Trahan, better known by the stage names Johnny Rebel and Pee Wee Trahan, was an American singer, songwriter, and musician who performed songs that were supportive of white supremacy. He used the Johnny Rebel name for a series of recordings for J. D. "Jay" Miller's Reb Rebel label in the 1960s in response to the civil rights movement. The 12 songs exhibit racial hatred marketed as "subtle, rib-tickling satire". The songs frequently used the racial slur "nigger" and often voiced sympathy for racial segregation, the KKK, and the Confederacy.
Havana Daydreamin' is the sixth studio album by American popular music singer-songwriter Jimmy Buffett and his fourth regular major label album. It was produced by Don Gant and released on January 20, 1976, on ABC ABCD-914 and January 28, 1987, on ABC Dunhill's successor label MCA.
Nathan Allen "Nick" Chavin, also known by the stage name Chinga Chavin, was an American musician and advertising executive. Chavin released the album Country Porn in 1976 on Attic Records.
A1A or A-1-A is the fifth studio album by American popular music singer-songwriter Jimmy Buffett and the third major label album in Buffett's Don Gant-produced "Key West phase". It was initially released in December 1974 as Dunhill DS-50183 and later re-released on Dunhill's successor labels ABC and MCA.
Volcano is the ninth studio album by American popular music singer-songwriter Jimmy Buffett and is his 11th overall. It was released on August 1, 1979, as his first album for MCA after its absorption of ABC Dunhill.
Freakin' at the Freakers Ball is a studio album produced by Ron Haffkine written by Shel Silverstein originally released in 1972. The title track was covered by Dr. Hook & The Medicine Show on an album titled Sloppy Seconds.
Longhaired Redneck is an album released by country musician David Allan Coe. It was released in 1976 on Columbia.
Family Album is an album by country musician David Allan Coe, released in 1978 by Columbia Records.
Human Emotions is an album by country musician David Allan Coe. It was released in 1978 on Columbia.
Spectrum VII is an album by country musician David Allan Coe, released in 1979 on Columbia Records.
I've Got Something to Say is an album released by country musician David Allan Coe. It was released in 1980 on Columbia. Guy Clark, Bill Anderson, Dickey Betts, Kris Kristofferson, Larry Jon Wilson, and George Jones are all featured on this album.
Invictus (Means) Unconquered is an album released by country musician David Allan Coe. It was released in 1981 on Columbia.
This is a detailed discography for American country musician David Allan Coe. He started his career in 1970 on SSS International Records before signing with Columbia Records and staying with the label for 15 years. In the 1990s, he released albums through several independent labels such as his own DAC Records. Most of these releases have been reissued under different names and/or cannibalized for various compilations. Overall, Coe's discography consists of 42 studio albums, 4 live albums, 1 collaborative studio album, and 1 audiobook, plus many compilation albums.
Underground Album is the 21st studio album by American country musician David Allan Coe. It was released as a mail order album, not sold in stores, only through the back pages of the motorcycling magazine Easyriders and in the concession stand at his shows. Underground Album is Coe's follow-up to his 1978 album Nothing Sacred.
A Crazy Steal is a UK studio album by English rock/pop group the Hollies. It includes their version of Emmylou Harris' "Boulder to Birmingham", which had been released two years prior, reaching number 10 in the charts in New Zealand. Three other songs from this album were released in 1977, and 1978 as singles, yet failed to chart anywhere.
D.A.C is an album released by country musician David Allan Coe. It was released in 1982 on Columbia.
Son of the South is an album released by country musician David Allan Coe. It was released in 1986 on Columbia.
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