Oboe Concerto (Rouse)

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The Oboe Concerto is a concerto for oboe and orchestra by the American composer Christopher Rouse. The work was commissioned by the Minnesota Orchestra and completed in 2004. [1] The piece premiered in 2009 with oboist Basil Reeve and the Minnesota Orchestra performing under conductor Osmo Vanska. [2]

Contents

Composition

The Oboe Concerto is composed in three connected movements, following the traditional fast-slow-fast form. A five-note chord introduced by the strings at the beginning of the piece lays the groundwork for much of the harmonic material of the concerto. [1]

Inspiration

Rouse designed the piece as a non-programmatic work, commenting in the score notes:

Unlike some of my other concerti, there is no overt program to this piece. It aims of course to explore the capabilities of the oboe, of which the first in everyone's mind is its capacity to play long, lyrical lines. However, to compose a score that would only concern itself with this aspect of the oboe would be to deny the instrument's more virtuosic attributes, and so there are plenty of moments when the soloist is asked to play music requiring substantial agility. Notwithstanding the fast — sometimes extremely fast! — music that abounds in the work, I feel that there is an overall feeling of coloristic romanticism in the concerto, especially in the central slow movement. [1]

Despite this, principal oboist Liang Wang of the New York Philharmonic, who performed the concerto's New York City premiere, said, "I think this is certainly a love story. And it captures some of the best qualities of the oboe, which is if you just take one note it can give you many different colors." [3]

Instrumentation

The concerto is scored for solo oboe and an orchestra comprising two flutes, piccolo (doubling alto flute), two clarinets, two bassoons, two French horns, two trumpets, three trombones, percussion (three players), harp, celesta, and strings (violins I & II, violas, violoncellos, and double basses). [1]

Reception

Reviewing the 2013 New York City premiere of the piece, Steve Smith of The New York Times commented, "...few living composers rival Mr. Rouse’s knack for the grotesque, the elemental and the bombastic. And the oboe, for all its politesse, is capable of producing positively hideous multiphonics and other unorthodox effects. [...] But in Mr. Rouse’s concerto, the principal test for the soloist is to produce seemingly endless lines that float weightless over aural backgrounds that shimmer and sigh in summer-afternoon languor." [2] David Patrick Stearns of The Philadelphia Inquirer praised the concerto as "distinguished" and said, "Sonorities seemed like characters: Muted brass seemed simultaneously comic and ominous. Hushed string chords didn't point in any further direction but bristled with an energy that suggests the piece could explode at any time. Harp and celesta added dreamy touches that could turn nightmarish." Stearns continued, "The younger Rouse wrote music that went to many extremes. Here, extremes are more implied possibilities, and are just as powerful. Though the oboe writing was full of animation, the best moments felt more like an invocation (in the incantatory sense of the word)." [4]

Fellow composer James Primosch of the University of Pennsylvania also praised the work, saying, "I was most taken with the slow music – exquisite colors, both in the sense of harmony and of orchestral timbre. The contrasting fast playful sections are brilliant, but it was the ecstatic stillness supporting the intensely lyrical Woodhams oboe that was most striking." [5]

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The Violin Concerto No. 2 is a composition for violin solo and orchestra by the Finnish composer Magnus Lindberg. The work was jointly commissioned by the London Philharmonic Orchestra, the Berlin Philharmonic, Swedish Radio Symphony Orchestra, Radio France, and New York Philharmonic. Its world premiere was given by the violinist Frank Peter Zimmermann and the London Philharmonic Orchestra under the direction of Jaap van Zweden at Royal Festival Hall, London, on December 9, 2015. The piece is dedicated to Zimmermann.

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The Cello Concerto is a composition for cello and orchestra by the Finnish composer Esa-Pekka Salonen. The work was co-commissioned by the Chicago Symphony Orchestra, the New York Philharmonic, the Barbican Centre, and the Elbphilharmonie. It was completed in 2017 and was first performed by the cellist Yo-Yo Ma and the Chicago Symphony Orchestra under the direction of Salonen on March 9, 2017. The piece is dedicated to Yo-Yo Ma.

The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.

References

  1. 1 2 3 4 Rouse, Christopher. Oboe Concerto: Program Note by the Composer. 2008. Retrieved March 24, 2015.
  2. 1 2 Smith, Steve (November 17, 2013). "Shifting Gears to Explore the Realm of the Oboe: Liang Wang Performs Christopher Rouse's Oboe Concerto". The New York Times . Retrieved March 24, 2015.
  3. ↑ Ramey, Corinne (November 13, 2013). "Philharmonic's Rouse Writes Musical Workouts for Conductor, Musicians". The Wall Street Journal . Retrieved March 24, 2015.
  4. ↑ Stearns, David Patrick (January 22, 2011). "Alan Gilbert conducts Philadelphia Orchestra at Kimmel". The Philadelphia Inquirer . Philadelphia Media Network . Retrieved March 24, 2015.
  5. ↑ Primosch, James (January 21, 2011). "Rouse Oboe Concerto in Philly". Secret Geometry. Retrieved March 24, 2015.
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