Benin City is the capital and largest city of Edo State, southern Nigeria. It is the fourth-largest city in Nigeria according to the 2006 census, after Lagos, Kano, and Ibadan. It is situated approximately 40 kilometres (25 mi) north of the Benin River and 320 kilometres (200 mi) by road east of Lagos. Benin City is the centre of Nigeria's rubber industry, and Palm oil production is also a significant industry.
The Benin Expedition of 1897 was a punitive expedition by a British force of 1,200 men under Sir Harry Rawson. It came in response to the ambush and slaughter of a 250 strong party led by British Acting Consul General James Phillips of the Niger Coast Protectorate. Rawson's troops captured Benin City, bringing to an end slavery and human sacrifice in Benin, and indeed the Kingdom of Benin itself, which was eventually absorbed into colonial Nigeria. The expedition freed slaves held by the Oba.
The Oba of Benin is the traditional ruler and the custodian of the culture of the Edo people and all Edoid people. The then Kingdom of Benin has continued to be mostly populated by the Edo.
The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin, in what is now Edo State, Nigeria. Collectively, the objects form the best examples of Benin art and were created from the fourteenth century by artists of the Edo people. The plaques, which in the Edo language are called Ama, depict scenes or represent themes in the history of the kingdom. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewelry, and smaller pieces.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
Esigie, originally known as Osawe, was the son of Oba Ozolua, who reigned in the late 15th century, and his second wife, Queen Idia. He was the sixteenth Oba who ruled the medieval Benin Kingdom, now Benin City, Edo State, Nigeria from c. 1504 – c. 1550. Works of art commissioned by Esigie are held in prominent museums including the Metropolitan Museum of Art and the British Museum.
Idia was the mother of Esigie, who reigned as Oba (king) of the Edo people from 1504 to 1550. Historians do know that Idia was alive during the Idah war because she played a role that led to a great Benin victory. It has been argued that Idia, therefore, was the true power behind the throne of her son. She played a significant role in the rise and reign of her son, being described as a great warrior who fought relentlessly before and during her son's reign as the Oba (king) of the Edo people. Queen Idia was instrumental in securing the title of Oba for her son Esigie following the death of his father Oba Ozolua. To that end, she raised an army to fight off his brother Arhuaran who was supposed to be the Oba by right and tradition but was subsequently defeated in battle. Esigie’s mother became the 17th Oba of Benin.
Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
The Edopeople, sometimes referred to as the Bendel people, are an Edo-speaking ethnic group. The Edo who predominantly reside in 7 southern local government areas of the State of Edo, Nigeria are known as 'Bini'. They are speakers of the Edo language and are the descendants of the founders of the Benin Kingdom Ogiso Igodo. They are closely related to other southern Nigerian tribes, such as the Esan, the Etsakọ, the Isoko, and the Urhobo.
The Kingdom of Benin, also known as the Edo Kingdom or Benin Kingdom, was a kingdom within what is now southern Nigeria. It has no historical relation to the modern republic of Benin, which was known as Dahomey from the 17th century until 1975. The Kingdom of Benin's capital was Edo, now known as Benin City in Edo State, Nigeria. The Benin Kingdom was "one of the oldest and most developed states in the coastal hinterland of West Africa". It grew out of the previous Edo Kingdom of Igodomigodo around the 11th century AD, and lasted until it was annexed by the British Empire in 1897.
The Nigerian National Museum is a national museum of Nigeria, located in the city of Lagos. The museum has a notable collection of Nigerian art, including pieces of statuary, carvings also archaeological and ethnographic exhibits. Of note is a terracotta human head known as the Jemaa Head, part of the Nok culture. The piece is named after Jema'a, the village where it was discovered. The museum is located at Onikan, Lagos Island, Lagos State. The museum is administered by the National Commission for Museums and Monuments.
Ọmọ n'Ọba n'Ẹdo Uku Akpọlọkpọlọ, Akenzua II was the thirty-seventh Oba of Benin reigning from 1933 until his death in 1978.
The Bronze Head of Queen Idia is a commemorative bronze head from the medieval Kingdom of Benin in West Africa that probably represents Idia, mother of Oba Esigie, made during the early sixteenth century at the Benin court. Many Benin works of art entered the European art market after the Benin Expedition of 1897 – Four cast bronze heads of the queen are known and are currently in the collections of the British Museum in London, the World Museum in Liverpool, the Nigerian National Museum in Lagos, and the Ethnological Museum of Berlin.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba of the 16th century Benin Empire, taking the form of a traditional African mask. The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897.
Ewuare II was crowned the Oba of Benin on 20 October 2016. He is the 40th Oba, a title created for the Head of State (Emperor) of the Benin Empire at some time between 1180 and 1300.
James Robert Phillips was the deputy commissioner and consul for the Niger Coast Protectorate. He is remembered for his part in the events that led to the Benin Expedition of 1897. In 1897, Phillips set out to petition the Oba of Benin, although his reasons for doing so remain unclear. He and his party were ambushed and slaughtered as they approached Benin City, with Phillips being among the casualties. Though Phillips had acted without consulting the Royal Niger Company authorities, after his death the British government dispatched an punitive expedition against the Benin monarchy, which the force defeated and deposed, leading to the kingdom's eventual absorption into colonial Nigeria.
Peju Layiwola, is an art Historian and visual artist from Nigeria who works in a variety of media and genre. She is listed as a "21st Century Avant-Garde" in the book Art Cities of the Future published by Phaidon Press. She is currently a Professor of Art and Art history at the University of Lagos and has been described as a "multi-talented artist." Her works can be found in the collection of Microsoft Lagos, Yemisi Shyllon Museum, Pan Atlantic, Lagos and homes of private collectors such as JP and Ebun Clark and the Obi of Onitsha.
The Benin Dialogue Group is a multi-lateral international collaborative working group that brings together delegates from Western museums with representatives of the Nigerian Government, the Royal Court of Benin, and the Nigerian National Commission for Museums and Monuments. Its aims are cooperation between museums possessing Nigerian cultural heritage and the creation of a permanent display in Benin City, in particular the Benin Bronzes.
The Oba Market is an open-air market situated at Ring Road in the center of Benin City, Edo State, Nigeria. Its roots date back to the 15th century, making it one of the most historically significant markets in the region.
Benin Altar Tusks are ivory artefacts from the Benin Kingdom in present-day Benin City, Edo State, Nigeria. These tusks date back to the 16th century and measure approximately 61 inches (1,500 mm) in height, 5.2 inches (130 mm) in width, 4.7 inches (120 mm) in depth, and weighing 25 kilograms (55 lb) according to a sample at the British Museum. The tusks feature carved royal figures in traditional regalia, depicting scenes of power, ritual, and at times, conflict.
