Oligopticon

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Bruno Latour proposes the idea of an Oligopticon as a site for the manufacture of social structures (such as scientific knowledge, or our system of law). He contrasts the oligopticon with Michel Foucault's account of the surveillance mechanism that is the Panopticon. Whereas the ideal of the panopticon is a kind of total surveillance that feeds both (guards') megalomania and (prisoners') paranoia, oligoptica are sites that, "do exactly the opposite of panoptica: they see much too little to feed the megalomania of the inspector or the paranoia of the inspected, but what they see, they see it well." [1]

Bruno Latour French sociologist, philosopher and anthropologist

Bruno Latour is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the École des Mines de Paris from 1982 to 2006, he became Professor at Sciences Po Paris (2006–2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017. He was also a Centennial Professor at the London School of Economics.

Panopticon prison

The panopticon is a type of institutional building and a system of control designed by the English philosopher and social theorist Jeremy Bentham in the late 18th century. The scheme of the design is to allow all (pan-) inmates of an institution to be observed (-opticon) by a single watchman without the inmates being able to tell whether or not they are being watched. Although it is physically impossible for the single watchman to observe all the inmates' cells at once, the fact that the inmates cannot know when they are being watched means that they are motivated to act as though they are being watched at all times. Thus, they are effectively compelled to regulate their own behaviour.

The account of the oligopticon is introduced in order to further Latour's account of the proceedings of scientific activity. Oligoptica are sites for the production of consensus and knowledge, and also for the manufacture of structural effects like "culture" and "gender". Latour makes further contrasts between oligoptica and panoramas, "panoramas, as etymology suggests, see everything. But they also see nothing since they simply show an image painted (or projected) on the tiny wall of a room fully closed to the outside." [2] What Latour means by this is that the panorama conveys a master narrative or 'big picture', with the illusion of coherence, whereas structures that can be traced to oligoptica have many different connections - these are individually fragile but powerful as a whole.

Latour describes parliaments, courtrooms and offices as examples of oligoptica, or special places where the micro-structures of macro-phenomena are crafted. At such locations, the "panorama of associations" is created, and local activities become a “bigger” issue. Sites such as parliaments or courtrooms satisfy our global need to specify places, where different strands of "macro-social" phenomena are weaved.

"From oligoptica, sturdy but extremely narrow views of the (connected) whole are made possible, as long as connections hold. Nothing it seems can threaten the absolutist gaze of panoptica, and this is why they are loved so much by those sociologists who dream to occupy the center of Bentham’s prison; the tiniest bug can blind oligoptica." [3]

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References

  1. Latour, Bruno. Reassembling the Social. An Introduction to Actor-Network-Theory. OUP Oxford, 2005. p. 181
  2. Latour, Bruno. Reassembling the Social. An Introduction to Actor-Network-Theory. OUP Oxford, 2005. p. 187
  3. Latour, Bruno. Reassembling the Social. An Introduction to Actor-Network-Theory. OUP Oxford, 2005. p. 181