Omar Kholeif is an Egyptian-born artist, curator, writer and editor. Kholeif's curatorial practice focuses on art that intersects with the internet, as well as works of art from emerging geographic territories that have yet to be seen in the mainstream. [1]
Kholeif is currently the Sharjah Art Foundation’s Director of Collections and Senior Curator. [2] Previous roles have included Senior Visiting Curator at HOME Manchester; [3] Co-Curator of the 14th Sharjah Biennial; [4] Curator of the V-A-C Foundation Venice headquarters, Palazzo delle Zattere, during the 58th Venice Biennale; [5] a curator for Abu Dhabi Art, and is a guest curator and advisor for numerous international festivals and biennials. [6]
Previously, Kholeif was the Manilow Senior Curator and Director of Global Initiatives at the Museum of Contemporary Art Chicago. [7] Prior to that, they were Curator at the Whitechapel Gallery, Senior Editor at Ibraaz Publishing and Senior Curator at Cornerhouse in Manchester. [8] Previously, they were Curator at the Whitechapel Gallery, Senior Editor at Ibraaz Publishing and Senior Visiting Curator at HOME in Manchester. [9]
Kholeif was born in Cairo, Egypt and holds degrees from the University of Glasgow, the Royal College of Art, London, and the University of Reading, where they completed a PhD in curatorial and cross-disciplinary cultural studies. [10]
Previously, Kholeif was Curator at the Whitechapel Gallery, [9] Senior Visiting Curator at Cornerhouse and HOME in Manchester, Curator at Foundation for Art and Creative Technology (FACT), London and Senior Editor at Ibraaz Publishing. [11] Their work focuses on issues of narrative and geography in contemporary accelerated culture. They have curated major exhibitions nationally and internationally including the Cyprus Pavilion at the 56th Venice Biennale, Abraaj Group Art Prize at Art Dubai and Armory Focus: Middle East, North Africa and the Mediterranean at the Armory Show, New York. [12]
Kholeif is the author and/or editor of over two-dozen books and has written for The Guardian , [13] Frieze , [14] Wired [15] and HuffPost . [13] Their books include: Vision, Memory and Media (2010), Jeddah Childhood circa 1994 (2014) and You Are Here: Art After the Internet (2014) which was reviewed in Artforum by Douglas Coupland as the "smartest book on this topic." [16]
In 2014, Kholeif was voted one of the 50 most powerful people in the Middle Eastern art world by Canvas Magazine , one of the 100 most powerful people in the art world by ArtLyst [17] and one of eight curators to watch by Artsy. [18]
Kholeif has taught and guest lectured at numerous universities including the University of Chicago, Hunter College, New York, Northwestern University, and the Ruskin School of Art, University of Oxford. They are a Fellow of the Royal Society of Arts, a Churchill Fellow, a member of ICOM, the International Council of Museums, CIMAM, International Committee for Museums and Collections of Modern Art, and AICA, the International Association of Art Critics. [1]
In 2023, Kohleif was part of the selection committee that nominated Zasha Colah as artistic director of the Berlin Biennale in 2025. [19]
1-54 Contemporary African Art Fair
The Modern Art Museum of Fort Worth
Manchester International Festival
Museum of Contemporary Art Chicago
Ministry of Education and Culture (Cyprus)
FACT, Foundation for Art and Creative Technology
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator who lives and works in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
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