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Omar Puente (born 1961) [1] is a Cuban-born violinist and jazz musician, currently living in England. He has been called "a classical violinist with a heart that beats with a Cuban rhythm, a soul that is African, and a home in West Yorkshire". [2]
Puente was born in Santiago de Cuba in 1961, during the Cuban revolution, to a mother who was a nurse and a father who was a doctor. [1] He began learning the violin when he was five years old and studied at the Esteban Salas music school in Santiago. At the age of 12, he took up a scholarship to study classical music at the Escuela Nacional de Arte in Havana for six years. He went on to make a career as a classical musician, completing his formal higher education at the Instituto Superior de Arte, then joining the National Symphony Orchestra of Cuba (NSOC), in which he became first violin. Throughout this time he was also learning about popular Cuban music and jazz, from musicians such as Chucho Valdes and Arturo Sandoval, as well as playing in clubs, and after leaving the NSOC he toured the world in groups such as the José María Vitier band and the Orquesta Enrique Jorrín (with Ruben Gonzalez of the Buena Vista Social Club). [2] [3]
In Singapore in 1995, Omar met his English future wife Debbie Purdy, a music journalist, who soon after they met was diagnosed with multiple sclerosis. When she returned to the UK in 1997 for medical reasons, he came too. They married in 1998 and settled in Yorkshire. The story of their life together attracted headline attention in 2009 because of her legal challenge to the laws of assisted suicide, seeking assurance that if in the future she were to choose to go abroad to the Dignitas clinic in Switzerland to end her own life her husband would not be prosecuted for accompanying her. [1] [4] [5] The House of Lords backed her appeal to have the law clarified. [6] She died in 2014.
Since settling in England, Puente has taught Cuban music and jazz violin at Leeds College of Music, Trinity College of Music and World Heart Beat Music Academy, while maintaining his links with Cuban musicians. He has performed with Venezuela's Simón Bolivar Youth Orchestra, has composed music for a Carlos Acosta ballet, performed in London with Nigel Kennedy, Eddie Palmieri and the late Tito Puente (no relation), and collaborated on a jazz project with the Royal Philharmonic Orchestra. Among other well known musicians he has played with are guitarist John Williams, pianist Robert Mitchell, Jools Holland, Kirsty MacColl, Ibrahim Ferrer and Omara Portuondo. Puente is a regular member of the band of saxophonist Courtney Pine, who produced his debut solo album From There to Here (2009). [7]
Nigel Kennedy is an English violinist and violist.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.
Midori Goto, who performs under the mononym Midori, is a Japanese-born American violinist. She made her debut with the New York Philharmonic at age 11 as a surprise guest soloist at the New Year's Eve Gala in 1982. In 1986 her performance at the Tanglewood Music Festival with Leonard Bernstein conducting his own composition made the front-page headlines in The New York Times. Midori became a celebrated child prodigy, and one of the world's preeminent violinists as an adult.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
Francisco de Jesús Rivera Figueras, known as Paquito D'Rivera, is a Cuban-American alto saxophonist, clarinetist and composer. He was a member of the Cuban songo band Irakere and, since the 1980s, he has established himself as a bandleader in the United States. His smooth saxophone tone and his frequent combination of Latin jazz and classical music have become his trademarks.
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Alberto Socarrás Estacio,, was a Cuban-American flautist who played both Cuban music and jazz.
Debbie Purdy was a British music journalist and political activist from Bradford, West Yorkshire. After being diagnosed with primary progressive multiple sclerosis, she challenged the law in England and Wales regarding assisted suicide. In 2009, revised guidelines on assisted suicide law were published by the UK Government following Purdy's campaign.
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The bowed string instruments have been always present in Cuba since its discovery, first as the viol or bowed vihuela and at a later time as the Italian violin. As other instruments and the culture in general, also the violin enjoyed in Cuba a period of great relevance during the 19th century. The violin was part of the instrumental ensembles that accompanied the Contradance and the Dance, the first Cuban musical genres, as well as other subsequent genres as the Danzón and the Cha cha cha. The violin also intoned some of the most beautiful melodies composed in Cuba, such as "La Bella Cubana" by José White. At all times, the Cuban violinists have been prominent representatives of the Cuban music throughout the entire world.
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