"Once Upon a Time" | |
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The Prisoner episode | |
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Episode no. | Series 1 Episode 16 |
Directed by | Patrick McGoohan |
Written by | Patrick McGoohan |
Production code | 6 |
Original air date | 25 January 1968 |
Guest appearance | |
Number Two: Leo McKern | |
"Once Upon a Time" is the penultimate episode of the allegorical British science fiction TV series, The Prisoner . It was written and directed by Patrick McGoohan and sixth to be produced. It was first broadcast in the UK on ITV (Scottish Television) on Thursday 25 January 1968 (it appeared on ATV Midlands and Grampian the day after) and first aired in the United States on CBS on Saturday 14 September 1968. [1] [2]
The episode starred Patrick McGoohan as Number Six and re-introduced Leo McKern as Number Two. McKern's Number Two had previously appeared in "The Chimes of Big Ben" and would also appear in the last episode "Fall Out". [3] The main theme of the episode is the use of regressive therapy to break Number Six's will.
The Number Two from the earlier episode "The Chimes of Big Ben" (Leo McKern) returns to the Village. He calls his superiors and obtains permission to undertake a dangerous technique called "Degree Absolute" in a final attempt to break Number Six and learn why he resigned from his position as an intelligence agent. Number Six is put into a trance state, causing his mind to regress back to his childhood. He is taken to the "Embryo Room", deep below the Green Dome, filled with various props, as well as a caged room that contains living space and a kitchen. He, Number Two, and the Butler (Angelo Muscat) are subsequently locked into the room via a timer that will unlock the room after one week.
Number Two begins to use regressive therapy following Shakespeare's Seven Ages of Man, using the various props to enact a series of psychodramas, with Number Two playing the authority figure (e.g., father, headmaster, employer) and Number Six the subject (child, student, employee). Each drama is aimed at trying to make Number Six explain why he resigned. During the first six of these, Number Two finds Number Six has developed an aversion to saying the word "six". Number Two also comes to like and respect Number Six as he learns more about him.
On the final day, Number Two enacts the role of military jailer, harshly interrogating Number Six as a prisoner of war. Number Two's efforts seem to have effect as Number Six starts to blather on reasons for resigning, but he becomes concerned when Number Six says he knew too much, including about Number Two. Number Two becomes agitated, and Number Six continues to call him a fool and an idiot. Suddenly, Number Six starts counting down from "six", and by the time he has reached zero, has regained full control of his mind. Already exhausted from his efforts, Number Two is shocked. Now in control, Number Six explains that Degree Absolute, a well-known psychiatric technique, has its risks to the one performing the therapy if they have their own psychological problems. Number Six shows this understanding in a brief role reversal (by asking Number Two "Why don't you resign?"), much to Number Two's delighted amusement.
Number Two recovers and joyfully offers Number Six a tour of the Embryo Room. They end at the door timer, finding only five minutes remain before the room unlocks. Number Two becomes scared and pleads with Number Six to tell him why he resigned. Number Six remains quiet as Number Two goes to the kitchen area and pours them both a glass of wine. Number Six suddenly closes the door to the caged area, locking a panicked Number Two inside. The Butler takes the key from Number Two. Number Two paces the caged area while a voice screams "Die, Six, die!", until the timer runs out. Number Two falls over, apparently dead. The door to the Embryo room opens where the Supervisor (Peter Swanwick) waits. He tells Number Six they will need the body and then asks Number Six what he wants. Number Six only replies "Number One", and the Supervisor offers to take him there. He, Number Six, and the Butler depart the room. [1]
A working title of this episode was "Degree Absolute". It was originally reported to be the final episode of the first of two series of thirteen episodes, but when ITC and McGoohan renegotiated to make just seventeen episodes, the closing was refilmed and it was held back to become the first half of a two-part series finale. [4] However, the original script has been published, containing that ending. [5]
According to the 2007 documentary Don't Knock Yourself Out, during filming of the episode both McGoohan and McKern became totally engrossed in their roles and almost achieved a near-psychotic state (cited by various people, including Leo McKern). According to The Prisoner: The Official Companion to the Classic TV Series by Robert Fairclough, the strain of filming this episode caused McKern to suffer either a nervous breakdown or a heart attack (accounts differ), forcing production to stop for a time.
Angelo Muscat (the Butler) received "Guest Star" billing for this episode. John Maxim's brief scene as Number Eighty-Six was cut from the episode, however he is still listed in the credits.
The broadcast date of the episode varied in different ITV regions of the UK. The episode was first shown on Scottish Television Thursday 25 January 1968, on Friday 26 January on ATV Midlands and Grampian Television, on Sunday 28 January on ATV London, whose broadcasts were also taken up by Southern Television, Westward Television and Tyne-Tees; on Friday 2 February on Border Television, on Saturday 3 February on Anglia Television and on Friday 23 February on Granada Television in the North West. The aggregate viewing figures for the ITV regions that debuted the season in 1967 have been estimated at 9.2 million. In Northern Ireland, the episode did not debut until Saturday 6 April 1968, and in Wales, the episode was not broadcast until Wednesday 8 April 1970. [1]
This episode is referred to by Number Two in the 1988 comic book sequel Shattered Visage , when asked by Alice Drake whom Six killed.
The Prisoner is a British television series created by Patrick McGoohan, with possible contributions from George Markstein. McGoohan portrays Number Six, an unnamed British intelligence agent who is abducted and imprisoned in a mysterious coastal village after resigning from his position. The allegorical plotlines of the series contain elements of science fiction, psychological drama, and spy fiction. It was produced by Everyman Films for distribution by Lew Grade's ITC Entertainment.
Number Six is the central character in the 1967–1968 television series The Prisoner. The unnamed character in the original TV series was played by series co-creator Patrick McGoohan. For one episode, "Do Not Forsake Me Oh My Darling", Number Six was portrayed by Nigel Stock due to McGoohan being away filming the movie Ice Station Zebra.
Angelo Muscat was a Maltese-born British character actor. He is primarily remembered for his role as the silent butler in the 1967 television series The Prisoner.
"Arrival" is the first episode of the allegorical British science fiction TV series The Prisoner. It was written by George Markstein and David Tomblin, and directed by Don Chaffey. It was first broadcast in the UK on ITV on Friday 29 September 1967, and first aired in the United States on CBS on Saturday 1 June 1968.
"The Chimes of Big Ben" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Vincent Tilsley and directed by Don Chaffey and fifth to be produced. It was the second episode to be broadcast in the UK on ITV on Friday 6 October 1967 and first aired in the United States on CBS on Saturday 8 June 1968.
"Fall Out" is the 17th and final episode of the allegorical British science fiction series The Prisoner. It was written and directed by Patrick McGoohan who also portrayed the incarcerated Number Six. The episode was first broadcast in the UK on ITV on Thursday 1 February 1968 and first aired in the United States on CBS on 21 September 1968.
"A. B. and C." is an episode of the allegorical British science fiction TV series The Prisoner. It was written by Anthony Skene and directed by Pat Jackson and eleventh produced. It was the third episode to be broadcast in the UK on ITV on Friday 13 October 1967 and first aired in the United States on CBS on Saturday 22 June 1968.
"The Schizoid Man" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Terence Feely, directed by Pat Jackson and was the seventh produced. It was the fifth episode to be broadcast in the UK on ITV on Friday 27 October 1967 and first aired in the United States on CBS on Saturday 6 July 1968.
"Living in Harmony" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by David Tomblin and Ian L. Rakoff and directed by Tomblin and was the fifteenth produced. It was broadcast in the UK on ITV on Friday 29 December 1967 and was not screened in the United States on CBS during the initial network run.
"Hammer into Anvil" is an episode of the allegorical British science fiction TV series The Prisoner. Written by Roger Woddis and directed by Pat Jackson, it was the twelfth episode produced. It was the tenth episode to be broadcast in the UK on ITV on Friday 1 December 1967 and first aired in the United States on CBS on Saturday 31 August 1968.
"Free for All" is an episode of the allegorical British science fiction TV series The Prisoner. It was written and directed by Patrick McGoohan and the second episode to be produced. It was the fourth episode to be broadcast in the UK on ITV on Friday 20 October 1967 and first aired in the United States on CBS on Saturday 29 June 1968.
"The Girl Who Was Death" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Terence Feely and directed by David Tomblin and was the sixteenth produced. It was broadcast in the UK on ITV on Thursday 18 January 1968 and aired in the United States on CBS on 7 September 1968.
"The General" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by "Joshua Adam" – a pseudonym for Lewis Greifer – and directed by Peter Graham Scott. It was the tenth to be produced and was the sixth episode to be broadcast in the UK on ITV on Friday 3 November 1967. It first aired in the United States on CBS on Saturday 13 July 1968.
"Dance of the Dead" is an episode of the allegorical British science fiction TV series The Prisoner. It was written by Anthony Skene and directed by Don Chaffey and fourth to be produced. It was the eighth episode to be broadcast in the UK, on ITV on Friday 17 November 1967, and first aired in the United States on CBS on Saturday 27 July 1968.
"Checkmate" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Gerald Kelsey and directed by Don Chaffey and third to be produced. It was the ninth episode to be broadcast in the UK on ITV on Friday 24 November 1967 and first aired in the United States on CBS on Saturday 17 August 1968.
"It's Your Funeral" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Michael Cramoy and directed by Robert Asher and eighth produced. It was the eleventh episode to be broadcast in the UK on ITV on Friday 8 December 1967 and first aired in the United States on CBS on Saturday 10 August 1968.
"A Change of Mind" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Roger Parkes and directed by Patrick McGoohan and ninth produced. It was the twelfth episode to be broadcast in the UK on ITV on Friday 15 December 1967 and first aired in the United States on CBS on Saturday 24 August 1968.
"Do Not Forsake Me Oh My Darling" is an episode of the allegorical British science fiction TV series, The Prisoner. It was written by Vincent Tilsley and directed by Pat Jackson and was the fourteenth produced. It was the thirteenth episode to be broadcast in the UK on ITV on Friday 22 December 1967 and first aired in the United States on CBS on Saturday 3 August 1968.
"Many Happy Returns" is an episode of the allegorical British science fiction TV series The Prisoner. It was written by Anthony Skene and directed by Patrick McGoohan. The thirteenth episode produced, it was the seventh episode to be broadcast in the UK on ITV on Friday 10 November 1967, and first aired in the United States on CBS on Saturday 20 July 1968.
The opening and closing sequences of the TV series The Prisoner are considered iconic. The music over the opening and closing credits, as broadcast, was composed by Ron Grainer, a composer whose other credits include the theme music for Doctor Who.
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