The opaque projector, or episcope is a device which displays opaque materials by shining a bright lamp onto the object from above. The episcope must be distinguished from the diascope, which is a projector used for projecting images of transparent objects (such as films), and from the epidiascope, which is capable of projecting images of both opaque and transparent objects.
A system of mirrors, prisms and/or imaging lenses is used to focus an image of the material onto a viewing screen. Because they must project the reflected light, opaque projectors require brighter bulbs and larger lenses than overhead projectors. Care must be taken that the materials are not damaged by the heat generated by the light source. Opaque projectors are not as common as the overhead projector.
Opaque projectors are typically used to project images of book pages, drawings, mineral specimens, leaves, etc. They have been produced and marketed as artists' enlargement tools to allow images to be transferred to surfaces such as prepared canvas, or for lectures and discourses.
Swiss mathematician, physicist, astronomer, logician and engineer Leonhard Euler demonstrated an opaque projector around 1756. It could project a clear image of opaque images and (small) objects. [1] French scientist Jacques Charles is thought to have invented the similar "megascope" in 1780. He used it for his lectures. [2] Around 1872 Henry Morton used an opaque projector in demonstrations for huge audiences, for example in the Philadelphia Opera House which could seat 3500 people. His machine did not use a condenser or reflector, but used an oxyhydrogen lamp close to the object in order to project huge clear images. [3]
The light source in early opaque projectors was often limelight. Incandescent light bulbs and halogen lamps are most commonly used today.
In the early and middle parts of the 20th century, low-cost opaque projectors were produced and marketed as toys for children.
In educational settings, the specific role of the opaque projector has been superseded first by the overhead projector and later the document camera, a lighted table with a fixed video camera above it. The image from the camera is displayed using a separate projector. The document camera is also called a desktop presenter unit or opaque projector.
Opaque projectors are still in use for tracing, called tracing projectors. A flat or solid original is projected on a larger sheet of paper onto a wall or easel, where the artist or craftsperson can trace the outline reliably. [4] [5]
At the beginning of the 20th century, projection was split into two classes: "If the light traverses the object, the projection is said to be diascopic, if by reflected light, episcopic." [6]
Two main classes of opaque projectors thus existed:
The magic lantern, also known by its Latin name lanterna magica, was an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates, one or more lenses, and a light source. Because a single lens inverts an image projected through it, slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented.
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues. The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay, or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from any human skin colour. No part of the subject being filmed or photographed may duplicate the colour used as the backing, or the part may be erroneously identified as part of the backing.
A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. The image of lensless camera obscuras is also referred to as "pinhole image".
A planetarium is a theatre built primarily for presenting educational and entertaining shows about astronomy and the night sky, or for training in celestial navigation.
Infrared cut-off filters, sometimes called IR filters or heat-absorbing filters, are designed to reflect or block near-infrared wavelengths while passing visible light. They are often used in devices with bright incandescent light bulbs to prevent unwanted heating. There are also filters which are used in solid state video cameras to block IR due to the high sensitivity of many camera sensors to near-infrared light. These filters typically have a blue hue to them as they also sometimes block some of the light from the longer red wavelengths.
A slide projector is an optical device for projecting enlarged images of photographic slides onto a screen. Many projectors have mechanical arrangements to show a series of slides loaded into a special tray sequentially.
An overhead projector, like a film or slide projector, uses light to project an enlarged image on a screen, allowing the view of a small document or picture to be shared with a large audience.
An LCD projector is a type of video projector for displaying video, images or computer data on a screen or other flat surface. It is a modern equivalent of the slide projector or overhead projector. To display images, LCD projectors typically send light from a metal-halide lamp through a prism or series of dichroic filters that separates light to three polysilicon panels – one each for the red, green and blue components of the video signal. As polarized light passes through the panels, individual pixels can be opened to allow light to pass or closed to block the light. The combination of open and closed pixels can produce a wide range of colors and shades in the projected image.
Digital Light Processing (DLP) is a set of chipsets based on optical micro-electro-mechanical technology that uses a digital micromirror device. It was originally developed in 1987 by Larry Hornbeck of Texas Instruments. While the DLP imaging device was invented by Texas Instruments, the first DLP-based projector was introduced by Digital Projection Ltd in 1997. Digital Projection and Texas Instruments were both awarded Emmy Awards in 1998 for the DLP projector technology. DLP is used in a variety of display applications from traditional static displays to interactive displays and also non-traditional embedded applications including medical, security, and industrial uses.
A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors.
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
A slide show, or slideshow, is a presentation of a series of still images (slides) on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide projector. When referring to the video or computer-based visual equivalent, in which the slides are not individual physical objects.
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use.
A gobo is an object placed inside or in front of a light source to control the shape of the emitted light and its shadow.
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.
Document cameras, also known as visual presenters, visualizers, digital overheads, or docucams, are real-time image capture devices for displaying an object to a large audience. Like an opaque projector, a document camera is able to magnify and project the images of actual, three-dimensional objects, as well as transparencies. They are, in essence, high resolution web cams, mounted on arms so as to facilitate their placement over a page. This allows a teacher, lecturer or presenter to write on a sheet of paper or to display a two or three-dimensional object while the audience watches. Theoretically, all objects can be displayed by a document camera. Most objects are simply placed under the camera, and the camera takes the picture, which in turn produces a live image using a projector or monitor. Different types of document camera/visualizer allow great flexibility in terms of placement of objects. Larger objects, for example, can simply be placed in front of the camera and the camera rotated as necessary, or a ceiling mounted document camera can also be used to allow a larger working area to be used.
A structured-light 3D scanner is a 3D scanning device for measuring the three-dimensional shape of an object using projected light patterns and a camera system.
A Linnebach lantern or Linnebach projector is a lensless projection system used in theatrical productions. It was developed by Adolf Linnebach (1876-1963) around 1917 and was used in North American theatres in the 1920s. Since the middle of the 20th century, it has largely been replaced by other projection technologies.
A holographic screen is a two-dimensional display technology that uses coated glass media for the projection surface of a video projector. "Holographic" refers not to a stereoscopic effect, but to the coating that bundles light using formed microlenses. The lens design and attributes match the holographic area. The lenses may appear similar to the Fresnel lenses used in overhead projectors. The resulting effect is that of a free-space display, because the image carrier appears very transparent. Additionally, the beam manipulation by the lenses can be used to make the image appear to be floating in front of or behind the glass, rather than directly on it. However, this display is only two-dimensional and not true three-dimensional. It is unclear if such a technology will be able to provide acceptable three-dimensional images in the future.
A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using an external projection screen.