Opernhaus am Taschenberg | |
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General information | |
Type | Opera house |
Architectural style | Baroque |
Town or city | Dresden, Saxony |
Coordinates | 51°03′09″N13°44′09″E / 51.0525°N 13.7359°E |
Construction started | 1664 |
Completed | 1667 |
Design and construction | |
Architect(s) | Wolf Caspar von Klengel |
The Opernhaus am Taschenberg (Opera house at the Taschenberg) was a theatre in Dresden, Saxony, Germany, built from 1664 to 1667 by Wolf Caspar von Klengel. It was the first opera house of the capital of Saxony, Residenz of the Elector of Saxony. Seating up to 2000 people, it was at the time one of the largest opera houses in Europe. It was also called Klengelsches Opernhaus (after the architect) and Komödienhaus am Taschenberg (Comedy house at the Taschenberg).
Only 40 years after its opening, it was changed to serve as the first Hofkirche (Court church) for the Elector who had converted to the Catholic Church. When a new church was dedicated in 1751 (the present Dresden Cathedral known as the Hofkirche) the building was used as a Ballhaus (a space for playing real tennis) and an archive. It was demolished in 1888.
The opera house was built adjacent to the Dresden Residenz in the south-west, connected by a corridor. The property to the west was empty until construction of the Zwinger began in 1709.
During the second half of the 17th century, important rulers tried to establish court theatres as separate buildings, to house Baroque opera with an increasing demand for stage sets and decoration, and to seat more people. [1] John George II, Elector of Saxony, commissioned an opera house which was built from 1664 and opened in 1667. [2] It seated almost 2000 people. [1] The first performance was on 27 January 1667 Il teseo by Pietro Andrea Ziani and Giovanni Andrea Moneglia. [2] [3] The premiere of the first extant German opera was on 9 February 1672, Drama oder Musikalisches Schauspiel von der Dafne by Marco Giuseppe Peranda and Giovanni Andrea Bontempi. [4] The exterior of the building in Baroque style was rather simple, built from Elbe Sandstone, [2] but the interior lavishly decorated. [5] The ceiling was painted by Johann Oswald Harms. A proscenium separated the stage and the auditorium. The stage could take ten stage sets. [6] The contemporary Italian historian Gregorio Leti described the hall: "Das Comödienhaus […] mit Bogen, Säulen und Balkonen von Marmor könnte prächtiger nicht sein, als es ist, und es gibt vermutlich kein andres so schön und gediegen erbautes in Europa." (The comedy house with vaults, columns and balconies of marble could not be more magnificent than it is, and there is probably no other in Europe built as beautifully and solidly.) [2] In 1691, the theatre was rebuilt following Italian models with four tiers.
Augustus the Strong came into power as elector of Saxony in 1694. In 1696 he ordered a new theatre to be built, giving as a reason the failing acoustics for spoken theatre in the Opernhaus am Taschenberg. [7] The new comedy theatre (Komödienhaus), a wooden construction, was opened in 1697. [7] The same year Augustus had converted to Roman Catholicism in order to ascend the throne in Poland. [8] As a result of his many occupations outside Dresden, theatre life in that city came to a standstill. [7] Only in 1705, for the Carnival season, there were again stagings in both the Opernhaus and the Komödienhaus, but for the Opernhaus these appear to have been the last ones. [9] Taste had changed: The Opernhaus had been built for the abundant theatrical mechanics that were popular in the 17th century. [9] A plan in 1707 to convert the unused Opernhaus into a Ballhaus (a space for playing real tennis) was quickly abandoned. [10]
First Catholic Hofkirche | |
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General information | |
Type | Church |
Renovated | 1708 |
Closed | 1751 |
Demolished | 1888 |
Design and construction | |
Architect(s) | J. C. v. Naumann |
Since the elector's conversion to Catholicism, an extensively redecorated space in the palace was used as a court chapel. In 1699 the church of the Moritzburg Castle was remodeled for Catholic worship. In 1707 Augustus the Strong decided that the Opernhaus am Taschenberg should be converted into a Catholic court chapel. Augustus drew plans for the remodeling and supervised its execution. According to some sources the direction of the conversion works was entrusted to Raymond Leplat , [11] other sources indicate that Johann Christoph von Naumann was responsible for these works. [6] [12] It was both a Hofkapelle (with its direct connection to the royal residence) and a Hofkirche (while open to the general public).
On Maundy Thursday 1708 (5 April) the building opened as a Catholic church, [13] which was dedicated to the Heiligste Dreifaltigkeit (Most holy Trinity). [14] The west side of the building, previously the side of the stage, held a choir balcony, which already contained a small organ in 1709. [15] Gottfried Silbermann built an organ in 1720. [16]
The music performed in the church received universal acclaim. [17] From 1717 Antonio Lotti directed an Italian opera ensemble which also supplied the church music on special occasions. From 1720 Kapellmeister Johann David Heinichen, assisted by Jan Dismas Zelenka and Giovanni Alberto Ristori, worked on building a repertory of Catholic church music. In 1733, Johann Sebastian Bach dedicated a Kyrie–Gloria Mass in B minor to the elector, a work suitable for the church service at the Hofkirche which he developed much later to the Mass in B minor. [18] From 1734, the new Kapellmeister Johann Adolf Hasse had to supply music performed by the court chapel on every Sunday and holiday of the liturgical year, assisted by Johann Michael Breunig from 1746 and Johann Georg Schürer from 1748. [19]
A new opera house was built at the Zwinger, the Opernhaus am Zwinger , which opened in 1719. By 1738 the Hofkirche was regarded as being too cramped and too distant from the quarters where the monarch lived. In July 1739 the building of the new Hofkirche was started, and in July 1751 the Catholic church function was transferred to that new building. [20]
When Gottfried Silbermann was commissioned to build the organ of the new Hofkirche, he was allotted the now empty former opera house and church building to use as a workshop and private residence for the period of these works. Silbermann died there in 1753; the organ was only completed the next year. [21]
In 1755, it was decided the building should be remodeled as a venue for ball games, for which the conversion works were completed in 1757. Charles of Saxony, Duke of Courland, one of the last remaining enthusiasts of real tennis, paid for an extensive roof repair in the 1770s. After his death in 1796, the building was used for storing firewood for a few years. [22]
In 1802, it was decided the building should be remodeled to house an archive. [23] Johann Gottlob Hauptmann added a classicist facade. [6] Further changes to its construction, encountering more difficulties than initially expected, took until 1808. [24] It remained an archive until it was demolished eighty years later. [2]
Dresden is the capital city of the German state of Saxony and its second most populous city after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area, and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants.
The Zwinger is a palatial complex with gardens in Dresden, Germany. Designed by architect Matthäus Daniel Pöppelmann, it is one of the most important buildings of the Baroque period in Germany. Along with the Frauenkirche, the Zwinger is the most famous architectural monument of Dresden.
Gottfried Semper was a German architect, art critic, and professor of architecture who designed and built the Semper Opera House in Dresden between 1838 and 1841. In 1849 he took part in the May Uprising in Dresden and was put on the government's wanted list. He fled first to Zürich and later to London. He returned to Germany after the 1862 amnesty granted to the revolutionaries.
The Semperoper is the opera house of the Sächsische Staatsoper Dresden and the concert hall of the Staatskapelle Dresden. It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany.
Johann George II was the Elector of Saxony from 1656 to 1680. He belonged to the Albertine branch of the House of Wettin.
Dresden Cathedral, or the Cathedral of the Holy Trinity, Dresden, previously the Catholic Church of the Royal Court of Saxony, called in German Katholische Hofkirche and since 1980 also known as Kathedrale Sanctissimae Trinitatis, is the Catholic Cathedral of Dresden.
Hofkirche is the German language word for "court church", and may refer to:
Brühl's Terrace is a historic architectural ensemble in Dresden, Germany. Nicknamed "The Balcony of Europe", the terrace stretches high above the bank of the river Elbe, and is located north of the recently rebuilt Neumarkt Square and the Frauenkirche.
Balthasar Permoser was among the leading sculptors of his generation, whose evolving working styles spanned the late Baroque and early Rococo.
The Sophienkirche was a church in Dresden.
The Schloßplatz is a city square in the center of Dresden, Saxony, Germany. It gets its name from the Dresdner Schloss, the royal residence of the Electors and Kings of Saxony, which faces the south side of the square. The Schloßplatz is further bounded by the Katholische Hofkirche, the Sächsische Ständehaus, the Georgentor, and Augustus Bridge the over the River Elbe. Dating from the 15th century, the square was destroyed in Bombing of Dresden in World War II. In recent years the buildings surrounding the square have largely been restored so that the area again has a historic character.
Bach's Missa of 1733, BWV 232 I, is a Kyrie–Gloria Mass in B minor, composed in 1733 by Johann Sebastian Bach. It is an extended missa brevis consisting of a Kyrie in three movements and a Gloria in nine movements. Bach started to compose it, partly based on earlier work, after the death of his sovereign Augustus the Strong, dedicating it to the latter's son and successor, Frederick August II, in a letter dated 27 July 1733. At the time, Bach was in his tenth year as Lutheran church musician in Leipzig, while the Catholic court of the sovereign Elector of Saxony was located in Dresden. Bach sent performance parts of his Missa to Dresden while he kept the autograph score in Leipzig. Upon arrival in Dresden, the Mass was not added to the repertoire of the Catholic court chapel, but instead the parts, and Bach's dedication letter, were archived in the sovereign's library.
A court chapel is a chapel (building) and/or a chapel as a musical ensemble associated with a royal or noble court. Most of these are royal (court) chapels, but when the ruler of the court is not a king, the more generic "court chapel" is used, for instance for an imperial court.
Wolf Caspar Klengel, from 1664 von Klengel, was a German architect in Saxony,
The Opernhaus am Zwinger was a theatre in Dresden, Saxony, Germany, opened in 1719. The architect of the Zwinger, Matthäus Daniel Pöppelmann, was also responsible for the opera house situated next to its south-western pavilion. The building replaced the first opera house of Dresden, the Opernhaus am Taschenberg, which was transformed to a church.
Teresa Albuzzi-Todeschini was an Italian opera singer (contralto) who performed in Germany.
The following outline is provided as an overview of and topical guide to Dresden:
Missa Providentiae is a Kyrie–Gloria Mass in D minor composed by Antonio Caldara, which around 1728 was expanded into a Missa tota by Jan Dismas Zelenka: this composer derived a Sanctus and Agnus Dei from Caldara's Kyrie and Gloria, and added a Credo, ZWV 31, of his own hand. Around 1738–1741, Johann Sebastian Bach made a copy of a Sanctus, BWV 239, which was based on the first section of the Gloria of Caldara's Kyrie–Gloria Mass.
The Königliches Hoftheater in Dresden, Saxony, was a theatre for opera and drama in the royal seat of the Kingdom of Saxony from 1841 and 1869, designed by Gottfried Semper. It was the predecessor of today's Semperoper, and is therefore sometimes called Altes Hoftheater.
The Morettische Opernhaus was the most frequently performed opera house in Dresden from the end of the 18th century, in the era of Carl Maria von Weber and until the construction of the first Königliches Hoftheater Dresden.
Ermisch, Hubert (1888). Das alte Archivgebäude am Taschenberge in Dresden (in German). Dresden.{{cite book}}
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Yo Tomita, Robin A. Leaver and Jan Smaczny, ed. (2013). Exploring Bach's B-minor Mass. Cambridge University Press. ISBN 1-10-700790-9.