Original Sin | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1961 | |||
Recorded | March 27, 28 & 31, 1961 NYC | |||
Genre | Jazz | |||
Label | Atlantic SD 1370 | |||
Producer | Nesuhi Ertegun | |||
John Lewis chronology | ||||
|
Original Sin (subtitled Music for Ballet Composed by John Lewis) is an album in the third stream genre composed by John Lewis recorded for the Atlantic label in 1961. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The contemporaneous DownBeat reviewer criticised the sound balance on the opening track – "it very rapidly becomes a concerto for cymbal and small band" – and condemned the inconsistency of the music: "The first variation of Part 2 is unabridged musical comedy pit band. But the tantalizing thing is that Variation 2 is a clever, self-sustaining, unified, and original little composition. Variation 3 sounds like a fashion show, but Variation 4 is a lovely, light, unpretentious piece, and Variation 5 is simple, stark, and well composed[,] reminiscent of Aaron Copland at his best." [3] AllMusic awarded the album 2 stars. [2]
All compositions by John Lewis
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin. It was released on 28 March 1973 by Atlantic Records.
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Eric Allan Dolphy Jr. was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony, strict tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues melody. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Tadley Ewing Peake Dameron was an American jazz composer, arranger, and pianist.
Wayne Shorter is an American jazz saxophonist and composer. Shorter came to prominence in the late 1950s as a member of, and eventually primary composer for, Art Blakey's Jazz Messengers. In the 1960s, he joined Miles Davis's Second Great Quintet, and then co-founded the jazz fusion band Weather Report. He has recorded over 20 albums as a bandleader.
John Aaron Lewis was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Park Frederick "Pepper" Adams III was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.
Donald Johnson Ellis was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of time signatures. Later in his life he worked as a film composer, contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
The Shape of Jazz to Come is the third album by jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Although Coleman initially wished for the album to be titled Focus on Sanity after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP."
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Gary Robert McFarland was an American composer, arranger, vibraphonist and vocalist. He recorded for the jazz imprints Verve and Impulse! Records during the 1960s. Down Beat magazine said he made "one of the more significant contributors to orchestral jazz". A 2015 review of a McFarland DVD documentary called him "one of the busiest New York jazz arrangers of the 1960s". The review further stated that McFarland's "ascendance coincided with the rise of bossa nova, and McFarland was adept at translating the mercurial song form into orchestrations. He wrote some beautiful orchestral settings for great soloists, yet wasn’t immune to commercial forces."
Thomas S. "Tom" McIntosh was an American jazz trombonist, composer, arranger, and conductor.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
Lonely Woman is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1962 and released on the Atlantic label.
Saxophone Supremacy is an album by saxophonist Sonny Stitt recorded in 1959 and released on the Verve label.
Jazz Abstractions is a third stream album combining elements of jazz and classical music recorded in late 1960 for the Atlantic label.