Orit Halpern | |
---|---|
Occupation(s) | Academic, Researcher |
Orit Halpern is an American historian and cyberneticist. She is known for her research on data, infrastructure, smart technologies and artificial intelligence at planetary scale. She is Lighthouse Professor and Chair of Digital Cultures at TU Dresden, [1] and is the author of two monographs. Her first, Beautiful Data: A History of Vision and Reason, traces a history of big data and interactivity, holding that attention, observation and truth are locally situated, conditional and contingent. [2] Her second, The Smartness Mandate, co-authored with Robert Edward Mitchell, argues that "smartness" is not a property of sensory, connected technologies, but rather a distinct form of knowledge and a way to shape how we see reality. [3] Halpern is involved in several research groups, including Governing Through Design, which uses history and ethnography methods to explore how design influences global politics and perspectives, and Against Catastrophe, which interrogates the concept of catastrophe and drawing on the field of futures studies, develops anti-catastrophic practices to envision alternative futures. [4] [5]
Halpern completed her PhD at Harvard University in 2006 with a dissertation titled Screen-Memories: Temporality, Perception, and the Archive in Cybernetic Thought, where she produced a genealogy of interactivity by excavating the relationship between the archive and the interface in digital systems, using cybernetics as a departure point. Here, Halpern related contemporary practices in archiving and interactivity to modernist concerns with temporality, representation and memory. [6]
A framebuffer is a portion of random-access memory (RAM) containing a bitmap that drives a video display. It is a memory buffer containing data representing all the pixels in a complete video frame. Modern video cards contain framebuffer circuitry in their cores. This circuitry converts an in-memory bitmap into a video signal that can be displayed on a computer monitor.
Computer-mediated reality refers to the ability to add to, subtract information from, or otherwise manipulate one's perception of reality through the use of a wearable computer or hand-held device such as a smartphone.
The Computer Museum was a Boston, Massachusetts, museum that opened in 1979 and operated in three locations until 1999. It was once referred to as TCM and is sometimes called the Boston Computer Museum. When the museum closed and its space became part of Boston Children's Museum next door in 2000, much of its collection was sent to the Computer History Museum in California.
The following are common definitions related to the machine vision field.
John Thackara is a British-born writer, advisor and public speaker. He is known as curator of the celebrated Doors of Perception conference for 20 years, which started in Amsterdam. He is a senior fellow at the Royal College of Art in London.
Doors of Perception is a design conference in Europe and India which brought together grassroots innovators to work with designers to imagine sustainable futures – and take practical steps to meet basic needs in new and sustainable ways. Its founder and first director is John Thackara.
Martin M. Wattenberg is an American scientist and artist known for his work with data visualization. He is currently the Gordon McKay Professor of Computer Science at the Harvard University School of Engineering and Applied Sciences.
Genevieve Bell is the Vice-Chancellor of the Australian National University and an Australian cultural anthropologist. She is best known for her work at the intersection of cultural practice research and technological development, and for being an industry pioneer of the user experience field. Bell was the inaugural director of the Autonomy, Agency and Assurance Innovation Institute (3Ai), which was co-founded by the Australian National University (ANU) and CSIRO’s Data61, and a Distinguished Professor of the ANU College of Engineering, Computing and Cybernetics. From 2021 to December 2023, she was the inaugural Director of the new ANU School of Cybernetics. She also holds the university's Florence Violet McKenzie Chair, and is the first SRI International Engelbart Distinguished Fellow. Bell is also a Senior Fellow and Vice President at Intel. She is widely published, and holds 13 patents.
Sara Louise Diamond, is a Canadian artist and was the president of OCAD University, Canada.
Sensory design aims to establish an overall diagnosis of the sensory perceptions of a product, and define appropriate means to design or redesign it on that basis. It involves an observation of the diverse and varying situations in which a given product or object is used in order to measure the users' overall opinion of the product, its positive and negative aspects in terms of tactility, appearance, sound and so on.
Tamar Halpern is a writer and director living in Los Angeles. She holds an M.F.A. degree from the University of Southern California's School of Cinematic Arts.
Screen-Smart Device Interaction (SSI) is fairly new technology developed as a sub-branch of Digital Signage.
Interactive Futures (IF) was a biennial conference and exhibition, hosted in Vancouver, British Columbia, Canada, that explored current tendencies, research and dialogue related to the intersection of technology and art. Interactive Futures included a variety of events such as lectures, workshops, exhibitions, and panels in an effort to provide opportunities for discourse by local, national and international researchers and practitioners.
Katherine Behar is an American new media and performance artist and writer based in Brooklyn, New York. Her work uses materialism and feminism to explore contemporary digital culture and is unified by an approach she calls "object-oriented feminism." Behar's art practice encompasses interactive installation, performance art, public art, and video art. In addition to her acclaimed artwork, Behar writes on various topics including feminist media theory, technologized labor, and objecthood.
Wendy Hui Kyong Chun is the Canada 150 Research Chair in New Media in the School of Communication at Simon Fraser University. She is the founding Director of the Digital Democracies Institute at Simon Fraser University, established in 2020. Previously, she was Professor and Chair of Modern Culture and Media at Brown University. Her theoretical and critical approach to digital media draws from her training in both Systems Design Engineering and English Literature.
Ulrike Gabriel was born in 1964 in Munich and is an artist and researcher focussing on generative systems. Ulrike co-founded the laboratory Codelab, Berlin where she spent some time as a director. She also worked in ecological agriculture in Argentina from 2003 to 2006. Ulrike was also a professor at the University of Art and Design HfG Offenbach (2006-2012). At this university, she led the teaching area of Electronic Media. She studied philosophy at the Ludwig Maximilian University from 1983–1985 and painting and applied graphics at the Academy of Fine Arts from 1985-1991 in Munich. After that she was a post-graduate at the Institute for New Media at the Städelschule, Frankfurt (1991-1992) and a research fellow at the Academy of Media Arts Cologne, department for media science (1996-1998).
Veronika Margaret Megler is an Australian computer scientist. As of 2024, Megler is a principal data scientist at Amazon.com, and is known as the co-developer of The Hobbit, a 1982 text adventure game adapted from the novel by J. R. R. Tolkien.
"Previously On" is the eighth episode of the American television miniseries WandaVision, based on Marvel Comics featuring the characters Wanda Maximoff / Scarlet Witch and Vision. It follows Maximoff and Agatha Harkness as they explore Maximoff's past to see what led her to create an idyllic suburban life in the town of Westview, New Jersey. The episode is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise. It was written by Laura Donney and directed by Matt Shakman.
Sarah Pink is a British-born social scientist, ethnographer and social anthropologist, now based in Australia, known for her work using visual research methods such as photography, images, video and other media for ethnographic research in digital media and new technologies. She has an international reputation for her work in visual ethnography and her book Doing Visual Ethnography, first published in 2001 and now in its 4th edition, is used in anthropology, sociology, cultural studies, photographic studies and media studies. She has designed or undertaken ethnographic research in UK, Spain, Australia, Sweden, Brazil and Indonesia.