The show also had a short Broadway run in 1910.[1] It was revived at the Finborough Theatre, London, in May 2006. This was the first professional London production since 1910. The piece was regularly revived by amateur theatre groups, particularly in Britain, from the 1920s into the 1950s but it has been produced only rarely since then.[2]Our Miss Gibbs was revived by the Lyric Theatre in July and August 2011 at the Mountain View Center for the Performing Arts and the Lesher Center for the Arts in Walnut Creek, California. The revival featured a cast of 22 and a 9-piece orchestra.
Mary Gibbs is a Yorkshire lass who, in 1908, has found work at Garrods in London as a shop girl, selling candy. The young men are making themselves ill eating the sweets they buy to gain the attention of the beautiful, but no-nonsense Mary, who disapproves of their attempts at familiarity. Miss Gibbs has fallen in love with a young bank clerk who is actually the son of an Earl, Lord Eynsford, in disguise. His father would not consent to his marrying a shop girl. When she discovers that young Eynsford has lied to her, she breaks up with him.
Mary's cousin Timothy travels from Yorkshire to play in the town band for a contest at the Crystal Palace. He is a very unsophisticated country boy, and he has a variety of humorous big city adventures. Timothy gets entangled in a crime by mistakenly picking up a bag. Inside the bag is the Ascot Gold Cup (the trophy for Britain's most prestigious long-distance horse race). The cup has just been stolen by the Hon. Hughie Pierrepoint.
Act II
At the Franco-British Exhibition in White City, Timothy worries that the police will find him and accuse him of the crime. He disguises himself as a contestant in the Olympic marathon race. When he staggers into the stadium, he is mistakenly declared to be the winner. The Gold Cup is eventually recovered and returned to its owner, who is coincidentally Lord Eynsford. He is now so enchanted with Mary that he is eager for her to become his daughter-in-law, and all ends happily.
Musical numbers
Act I - Garrod's Stores
No. 1 - Chorus - "We'll be quick and do our shopping..."
No. 2 - Eynsford - "There's a girl at the stores called Mary..."
No. 3 - Bridesmaids - "We're the dear little ladies, selected..."
No. 4 - Jeanne and Chorus of Girls - "Some people say success is won..."
No. 5 - Betty - "Though I am not so unwilling..."
No. 6 - Dudes - "A fashionable band of brothers are we..."
No. 7 - Mary and Chorus of Dudes - "I'm a little Yorkshire lass..."
No. 8 - Hughie and Chorus - "Though I'm a man of noble birth..."
No. 9 - Mary and Timothy - "When the season's on the wane..."
No. 10 - Mary and Hughie - "I will confess that as a man..."
No. 11 - Concerted Number - "There's a City of palaces white..."
No. 12 - Finale - Act I - "Saturday afternoon..."
Act II - Court of Honour at the Franco-British Exhibition
No. 13 - Chorus and Entrance of Irish Girls - "Palaces oriental..."
No. 14 - Mary - "Oh, London is really a wonderful town..."
No. 15 - Hughie, Toplady, Slithers, Amalfy, Eynsford and Timothy - "Though something has upset me..."
No. 16 - Betty and Chorus - "I am sure your education is not complete..."
No. 17 - Concerted Number - "Push the pram for baby..."
No. 18 - Mary and Timothy - "I'd like to tell you all about the farm..."
No. 19 - Chorus and Solo Dance - "Over the dome and steeple..."
No. 20 - Mary (dressed as Pierrot) and Chorus of Girls - "Moon, moon, mischief making moon..."
No. 21 - Hughie and Timothy - "If you'll come down to my place..."
No. 22 - Finale - Act II - "When country cousins come up to town..."
Dame Gladys Constance Cooper, was an English actress, theatrical manager and producer, whose career spanned seven decades on stage, in films and on television.
Lionel John Alexander Monckton was an English composer of musical theatre. He became Britain's most popular composer of Edwardian musical comedy in the early years of the 20th century.
The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally.
The Shop Girl was an Edwardian musical comedy in two acts written by Henry J. W. Dam, with lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
Gertrude Ward, Countess of Dudley, known as Gertie Millar, was an English actress and singer of the early 20th century, known for her performances in Edwardian musical comedies.
The Orchid is an Edwardian musical comedy in two acts with music by Ivan Caryll and Lionel Monckton, a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and additional numbers by Paul Rubens. The story concerns marital mix-ups and the quest of a wealthy man for a $2,000 Peruvian orchid to be sent to France. When foul play keeps the flower from reaching its destination, it is discovered that a nearly identical orchid is growing in the garden of the horticultural college.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G. Wodehouse's personal papers indicate that he wrote the lyrics for one song, "Our Little Way", but this was not included in the libretto of show, and he was not credited as a lyricist. Set in Germany, the comedy of the show is largely based on stereotypes of the German people and their culture as seen seen through a British lens.
Peggy is a musical comedy in two acts, written by British composer Leslie Stuart, with a book by George Grossmith, Jr. and lyrics by C. H. Bovill, based on Xanroff and Guérin's L'Amorçage. It opened at the Gaiety Theatre under the management of George Edwardes, on 4 March 1911 and ran for 270 performances, starring Grossmith, Edmund Payne, Phyllis Dare and Gabrielle Ray in the title role. Ray left the production early in the run, to be replaced by Gladys Guy. When the popularity of the show began to wane, Edwardes had a new role written for Connie Ediss. The show also had a run in New York.
Filmzauber, literally 'Film Magic', is a Posse mit Gesang in four scenes by Walter Kollo and Willy Bredschneider, with a German libretto by Rudolf Bernauer and Rudolph Schanzer. A parody of silent films, Filmzauber premiered in Berlin in 1912. An English version, The Girl on the Film, translated and adapted by James T. Tanner with additional music by Albert Szirmai, premiered in London in 1913 and was later performed in New York and elsewhere.
George Grossmith Jr. was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in Haste to the Wedding (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert.
The Spring Chicken is an Edwardian musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith. The story takes place in Paris and Château de Malmaison.
The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances.
Theodore & Co is an English musical comedy in two acts with a book by H. M. Harwood and George Grossmith Jr. based on the French comedy Théodore et Cie by Paul Armont and Nicolas Nancey, with music by Ivor Novello and Jerome Kern and lyrics by Adrian Ross and Clifford Grey. It was produced by Grossmith and Edward Laurillard and directed by Austen Hurgon, opening at the Gaiety Theatre on 19 September 1916 and running for 503 performances. It starred Grossmith, Fred Leslie and Leslie Henson.
The Sunshine Girl is an Edwardian musical comedy in two acts with a book by Paul A. Rubens and Cecil Raleigh, lyrics and music by Rubens and additional lyrics by Arthur Wimperis. The story involves a working girl who falls in love with the heir to the factory. He is in disguise and wants to be loved for himself, not his position, so he gets his friend to pose as the heir, leading to complications for both men.
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War.
Edmund James "Teddy" Payne, was an English actor, comedian and singer best known for creating comic roles in a series of extremely successful Edwardian musical comedies. He was often paired with the comic actor George Grossmith, Jr.
Edward Laurillard was a cinema and theatre producer in London and New York City during the first third of the 20th century. He is best remembered for promoting the cinema early in the 20th century and for Edwardian musical comedies produced in partnership with George Grossmith, Jr., including Tonight's the Night (1914), Theodore & Co (1916) and Yes, Uncle! (1917).
The Girl from Utah is an Edwardian musical comedy in two acts with music by Paul Rubens, and Sidney Jones, a book by James T. Tanner, and lyrics by Adrian Ross, Percy Greenbank and Rubens. The story concerns an American girl who runs away to London to avoid becoming a wealthy Mormon's newest wife. The Mormon follows her to England, but she is rescued from a bigamous marriage by a handsome actor.
Lottie Venne was a British comedian, actress and singer of the Victorian and Edwardian eras, who enjoyed a theatre career spanning five decades. Venne began her stage career in musical burlesque before moving into farce and comedy. She appeared in several works by each of F. C. Burnand and W. S. Gilbert and was often in plays with Charles Hawtrey later in her career.
Houp La! is an Edwardian musical comedy extravaganza, with music by Nat D. Ayer and Howard Talbot, lyrics by Percy Greenbank and Hugh E. Wright, and a book by Fred Thompson and Hugh E. Wright. The story combines the comic financial troubles of a circus owner with a love triangle.
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