Our Mrs. McChesney | |
---|---|
Directed by | Ralph Ince |
Written by | Luther Reed (scenario) |
Based on | Our Mrs. McChesney by Edna Ferber and George V. Hobart |
Produced by | Maxwell Karger |
Starring | Ethel Barrymore |
Cinematography | William J. Black |
Production company | |
Distributed by | Metro Pictures |
Release date |
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Running time | 50 minutes; 5 reels |
Country | United States |
Language | Silent (English intertitles) |
Our Mrs. McChesney is a lost [1] 1918 American silent comedy-drama film produced and distributed by Metro Pictures, directed by Ralph Ince, and based on the 1915 play by Edna Ferber and George V. Hobart starring Ethel Barrymore. [2]
Barrymore reprised her role from the popular play, as did her fellow cast members Huntley Gordon and William H. St. James. Wilfred Lytell was a brother of Bert Lytell and Lucille Lee Stewart was a sister of Anita Stewart. [3] Ince was married to Lucille Lee Stewart.
As described in a film magazine, [4] Emma McChesney (Barrymore), saleswoman for T. A. Buck & Co., plans to give up the "road" and settle down with her boy Jack (Lytell). She discovers that Jack has married a chorus girl while at college and also raised a check that she had sent him. Determined to make a man of him, she secures a position for him at T. A. Buck & Co. and sends the daughter-in-law to a boarding school. She designs a new skirt for the company that finds favor at a fashion show when modeled by Jack's wife, and saves the company from bankruptcy.
Huntley Ashworth Gordon was a Canadian actor who began his career in the Silent Film era.
Ralph Waldo Ince was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film era. Ralph Ince was the brother of John E. Ince and Thomas H. Ince.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
True As Steel is a 1924 American silent drama film directed and written by Rupert Hughes which stars Aileen Pringle and Huntley Gordon. The film is about a married businesswoman who has an affair with a married colleague.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Mid-Channel is a 1920 American silent drama film based on the 1909 play of the same name written by Sir Arthur Wing Pinero. The film was produced and directed by Harry Garson and stars Clara Kimball Young. On Broadway the play starred Ethel Barrymore.
A Society Scandal is a 1924 American silent drama film directed by Allan Dwan, and starring Gloria Swanson and Rod La Rocque. Distributed by Paramount Pictures, the film is based on a 1922 play The Laughing Lady, by Alfred Sutro which starred Ethel Barrymore in 1923 on Broadway and originally in 1922 with Edith Evans in UK.
Life's Whirlpool is a 1917 American silent drama film written and directed by Lionel Barrymore with his sister Ethel Barrymore as the star. This is the brother and sister's only collaboration on a silent film as director and star.
Men was a 1918 American silent drama film directed by Perry N. Vekroff based upon a play by Harry Sophus Sheldon. It starred Anna Lehr, Charlotte Walker, and Robert Cain. It is considered to be a lost film.
The Combat is a lost silent film drama directed by Ralph Ince and starring Anita Stewart. It was produced by the Vitagraph Company of America.
Wilfred Lytell Jr. was an American film actor.
Boston Blackie's Little Pal is a 1918 American silent drama film, directed by E. Mason Hopper. It stars Bert Lytell, Rhea Mitchell, and Rosemary Theby, and was released on August 26, 1918.
Five Thousand an Hour is a 1918 American silent comedy-drama film, directed by Ralph Ince. It stars Hale Hamilton, Lucille Lee Stewart, and Gilbert Douglas, and was released on November 25, 1918.
Reckless Youth is a 1922 American silent drama film directed by Ralph Ince and starring Elaine Hammerstein, Niles Welch, and Myrtle Stedman.
Sealed Hearts is a 1919 American silent drama film directed by Ralph Ince and starring Eugene O'Brien, Robert Edeson, and Lucille Lee Stewart. The previously lost film was rediscovered in the United Kingdom after a film collector provided his copy to the De Montfort University’s Cinema and Television History Institute.
Lucille Lee Stewart was an American film actress of the silent era. Her screen career lasted between 1910 and 1926, during which time she played a mixture of lead and supporting roles.
George Vere Hobart (1867–1926) was a Canadian-American humorist who authored more than 50 musical comedy librettos and plays as well as novels and songs. At the time of his death, Hobart was "one of America's most popular humorists and playwrights". Hobart gained initial national fame for the "Dinkelspiel" letters, a weekly satirical column written in a German-American dialect. The Library of Congress includes several of his songs in the National Jukebox.
The Eleventh Commandment is a 1918 American silent drama film directed by Ralph Ince and starring Lucille Lee Stewart, Grace Reals and Carleton Macy.
The Conflict is a 1916 American silent drama film directed by Ralph Ince and starring Lucille Lee Stewart, Huntley Gordon and Wilfred Lytell.
Jean Hathaway was a Hungarian-born Belgian and American stage and silent film actress, singer, and claimed to be a Belgian Marquise though marriage. Her career began on the vaudeville circuit; and by 1908 she was an early star of Allan Dwan's American Film Manufacturing Company. After her marriage in 1894, she also went by the names Marquise Lillie de Fiennes and Jane Hathaway.