Out of the Tunnel | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1980 | |||
Recorded | 1980 at Mobius Music, San Francisco, California, United States | |||
Length | 36:16 | |||
Label | Ralph | |||
Producer | Mark Bingham | |||
MX-80 Sound chronology | ||||
| ||||
Singles from Out of the Tunnel | ||||
|
Out of the Tunnel is a studio album by the American band MX-80 Sound. [2] [3] It was released in 1980 through record label Ralph. [4]
Despite never being individually issued on CD, Out of the Tunnel can be found in its entirety paired with Crowd Control on the band's Out of Control compilation album, released in 1994.
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
The Reporter | [6] |
Spin Alternative Record Guide | 9/10 [7] |
A positive review came from Trouser Press , who regarded the album as the MX-80's high point and claimed that their "formula of convoluted, breakneck melodies, cross-fed musical genres and Anderson's white-hot soloing nears critical mass." [8] The Rocket deemed it "music of a science fiction hell, chilling yet compelling." [9] The Reporter opined that the album "spews acid chords which go beyond other Ralphers." [6]
Ned Raggett of AllMusic wrote: "Poppy but not power pop, aggro-metal without indulging in the wank fantasies prone to that style, deadpan and humorous without being a put-on, MX-80 just plain shone here, with only the slightly murky mix preventing Out of the Tunnel from achieving perfection." [5] Phoenix New Times stated that "the album is full of classic rock riffs and blistering solos, but it also features oodles of distortion, weird spoken passages, and even some sax." [10]
All tracks are written by MX-80 Sound (Bruce Anderson, Dave Mahoney, Dale Sophiea and Rich Stim)
No. | Title | Length |
---|---|---|
1. | "It's Not My Fault" | 3:27 |
2. | "Follow That Car" | 4:16 |
3. | "Fender Bender" | 4:17 |
4. | "I Walk Among Them" | 3:14 |
5. | "Someday You'll Be King" | 3:32 |
No. | Title | Length |
---|---|---|
1. | "Frankie I'm Sorry" | 3:22 |
2. | "Gary and Priscilla" | 4:34 |
3. | "Man in a Box" | 4:18 |
4. | "Metro Teens" | 5:13 |
Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco.
Gluey Porch Treatments is the debut album by American rock band Melvins, released in 1987 through Alchemy Records. The original release was vinyl only. The album was later released on cassette tape with the Six Songs EP through Boner Records and appears as bonus material on the CD version of Ozma. Tracks 18–29 can only be found on the 1999 Ipecac Recordings re-release; these songs are taken from a boombox demo.
Grotesque (After the Gramme) is the third studio album by English band the Fall. Released on 17 November 1980, it was the band's first studio album on Rough Trade.
Bend Sinister is the ninth studio album by English post-punk band the Fall. It was released in September 1986 by record label Beggars Banquet.
What Does Anything Mean? Basically is the second studio album by English rock band the Chameleons. It was recorded in January 1985 and released on 20 May 1985 by record label Statik.
Greed is the third studio album by American experimental rock band Swans. It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe.
Three Mantras is the second studio album by English band Cabaret Voltaire. It was released in May 1980 by Rough Trade.
Dead Air is the debut studio album by American alternative rock band Heatmiser. It was released in 1993 on Frontier Records.
"Ride the Wild" / "It's a Hectic World" is the 1980 debut single by the American punk rock band the Descendents. It was the band's first release and displayed a new wave and surf sound. It was recorded at a time when the band lacked a lead singer, so vocals on the recording were provided by guitarist Frank Navetta and bassist Tony Lombardo. With the addition of singer Milo Aukerman in 1980, the band moved towards a hardcore punk sound. "Ride the Wild" and "It's a Hectic World" were re-released in later years on compilation albums.
"Time Is Money (Bastard)" is a song by American experimental rock band Swans. It was released as a 12-inch single in 1986, through record label K.422. The single is notable for the first official appearance of vocalist Jarboe.
Holy Money is the fourth studio album by American experimental rock band Swans. It was released in March 1986, through record label K.422. The album was recorded in the same sessions as "Time Is Money (Bastard)", "A Screw", and Greed.
Love of Life is the eighth studio album by American experimental rock band Swans. It was released in 1992 on Young God Records.
Omniscience is the fifth live album by the American experimental rock band Swans. It was recorded from shows on their 1992 world tour. It is out of print and has never been reissued. The front cover photograph is by Larry Lame with many Deryk Thomas paintings in the booklet.
Sleep in Safety is the first studio album by American rock band 45 Grave. It was released in 1983 on record label Enigma.
Pop is the only studio album by the English post-punk band Tones on Tail, a side project of the Bauhaus members Daniel Ash and Kevin Haskins, and the Bauhaus roadie Glenn Campling. It was released on 6 April 1984 by the Beggars Banquet record label.
MX-80, also known as MX-80 Sound, is an eclectic American art-rock band founded in 1974 in Bloomington, Indiana, United States, by guitarist Bruce Anderson. Considered “one of the most out of step but prescient bands of its time", MX-80's signature sound consisted of breakneck metallic guitar combined with atonal chord structure, cross-rhythmic percussion and dispassionate vocals. Notoriously difficult to categorize—the band has been labeled noise rock, post-punk, acid punk, and heavy-metal—MX-80's sonic melange set the stage for bands such as Swans, Sonic Youth, Codeine, and Shellac.
Headsparks is the debut studio album by the American indie rock band Seam, released on March 11, 1992 by Homestead Records.
Twelve Point Buck is the fourth album by Killdozer, released in 1989 through Touch and Go Records. After hearing the album, Sub Pop's Jonathan Poneman suggested that Nirvana record demos with Killdozer producer Butch Vig; after signing with DGC Records, Kurt Cobain asked Vig to produce Nevermind. Cobain told Vig that he wanted Nevermind to sound "as heavy" as Twelve Point Buck.
Hard Attack is the debut album by MX-80 Sound, released in 1977 by Island Records. It was re-released by Atavistic Records in 1995, combined with the 1976 EP Big Hits.
Interstate is the fifth album by American post-rock and instrumental rock band Pell Mell, released in 1995. After issuing Flow in 1991, the band members wrote new material separately, sending each other ideas, until more concrete ideas were becoming formed, leading to the band recording Interstate between two studios in 1993 and 1994. Defined by a breezy, wide-open sound, Interstate features sparse, rhythmic guitar riffs, organ playing, drums and thematic instrumentation, in addition to a distinctive compositional style that has been compared to "the dynamics of a good conversation" by one critic. Additionally, the album has been considered a post-rock album and critics have noticed its display of krautrock influences.