The PACT Centre for Emerging Artists (short for "Producers Artists Curators Technicians Centre for Emerging Artists"), formerly Producers Authors Composers and Talent and PACT Youth Theatre, is an Australian performing arts organisation and theatre company located in Sydney, New South Wales, catering for new and emerging artists. Its theatre is known as the PACT Theatre.
PACT is one of Australia's longest-running arts organisations, having been established in 1964 [1] by Robert Allnutt, Jack Mannix and Patrick Milligan, [2] with intention of creating more Australian work in the performing arts. It was originally Producers Authors Composers and Talent, in 1974 becoming PACT Youth Theatre until 2009, when it adopted the name PACT (Producers Artists Curators Technicians) Centre for Emerging Artists. [3]
Its home was in the Corn Exchange building on Sussex Street, Sydney until January 1988, when it moved to a converted warehouse at 107 Railway Parade, Erskineville, which became the PACT Theatre. [3]
In the early years, PACT focussed on environmental issues, Indigenous stories and experimental films. [2]
At the same time as the move to Erskineville, PACT started focussing on young people, aged 6 to 25. It produced the world premiere of the play Looking for Alibrandi in 1995, based on the 1992 novel of the same name, [1] which sold out for three seasons, leading to the making of the film Looking for Alibrandi and also large pantomimes with "hundreds of kids". [2]
In the late '90s it returned to an emerging artist model. With the change of name in 2009 to its present name, came a change in focus to meeting the needs of artists in their first seven years of professional practice. It also started to examine and practise issues of creative equity, increasing opportunities for artists who identify as Aboriginal and/or Torres Strait Islander, culturally and linguistically diverse, living with a disability, or LGBTQIA+. [1]
The theatre was renovated in 2019. [1]
In 2014 PACT's artistic director was Katrina Douglas. [2]
In February 2020 the company was restructured, in a pioneering move supported by Create NSW, the arts funding body of the NSW Government. An Artistic Directorate of five practising mid-career artists was appointed: Amrita Hepi, Sarah Houbolt, Tulleah Pearce, Natalie Randall and Malcolm Whittaker, who cover the fields of dance, theatre, performance, interdisciplinary practices, curating and creative producing. [1]
However, the impact of the new structure was affected by the COVID-19 pandemic in Australia, and then Create NSW failed to renew multi-year funding from January 2021. [1]
PACT provides support for over 100 emerging artists each year, providing a pathway for professional development that they may not otherwise have. It also assists new curators, and has partnered with Powerhouse Youth Theatre in Fairfield to allow young Western Sydney artists to perform in the Inner West of the city. [1]
In 2020, PACT's resident artists were: [1]
Apart from a number of lesser-known people working in theatre around Australia in various roles, alumni of PACT include: [1]
Looking for Alibrandi is a 2000 Australian coming-of-age film directed by Kate Woods and written by Melina Marchetta. The film is set in 1990s Sydney, New South Wales and features a cast of Australian actors, including Pia Miranda as Josephine Alibrandi, the film's main character; Anthony LaPaglia as her father, Michael Andretti, who left her and her mother before her birth; and Kick Gurry as Josie's love interest, Jacob Coote. The film won the Australian Film Institute Award for Best Film in 2000.
TAFE NSW is an Australian vocational education and training provider. Annually, the network trains over 500,000 students in campus, workplace, online, or distance education methods of education. It was established as an independent statutory body under the TAFE Commission Act 1990. The Minister for Regional Development, Skills and Small Business is responsible for TAFE NSW.
The Newtown High School of the Performing Arts is a government-funded co-educational comprehensive and specialist secondary day school in the suburb of Newtown in Sydney, New South Wales, Australia. It is among a few performing arts and visual arts schools in Australia. All students must study drama, music, dance and visual arts subjects as part of the curriculum for the first year of secondary school, and one performing or visual arts subject until Year 11. The school participates in variety of events both on and off campus in all types of performing and visual arts as well as video, technical, costume and design.
Queensland Theatre, formerly the Queensland Theatre Company and Royal Queensland Theatre Company, is a professional theatre company based in Brisbane, Australia. It regularly performs in its own Bille Brown Theatre and the Queensland Performing Arts Centre's Playhouse.
Belvoir is an Australian theatre company based at the Belvoir St Theatre in Sydney, Australia, originally known as Company B. Its artistic director is Eamon Flack. The theatre comprises two performing spaces: the Upstairs Theatre and the smaller Downstairs Theatre.
Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as storytelling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.
Looking for Alibrandi is the debut novel of Australian author Melina Marchetta, published in 1992. A film adaptation of the same name was made in 2000.
Artspace, officially Artspace Visual Arts Centre, is an independent, not-for-profit and non-collecting residency-based contemporary art centre. Artspace is housed in the historic Gunnery Building in Woolloomooloo, fronting Sydney Harbour in Sydney, Australia. Devoted to the development of certain new ideas and practices in contemporary art and culture, since the early 1980s Artspace has been building a critical context for Australian and international artists, curators and writers.
Next Wave is a biennial festival based in Melbourne, which promotes and showcases the work of young and emerging artists. Next Wave encourages interdisciplinary practice and fosters the creation and presentation of works by emerging artists working across a broad range of art forms, including dance, theatre, visual arts, performance, new media, and literature.
Simon Gallaher is an Australian singer, actor, director and pianist. He plays classical fiddle and was the lead in Fiddler on the Roof 1983.
Oliver Watts is an Australian artist, lecturer and theorist.
Anthony M. Gould was a theatre impresario, as an arts director, producer and manager, he was the founding director of the Queensland Performing Arts Centre (QPAC) and the Brisbane Festival.
Kip Williams is an Australian theatre and opera director. Williams is the current Artistic Director of Sydney Theatre Company. His appointment at age 30 made him the youngest artistic director in the company's history.
Carriageworks is a multi-arts urban cultural precinct located at the former Eveleigh Carriage Workshops in Redfern, Sydney, Australia. Carriageworks showcases contemporary art and performing arts, as well as being used for filming, festivals, fairs and commercial exhibitions. The largest such venue in Australia, it is a cultural facility of the Government of New South Wales, and receives support from Create NSW and the Federal Government through the Australia Council for the Arts. The centre has commissioned new work by Australian and international artists, and has been home to eight theatre, dance and film companies, including Performance Space, Sydney Chamber Opera and Moogahlin Performing Arts, and a weekly farmers' market has operated there for many years.
Richard Lewer is a Melbourne-based visual artist who works with video and animation, painting, drawing and performance. Lewer has been labelled as a contemporary social realist largely driven by a desire to explain patterns and connections within crime, sport and religion.
Kim Leutwyler, is an emerging artist based in Sydney, Australia. She has exhibited her work in multiple galleries across both Australia and the United States. While creating a collection of pieces that utilize different mediums, she most frequently displays paintings that focus on progressive ideas of gender and beauty, as well as people who identify as queer.
Joan Ross is an Australian artist based in Sydney who works across a range of mediums including drawing, painting, installations, sculpture and video. Her work investigates the legacy of colonialism in Australia, particularly the effects colonialism has had on Indigenous Australians.
Robert James Merritt, known as Bob Merritt or Bobby Merritt and credited as Robert J. Merritt, was an Aboriginal Australian writer and activist. He is especially known for his play The Cake Man, and for founding the Eora Centre for the Visual and Performing Arts.
The Marten Bequest is an Australian charitable trust, from which scholarships are awarded by the Australia Council for the Arts on behalf of the trustee, Perpetual Limited. The scholarships are known as the Marten Bequest Travelling Scholarship or just Marten Bequest Scholarship. The trust was formed from the estate of John Chisholm Marten (1908–1966).
Eryn Jean Norvill, sometimes spelt Eryn-Jean Norvill, is an Australian stage and television actress. She has mostly performed in Sydney Theatre Company productions, and frequently collaborated with STC artistic director Kip Williams. In May 2022 she played all 26 characters in an adaptation of The Picture of Dorian Gray.