Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Anna Quirentia Nilsson was a Swedish-American actress who achieved success in American silent movies.
Charlotte Merriam was an American motion picture actress.
Joseph Striker was an American actor. He appeared in 28 films between 1920 and 1929. Later in the 1930s he appeared on Broadway.
The Bad Boy is a lost 1917 American silent crime drama film directed by Chester Withey and starring Robert Harron, Richard Cummings, and Mildred Harris. The film marks the debut of Colleen Moore, who plays a supporting role in the film.
So Big is a 1924 American silent drama film based on Edna Ferber's 1924 novel of the same name which won the Pulitzer Prize for the Novel in 1925. It was produced by independent producer Earl Hudson the film and distributed through Associated First National. Unseen for decades, it is considered to be a lost film. Only a trailer survives at the Library of Congress.
Flaming Youth is a 1923 American silent drama film directed by John Francis Dillon and starring Colleen Moore and Milton Sills, based on the novel of the same name by Samuel Hopkins Adams. The film was produced and distributed by Associated First National. In his retrospective essay "Echoes of the Jazz Age", writer F. Scott Fitzgerald cited Flaming Youth as the only film that captured the sexual revolution of the Jazz Age.
We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Slippy McGee is a 1923 American silent drama film directed by Wesley Ruggles and based on the book Slippy McGee: Sometimes Known as the Butterfly Man by Marie Conway Oemler that was published in 1917. The film was an Oliver Morosco Production released by Associated First National and featured actress Colleen Moore as Mary Virginia. It is not known whether the film survives.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Forsaking All Others is a 1922 American silent drama film starring actress Colleen Moore and directed by Emile Chautard for Universal Studios. It was made before Colleen became famous as a flapper but did visit some of the same subjects her later films would.
The Ninety and Nine was a 1922 American silent drama film directed by David Smith and starring Colleen Moore made shortly before she gained fame as a film flapper. The film was presumed lost, although recently a 10 minute condensed 16 mm home movie version was discovered, and has since been released with a music score by Ben Model, in his latest compilation Accidentally Preserved No.4.
Wildness of Youth is a 1922 silent film directed by Ivan Abramson, starring Virginia Pearson, Harry T. Morey and Mary Anderson.
Lovers' Lane is a 1924 American silent romantic comedy film based upon the play by Clyde Fitch and directed by Phil Rosen. It stars Robert Ellis and Gertrude Olmstead.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Nth Commandment is a 1923 American silent drama film directed by Frank Borzage and starring Colleen Moore. It is based on a story, The Nth Commandment, by Fannie Hurst, a well-known novelist of the day.
The Silent Watcher is a lost 1924 American silent melodrama film directed by Frank Lloyd. It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions/First National and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart.
Happiness Ahead is a lost 1928 silent film drama directed by William A. Seiter and starring Colleen Moore and then husband and wife Edmund Lowe and Lilyan Tashman. It was produced by First National before it acquired by Warner Brothers. Moore was married to the producer John McCormick who frequently produced her films and they held rights to their films. Moore donated copies of her films to the Museum of Modern Art (MOMA) and over the years the archive allowed the films to decay including Happiness Ahead.
Flirting with Love is a 1924 American silent comedy drama film directed by John Francis Dillon and starring Colleen Moore, Conway Tearle, and Winifred Bryson. It is based upon the short story "Counterfeit" by Leroy Scott.
