Yankee Doodle Dandy is a 1942 American biographical musical film about George M. Cohan, known as "The Man Who Owned Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.
The Barker is a 1928 part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr.
Sidney Fox was an American stage and film actress in the late 1920s and 1930s. Fox's Hollywood film debut was in Universal Pictures' 1931 production Bad Sister, which is notable for also being the first film of legendary actress Bette Davis.
Sidney Alderman Blackmer was an American Broadway and film actor active between 1914 and 1971, usually in major supporting roles.
Chris-Pin Martin was an American character actor whose specialty lay in portraying comical Mexicans, particularly sidekicks in The Cisco Kid film series. He acted in over 100 films between 1925 and 1953, including over 50 westerns.
Dorothy Walters was an American stage performer and film actress noted for her work in vaudeville, in Broadway productions for nearly 30 years, and in silent films between 1918 and the mid-1920s.
The Bad Man is a 1941 American Western film starring Wallace Beery and featuring Lionel Barrymore, Laraine Day, and Ronald Reagan. The movie was written by Wells Root from the 1920 Porter Emerson Browne play of the same name, and directed by Richard Thorpe. The film is a remake of the 1923 silent version and the 1930 remake starring Walter Huston. The 1941 supporting cast includes Tom Conway and Chill Wills.
The Treasure of the Sierra Madre is a 1948 American Western film written and directed by John Huston. It is an adaptation of B. Traven's 1927 novel of the same name, set in 1925, and follows two downtrodden men who join forces with a grizzled old prospector (Walter Huston, the director's father), in searching for gold in Mexico.
James Malachi Rennie was a Canadian American actor who performed on the New York stage and also appeared in several Hollywood films during the 1920s, 1930s and 1940s. He became a U.S. citizen in New York in 1933.
Clare Eames was an American actress and stage director, and the first wife of playwright Sidney Howard.
Gentlemen of the Press is a 1929 all-talking American pre-Code film starring Walter Huston in his first feature film role, and Kay Francis and an uncredited Brian Donlevy in their film debuts. The film still survives. This film's copyright has expired, and it is now in the public domain. It survives in a copy sold to MCA for television distribution.
The Bad Man is a 1923 American silent Western film with prominently featured satirical and comedic elements. The film was directed by Edwin Carewe, who produced it for his own motion picture company and adapted the scenario from the play of the same name by Porter Emerson Browne. The play had opened at Broadway's Comedy Theatre in August 1920, and ran for a very successful 342 performances, closing in June 1921. The film version, from Edwin Carewe Productions, was released by Associated First National Pictures on October 8, 1923. The title role was played by the star of the play's Broadway and touring productions, Holbrook Blinn, and the other leading parts filled by Jack Mulhall, Walter McGrail and Enid Bennett.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
The Girl of the Golden West is a 1930 American Pre-Code drama film produced and distributed by First National Pictures, a subsidiary of Warner Bros., directed by John Francis Dillon and starring actress Ann Harding and James Rennie. Harding's then-husband, Harry Bannister, plays the villain Jack Rance. David Belasco wrote, directed, and produced the original play in 1905 which starred Blanche Bates.
Mothers Cry is a 1930 American pre-Code drama film released by First National Pictures, a subsidiary of Warner Bros., and directed by Hobart Henley. The movie stars Dorothy Peterson, Helen Chandler, David Manners, Evalyn Knapp and Sidney Blackmer. The film is based on the popular novel of the same name written by Helen Grace Carlisle.
The Bad Man is a 1920 three-act comedy by American playwright Porter Emerson Browne. The Broadway production at the Comedy Theatre ran for 342 performances beginning August 30, 1920. It was included in Burns Mantle's The Best Plays of 1920–1921.
The Moral Sinner is a 1924 American silent drama film directed by Sam Wood and written by Willis Goldbeck, Josephine Quirk, and Rita Weiman, based on the 1904 play Leah Kleschna by C. M. S. McLellan. The film stars Dorothy Dalton, James Rennie, Alphonse Ethier, Frederick Lewis, Walter Percival and Paul McAllister. The film was released on May 19, 1924, by Paramount Pictures.
Julian Rivero was an American actor whose career spanned seven decades. He made his film debut in the 1923 silent melodrama, The Bright Shawl, which starred Richard Barthelmess, Dorothy Gish, William Powell, Mary Astor, and Edward G. Robinson. Over the next 50 years, Rivero would appear in well over 200 films and television shows.
Just a Woman is a 1925 American silent drama film directed by Irving Cummings and starring Claire Windsor. It is based on the 1916 Broadway play by Eugene Walter and is a remake of a 1918 silent version starring Walter's wife, Charlotte Walker. The film and play was remade in the pre-Code sound era in 1933 as No Other Woman.
The Avenger is a 1931 American pre-Code Western film directed by Roy William Neill and starring Buck Jones and Dorothy Revier. The film is loosely based on the exploits of legendary Mexican bandit Joaquin Murrieta, who, in the mid-19th century, went to California and, according to the legend, swore vengeance against Americans and began of a series of robberies in the mining country after being discriminated against by white men.
