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Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.
Basava (1131–1196), also called Basavēśvara and Basavaṇṇa, was an Indian philosopher, poet, Lingayat social reformer in the Shiva-focused bhakti movement, and a Hindu Shaivite social reformer during the reign of the Kalyani Chalukya/Kalachuri dynasty. Basava was active during the rule of both dynasties but reached the peak of his influence during the rule of King Bijjala II in Karnataka, India.
Kannada literature is the corpus of written forms of the Kannada language, spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Emperor Krishna III. The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Punganur, Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to Jainism.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Chamarasa was a 15th century Virashaiva poet in the Kannada language, during the reign of Vijayanagar Empire, a powerful empire in Southern India during 14th - 16th centuries. A contemporary and competitor to a noted Brahmin Kannada poet Kumara Vyasa, Chamarasa was patronised by King Deva Raya II. The work is in 25 chapters (gatis) comprising 1111 six-line verses (arupadi).
Rudrabhatta was an influential 12th-century Kannada poet in the court of the Hoysala Empire King Veera Ballala II(r.1173–1220 CE). According to Kannada language expert Narasimhacharya, the poet was also patronized by a minister of the King. The literary critic Mukherjee feels that after a century of literary revolution caused by the Veerashaiva poets, a benevolent atmosphere created by the king may have encouraged this Vaishnava writer and poet.
Nagavarma II was a Kannada language scholar and grammarian in the court of the Western Chalukya Empire that ruled from Basavakalyan, in modern Karnataka state, India. He was the earliest among the three most notable and authoritative grammarians of Old-Kannada language. Nagavarma II's reputation stems from his notable contributions to various genres of Kannada literature including prosody, rhetoric, poetics, grammar and vocabulary. According to the scholar R. Narasimhacharya, Nagavarma II is unique in all of ancient Kannada literature, in this aspect. His writings are available and are considered standard authorities for the study of Kannada language and its growth.
Rashtrakuta literature is the body of work created during the rule of the Rastrakutas of Manyakheta, a dynasty that ruled the southern and central parts of the Deccan, India between the 8th and 10th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular. This era was practically the end of classical Prakrit and Sanskrit writings when a whole wealth of topics were available to be written in Kannada. Some of Kannada's most famous poets graced the courts of the Rashtrakuta kings. Court poets and royalty created eminent works in Kannada and Sanskrit, that spanned such literary forms as prose, poetry, rhetoric, epics and grammar. Famous scholars even wrote on secular subjects such as mathematics. Rashtrakuta inscriptions were also written in expressive and poetic Kannada and Sanskrit, rather than plain documentary prose.
Vachana sahitya is a form of rhythmic writing in Kannada that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. These writings are notable for their simplicity and directness, often addressing social issues and personal devotion. They were composed in Kannada by saints of the Lingayat faith, most notably Basavanna, Akka Mahadevi, and Allama Prabhu. Vachanas critique rituals and caste discrimination, advocating a form of worship centered on Shiva, envisioned as a universal god.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Mysore literature in Kannada is a body of literature composed in the Kannada language in the historical Kingdom of Mysore in Southern India and written in the Kannada script. The writings date from the Kingdom of Mysore, which existed from around 1600 CE until the establishment of modern India in 1947. Many of the works of this literature written on religious themes are labeled Veerashaiva or Vaishnava in acknowledgment of the two faiths that gave form to the literature and fostered it until the advent of the modern era. Despite a gradual decline in the popularity of Jainism, authors devoted to the faith produced some works of merit. Secular themes dealing with a wide range of subjects were also written on. Kannada literature flourished for a short while in the court of the neighbouring kingdom of the Nayakas of Keladi whose territory was annexed by Mysore in 1763.
Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.
Raghavanka was a noted Kannada writer and a poet in the Hoysala court who flourished in the late 12th to early 13th century. Raghavanka is credited for popularizing the use of the native shatpadi metre in Kannada literature. Harishchandra Kavya, in shatpadi metre, is known to have been written with an interpretation unlike any other on the life of King Harishchandra is well known and is considered one of the important classics of Kannada language. He was a nephew and protégé of the noted Early 12-century Kannada poet Harihara. Although the shatpadi metre tradition existed in Kannada literature prior to Raghavanka, Raghavanka inspired the usage of the flexible metre for generations of poets, both Shaiva and Vaishnava to come.
Harihara was a noted Kannada poet and writer in the 12th century. A native of Halebidu in modern Hassan district, he came from a family of accountants (Karnikas) and initially served in that capacity in the court of Hoysala King Narasimha I. Later, he moved to Hampi and authored many landmark classics. Among his important writings, the Girijakalyana written in champu metre is considered one of the enduring classics of Kannada language.
Andayya was a notable 13th-century Kannada writer during the rule of the Hoysala empire. Andayya was a Jain by faith and came from a family of accountants. His most important extant work is the Kabbigara Kava which also goes by the names Sobagina Suggi, Madana Vijaya or Kavana Gella and was written in the 1217–1235 CE period.
The Basava Purana is a 13th-century Telugu epic poem. It was written by Palkuriki Somanatha. It is a sacred text of Lingayat. The epic poem narrates the life story of philosopher and social reformer Basava, the founder of Lingayat. He is also known by several other names such as Basavaṇṇa, Basavēśvara, Basavēśa, and Basavarāja. It is also an anthology of several Lingayat saints and their philosophies. In contrast to campu style, Somanatha adopted the desi (native) style and composed the purana in dwipada (couplets), a meter popular in oral tradition and closely related to folk songs.
Mallikarjuna Panditaradhyudu was an Indian philosopher of Veerasaiva school and a Telugu poet from Andhra region. He was a poet in the court of Velanati Choda king Rajendra Choda II. His Śivatatvasāramu was the first independent Telugu work. Being an unique person of his era he contributed in spreading Saivism throughout Andhra region. He was credited with ending the remnants of Buddhism in Andhra land through his intellect and influence. For his prowess in Telugu language, he was generally referred to as Telugu: కవిమల్లు, romanized: Kavimallu, lit. 'Wrestler among poets'.
References
- Various (1992) [1992]. Encyclopaedia of Indian literature – vol 5. Sahitya Akademi. ISBN 81-260-1221-8.
- Sastri, Nilakanta K. A. (2002) [1955]. A history of South India from prehistoric times to the fall of Vijayanagar. New Delhi: Indian Branch, Oxford University Press. ISBN 0-19-560686-8.
- Narasimhacharya, R (1988) [1988]. History of Kannada Literature. New Delhi, Madras: Asian Educational Services. ISBN 81-206-0303-6.
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