Overview | |
---|---|
Type | Micro Four Thirds system mirrorless camera |
Released | March 2017 |
Lens | |
Lens mount | Micro Four Thirds system mount |
Sensor/medium | |
Sensor | 4/3-type |
Sensor type | CMOS |
Sensor size | 17.3 x 13 mm (4:3 aspect ratio) |
Sensor maker | Sony [1] |
Maximum resolution | 5184 x 3888 px (20.1 megapixels) |
Film speed | ISO 200-25600, extendable to 100 |
Recording medium | 2x SD / SDHC / SDXC |
Focusing | |
Focus | Switchable Auto and Manual |
Focus modes | AF-C (Continuous-Servo), AF-F (Flexible AF), AF-S (Single Servo AF), Manual Focus |
Focus areas | 255 Contrast Detection AF |
Exposure/metering | |
Exposure modes | Program AE; Aperture Priority, Shutter priority, Manual |
Metering modes | Center-weighted, Multiple, Spot |
Flash | |
Flash synchronization | 1/250 |
Flash bracketing | ±3 EV in ⅓ EV steps |
Shutter | |
Shutter | Focal-plane shutter / Electronic shutter |
Shutter speed range | 1/16000s - 60s, BULB |
Continuous shooting | 12 fps at 20.3 MP 30 fps at 18MP 60 fps at 8 MP |
Viewfinder | |
Viewfinder | OLED viewfinder; 3.6M dots |
Viewfinder magnification | 0.76x |
Image processing | |
White balance | Auto, Cloudy, Shade, Incadescent, Flash, Daylight, White Set 1/2/3/4, Custom WB based on color temperature |
General | |
Video recording | AVCHD / MP4 / MOV 4096 x 2160 (24p, 25p) 3840 x 2160 (24p, 25p, 30p, 50p, 60p) 3328 x 2496p (24p, 25p, 30p 50p, 60p) 1920 x 1080p (24p, 25p, 30p, 50p, 60p) |
LCD screen | 3.2", 1.6M Dots, free-angle |
Battery | 7.2v 1860 mAh Lithium-ion battery pack |
Data Port(s) | Wi-Fi, Bluetooth, full-sized HDMI Type-A, USB 3.1 Gen1 5Gbit/s, |
Dimensions | 138.5 x 98.1 x 87.4 mm (5.5 x 3.9 x 3.4") |
Weight | 725 g (1.595 lb) (battery and SD cards inserted) |
Made in | China |
Chronology | |
Predecessor | Lumix GH4 |
Successor | Lumix GH5 II |
The Panasonic Lumix DC-GH5 is a Micro Four Thirds mirrorless interchangeable lens camera body announced by Panasonic on 4 January 2017. [2]
It is the first mirrorless camera capable of shooting 4K resolution video with 10-bit color with 4:2:2 chroma subsampling, along with recording in 4K 60p or 50p (but only in 8 bit). It also captures both 4K and Full HD without time limits. [3] On September 28, 2017, Panasonic released firmware update 2.0 which added support for hybrid log–gamma (HLG) recording, along with a higher 400 Mbit/s bit rate All-i recording mode. [4] The camera features 5-axis in-body stabilization, and, according to Panasonic, is freeze-proof, dust-proof, and splash-proof. [5]
The later-released sister model Panasonic Lumix DC-GH5S is a more specialized filmmakers' camera that adds greater low-light sensitivity, a multi-aspect image sensor, and expanded DCI 4K options. It has a 10-megapixel non-stabilised image sensor. [6] The Panasonic GH5S is an even more video-centric variant of the GH5: it can shoot either DCI or UHD 4K footage natively (i.e. where one capture pixel = one output pixel) at up to 60p. As well as the ability to shoot DCI 4K at higher frame rates, Panasonic claim the GH5S's larger pixels and 'Dual Native ISO' sensor will shoot significantly better footage in low light.
In May 2021 the Panasonic Lumix DC-GH5 II was announced, with a new processor, but the same sensor. [7]
The Four Thirds System is a standard created by Olympus and Eastman Kodak for digital single-lens reflex camera (DSLR) design and development. Four Thirds refers to both the size of the image sensor (4/3") as well as the aspect ratio (4:3). The Olympus E-1 was the first Four Thirds DSLR, announced and released in 2003. In 2008, Olympus and Panasonic began publicizing the Micro Four Thirds system, a mirrorless camera system which used the same sensor size; by eliminating the reflex mirror, the Micro Four Thirds cameras were significantly smaller than the Four Thirds cameras. The first Micro Four Thirds cameras were released in 2009 and the final Four Thirds cameras were released in 2010; by that time, approximately 15 Four Thirds camera models had been released by Olympus and Panasonic in total. The Four Thirds system was quietly discontinued in 2017, six years after the final cameras were released.
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