Paolo Emilio Landi is an Italian theatrical director, journalist, and documentarian. He has filmed worldwide a number of documentaries for RAI (National Italian Broadcasting Company). He directed plays at several different theatres in the US, in Russian Federation and former Soviet Union.
Landi made his professional directing debut with the Italian national premiere of After Magritte (1986), by the English author Tom Stoppard. [1] with scenery designed by the American painter Jack Frankfurter. His following production, The Bald Soprano by Eugene Ionesco, [2] [3] was performed in Italy, [4] France (Avignon Festival), the USA (Richmond, Virginia), and Russia (Omsk and Saratov).
After the fall of the Berlin Wall he continued his career in former URSS. In 1990 he worked in the previously closed town of Omsk. [5] Omsk Drama Theatre, Russia [6] He was the first director to stage an absurdist play, The Bald Soprano, in a Russian State Academic Theatre of the USSR. [7] [8]
He went on to stage 30 shows in academic and public theaters in cities throughout Russia and Eastern Europe, including Moscow, Saint Petersburg, Omsk, [9] Samara, Saratov, [10] [11] Riga, [12] Vilnius, Chelyabinsk, Krasnoyarsk. and Ufa. [13]
In the late nineties Paolo Emilio Landi traveled to the United States for his production of The Servant of Two Masters by Carlo Goldoni at the Milwaukee Repertory Theater. [14] [15] [16] He then began a long association with the University of Richmond (Virginia) where he has been visiting scholar and instructor of theater and documentary-making. [17] During his time at the university he specialized in creating experimental works with students and faculty. [18]
In 1982 Landi began collaborating with the television program Protestantesimo on Raidue (the State Italian Broadcasting Company) as a director, journalist and host. During his time with the 50-year old program, he produced hundreds of news stories, documentaries, musical programs and studio interviews. [19]
In 2001 he became a member of the Order of Journalists of Lazio. He has directed and produced documentaries in Europe, Africa, Asia, and the Americas. [20]
For Rai WORLD, [21] (The Other Italy), he filmed more than 400 portraits of Italians living in South Africa, mostly in the cities of Johannesburg, Cape Town, and Durban. He recently released a 14 episodes serie called "Cape to the Equator".
In 2015 Landi released a documentary on Nelson Mandela, broadcast on Italy's RAIDUE, as well as France 2, [22] RSI [23] (the Italian Swiss Broadcasting company) and RTS (the French Swiss broadcasting company) [24]
Landi most recent film work includes three documentaries shot in Washington, DC and New York City, USA. They are: L'ultimo giorno (9.11.2001) (The Last Day); So Help Me God (Trump at the White House); 100 giorni di Trump. (Trump's First Hundred Days). He filmed the last interview with late Winnie Madizikela Mandela.
USA
Russia
Lithuania
Latvia
France
Germany
Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title Polisseno Fegeio, Pastor Arcade, which he claimed in his memoirs the "Arcadians of Rome" bestowed on him.
The theatre of the absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence.
Carlo, Count Gozzi was an Italian (Venetian) playwright and champion of Commedia dell'arte.
Eduardo De FilippoOMRI, also known simply as Eduardo, was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senatore a vita by the President of the Italian Republic Sandro Pertini.
Chioggia is a coastal town and comune (municipality) of the Metropolitan City of Venice in the Veneto region of northern Italy.
The Servant of Two Masters is a comedy by the Italian playwright Carlo Goldoni written in 1746. Goldoni originally wrote the play at the request of actor Antonio Sacco, one of the great Harlequins in history. His earliest drafts had large sections that were reserved for improvisation, but he revised it in 1789 in the version that exists today. The play draws on the tradition of the earlier Italian commedia dell'arte.
Giorgio Strehler was an Italian stage director, theatre practitioner, actor, and politician. Strehler was one of the most significant figures in Italian theatre during his lifetime, described by Mel Gussow as "the grand master of Italian theater" and "one of the world's boldest and most innovative directors". He co-founded Italy's first and most significant repertory company, the Piccolo Teatro of Milan, and the Union of the Theatres of Europe. With the Italian Socialist Party, Strehler served as Member of the European Parliament between 1983 and 1984, representing North-West Italy. He switched parties to the Independent Left, for which he was a Senator from 1987 to 1992, representing Lombardy.
Enzo Petito was an Italian film and stage character actor. A theatre actor under Eduardo De Filippo in the 1950s in the Teatro San Ferdinando of Naples, with whom he was professionally closely associated, Petito also appeared in several of his films, often co-starring Eduardo or/and brother, Peppino De Filippo, brothers who are considered to be amongst the greatest Italian actors of the 20th century. Petito played minor roles in some memorable commedia all'Italiana movies directed by the likes of Dino Risi and Mario Monicelli in the late 1950s and early 1960s, often appearing alongside actors such as Nino Manfredi, Alberto Sordi, Peppino De Filippo, Anna Maria Ferrero, and Totò.
The Teatro San Angelo or Teatro Sant'Angelo was once a theatre in Venice which ran from 1677 until 1803.
The Shortest Day is a 1963 Italian comedy film. It is a parody of the war movie The Longest Day and stars the popular duo Franco and Ciccio in the leading roles. Dozens of other well-known actors, from both European and American cinema, agreed to appear in the movie in cameo roles for free to avert the bankruptcy of the production company, Titanus.
Tutti in maschera is an opera by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy L'impresario delle Smirne by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856.
Henryk Baranowski was a Polish theatre, opera and film director, actor, stage designer, playwright, screenwriter and poet. He is best known for his starring role in the film Dekalog: One directed by Krzysztof Kieślowski, and also appeared as Rosa's brother Josef in Rosa Luxemburg directed by Margarethe von Trotta and as Napoleon in Pan Tadeusz directed by Andrzej Wajda. He directed over 60 theater and opera productions in Europe, Russia and the US and was the Artistic Director of the Teatr Śląski in Katowice in the mid 2000s. He also directed four "television theatre" productions: ...yes I will Yes, For Phaedra (1998), Saint Witch (2003), and Night is the Mother of Day (2004).
Teatro San Ferdinando is a theatre in Naples, Italy. It is named after King Ferdinand I of Naples. Located near Ponte Nuovo, it is to the southeast of the Teatro Totò in the western part of the neighborhood of Arenaccia. Built in the late eighteenth century, the seats are arranged in four box tiers, and the pit. It is most associated with Eduardo De Filippo and the productions of the 1950s under his direction. Closed in the 1980s and reopened in 2007, the San Fernando is managed by the Teatro Stabile of Naples.
Sergei Vytautovich Puskepalis was a Russian actor and theatre director. He is best known for his roles in the award-winning movies Simple Things (2006) and How I Ended This Summer (2010), both directed by Alexei Popogrebski. For his performances, he won a Nika Award for Best Actor in 2008, as well as a Silver Bear for Best Actor at the 60th Berlin International Film Festival in 2010.
This is a list of Italian television related events from 1976.
This is a list of Italian television related events from 1963.
This is a list of Italian television related events from 1955.
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours.
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