Author | Henry James |
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Language | English |
Genre | Literary criticism |
Publisher | Macmillan and Co., London |
Publication date | 8 May 1888 |
Publication place | United Kingdom |
Media type | Print (Hardback) |
Pages | 408 pp |
Partial Portraits is a book of literary criticism by Henry James published in 1888. The book collected essays that James had written over the preceding decade, mostly on English and American writers, but also on the works of Alphonse Daudet, Guy de Maupassant and Ivan Turgenev. Perhaps the most important essay was The Art of Fiction, James' argument for the widest possible freedom in content and technique in narrative fiction.
In his essay “The Art of Fiction”, Henry James suggests that, “the story and the novel, the idea and the form, are the needle and thread, and I never heard of a guild of tailors who recommended the use of the thread without the needle or the needle without the thread.” [1] The essay The Art of Fiction was written in response to an article by English critic Walter Besant that attempted to establish the "laws of fiction." For instance, Besant insisted that novelists should confine themselves to their own experience: "A young lady brought up in a quiet country village should avoid descriptions of garrison life." James argued that a sufficiently alert novelist could obtain knowledge from everywhere and use it to good purpose: "The young lady living in a village has only to be a damsel upon whom nothing is lost to make it quite unfair (as it seems to me) to declare to her that she shall have nothing to say about the military. Greater miracles have been seen than that, imagination assisting, she should speak the truth about some of these gentlemen."
James continually argues for the fullest freedom in the novelist's choice of subject and method of treatment: "The only obligation to which in advance we may hold a novel, without incurring the accusation of being arbitrary, is that it be interesting." In particular, James is suspicious of restraining fiction with specific moral guidelines: "No good novel will ever proceed from a superficial mind; that seems to me an axiom which, for the artist in fiction, will cover all needful moral ground."
James followed his own advice in criticizing the various writers included in Partial Portraits. In his essay on Maupassant, for instance, he wrote of the Frenchman's propensity for what James called the "monkeys' cage" view of human existence. But James from praisied Maupassant's vigour, precision and conciseness in describing life as he saw it.
Similarly, James praised the intellectual force of George Eliot, the stolid but comprehensive detail-work of Anthony Trollope, the unbounded imagination of Robert Louis Stevenson, and the genial common sense of Alphonse Daudet. All very different writers, but all speak with validity from their personal view on life. This wide range presages the "house of fiction" image James would include in the New York Edition preface to The Portrait of a Lady , where each novelist looks at life from a particular window of the house and thus composes a unique and personally characteristic account.
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Although later critics have often disagreed with James' particular judgments of individual writers or works, almost all acknowledge that James helped to make narrative fiction discussable as one of the fine arts. Partial Portraits contains some of James' most memorable and comprehensive essays on his fellow writers, and with grace and style he took their works seriously as artistic efforts of the first importance.
A personal note is the essay on Constance Fenimore Woolson, a woman who played an important if still uncertain role in James' life. This is the only essay in Partial Portraits on a writer of minor significance, and it has provided grist to the mill of biographical speculation.
Gustave Flaubert was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel Madame Bovary (1857), his Correspondence, and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.
Anthony Trollope was an English novelist and civil servant of the Victorian era. Among his best-known works is a series of novels collectively known as the Chronicles of Barsetshire, which revolves around the imaginary county of Barsetshire. He also wrote novels on political, social, and gender issues, and other topical matters.
Alphonse Daudet was a French novelist. He was the husband of Julia Daudet and father of Edmée, Léon and Lucien Daudet.
Henry James was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. He was the son of Henry James Sr. and the brother of philosopher and psychologist William James and diarist Alice James.
This article contains information about the literary events and publications of 1884.
This article contains information about the literary events and publications of 1876.
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880–81 and then as a book in 1881. It is one of James's most popular novels and is regarded by critics as one of his finest.
Sir Hugh Seymour Walpole, CBE was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death.
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The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedy centres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.
French Poets and Novelists is a book of literary criticism by Henry James published in 1878. The book collected essays that James had written over the preceding several years. From an early age James was fluent in French and read widely in the country's literature. These essays show a deep familiarity with the techniques and themes of many French writers. The book also includes an interesting essay on Russian novelist Ivan Turgenev, who James read in a German translation.
Hawthorne is a book of literary criticism by Henry James published in 1879. The book was a study of James' great predecessor Nathaniel Hawthorne. James gave extended consideration to each of Hawthorne's novels and a selection of his short stories. He also reviewed Hawthorne's life and some of his nonfiction. The book became somewhat controversial for a famous section in which James enumerated the items of novelistic interest he thought were absent from American life.
Essays in London and Elsewhere is a book of literary criticism by Henry James published in 1893. The book collected essays that James had written over the preceding several years on a wide range of writers including James Russell Lowell, Gustave Flaubert, Robert Browning and Henrik Ibsen. The book also included an interesting general essay on the role of the critic in literature and a piece of travel writing about London.
Notes on Novelists is a book of literary criticism by Henry James published in 1914. The book collected essays that James had written over the preceding two decades on French, Italian, English and American writers. The book also contained a controversial essay, The New Novel, 1914, which passed judgment on various contemporary writers and occasioned much disagreement.
The New York Edition of Henry James' fiction was a 24-volume collection of the Anglo-American writer's novels, novellas and short stories, originally published in the U.S. and the UK between 1907 and 1909, with a photogravure frontispiece for each volume by Alvin Langdon Coburn. Two more volumes containing James' unfinished novels, The Ivory Tower and The Sense of the Past, were issued in 1917 in a format consistent with the original set. The entire collection was republished during the 1960s by Charles Scribner's Sons. The official title of the set was The Novels and Tales of Henry James, though the more informal title was suggested by James himself and appears as a subtitle on the series title page in each volume. It has been used almost exclusively by subsequent commentators.
Richard Stang was an American literary critic, author, scholar, and professor whose groundbreaking insights on the 19th-century English novel have shaped the attitudes of subsequent writers and critics for more than six decades. He was the first critic to recognize and document the sophistication of contemporary mid-Victorian criticism of the novel, and to show that it in effect amounted to a holistic aesthetics of fiction for the English novel in the mid-century.
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This is a list of the works of Henry James, an American writer who spent the bulk of his career in Britain.