Party of One is the debut solo album by American blues rock artist George Thorogood. It was released August 4, 2017 by the label Rounder Records.[4][5][6]Party of One is the first album Thorogood recorded and released without his long-time backing band "the Destroyers".[7]
The album received positive reviews from critics and sold well on release.[8]
Background and recording
George Thorogood intended to record a solo album since the early days of his career, but never got around to doing it.[5][9] In 2017, Thorogood returned to his label Rounder Records to release a solo album.[10][11] Thorogood said: "I guess it was long overdue. The record label (Rounder) had been on me for some time to put out a solo album."[7] It took Thorogood over a year to record the album.[12]
The album was recorded at the House Of Blues Studios, in California,[13] and produced by Jim Gaines.[7][14] Thorogood said that the process of recording the album was hard and challenging.[4][9]
The album is composed entirely of blues covers, from artists Thorogood said "really mean something to me."[9] The album also features a live version of "One Bourbon, One Scotch, One Beer" recorded live, at Rockline in 1999.[14] CD versions of the album also feature a bonus track, "Dynaflow Blues", written by John Ned Shines.[14]
Critical reception
Party of One received positive reviews from critics on release.
AllMusic`s Mark Deming says "Party of One suggests Thorogood has had his greatest success playing rowdy electric blues-rock for a reason -- it's clearly his strong suit -- but 40 years after the release of his debut album, the guy is more than entitled to a change of pace."[15] Matt Bauer of Exclaim! wrote "So, while the all-covers Party of One's primarily acoustic instrumentation — performed entirely by Thorogood — may not what be long-term fans were expecting, there's a true reverence for the blues"[21] Writing for Record Collector, Terry Staunton says "In tandem with George giving the ol’ larynx room to breathe and impress, his guitar-playing takes on a different tone in the comparatively subdued setting. There’s less need for the powerhouse riffing of yore, paving the way for nimble fretwork aplenty on Bob Dylan’s Down The Highway and Willie Dixon’s Wang Dang Doodle."[22]
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