"Willie and the Hand Jive" | ||||
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Single by Johnny Otis | ||||
B-side | "Ring-a-Ling" | |||
Released | 1958 | |||
Recorded | 1958 | |||
Genre | Rock and roll | |||
Length | 2:32 | |||
Label | Capitol | |||
Songwriter(s) | Johnny Otis | |||
Producer(s) | Tom “Tippy” Morgan | |||
Johnny Otis singles chronology | ||||
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"Willie and the Hand Jive" | ||||
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Single by Eric Clapton | ||||
from the album 461 Ocean Boulevard | ||||
B-side | "Mainline Florida" | |||
Released | October 1974 | |||
Recorded | 1974 | |||
Genre | Blues, rock | |||
Length | 3:31 | |||
Label | RSO | |||
Songwriter(s) | Johnny Otis | |||
Producer(s) | Tom Dowd | |||
Eric Clapton singles chronology | ||||
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Official audio | ||||
"Willie And The Hand Jive" on YouTube |
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. [1] [2] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation, [2] though Otis always denied it. [3] It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead. [4] [5] Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the Billboard Rock Tracks chart.
The Johnny Otis original version of the song produced by Tom Morgan has an infectious Bo Diddley beat, similar to the hit "Bo Diddley" of Bo Diddley, [1] [2] much of it provided by drummer Earl Palmer. [6] Johnny Otis biographer George Lipsitz describes Jimmy Nolen's guitar riff on the song as "unforgettable". [2] The music was based on a song Otis had heard a chain gang singing while touring, combined with work Otis did as a teenager when he was performing with Count Otis Matthews and the West Oakland House Stompers. [2]
The lyrics tell of a man named Willie who became famous for doing a hand jive dance. [1] [2] In a sense, the story is similar to that of Chuck Berry's "Johnny B. Goode", which tells of someone who became famous for playing the guitar and was released two months before "Willie and the Hand Jive". [1] The origin of the song came when one of Otis' managers, Hal Ziegler, found out that rock'n'roll concert venues in England did not permit the teenagers to stand up and dance in the aisles, so they instead danced with their hands while remaining in their seats. [2] [5] At Otis' concerts, performers would demonstrate Willie's "hand jive" dance to the audience, so the audience could dance along. [2] The dance consisted of clapping two fists together one on top of the other, followed by rolling the arms around each other. [2] Otis' label, Capitol Records, also provided diagrams showing how to do the hand jive dance. [5]
Despite the song's references to dancing, and despite the demonstrations of the dance during performances, would-be censors believed that the song was about masturbation. [2] As recently as 1992, an interviewer for NPR asked Otis "Is 'Hand Jive' really about masturbation?" [2] [7] Otis was frustrated by this misinterpretation. [7]
Cliff Richard recorded the song in 1960 and The Strangeloves included it on their 1965 album I Want Candy . [8] [9] The Youngbloods released a version of the song on their 1971 album, Good and Dusty. [10] Johnny Rivers included the song on his 1973 album Blue Suede Shoes. [11]
Eric Clapton recorded "Willie and the Hand Jive" for his 1974 album 461 Ocean Boulevard . Clapton slowed down the tempo for his version. [12] Author Chris Welch believes that the song benefits from this "slow burn". [12] Billboard described it as a "monster powerful cut" that retains elements from Clapton's previous single "I Shot the Sheriff." [13] Record World said that "Clapton slowly boogies [the song] into laid-back magnificence." [14] However, Rolling Stone critic Ken Emerson complains that the song sounds "disconcertingly mournful". [15] Other critics praised Clapton's confident vocals. [16] Author Marc Roberty claimed that on this song, "Eric's vocals had clearly matured, with fluctuations and intonations that were convincing rather than tentative as in the past." [17] Clapton's version of the song was released as a single in 1974 and reached #26 on the Billboard Hot 100 and #28 in the Netherlands. [18] [19] It also reached #31 on the RPM magazine's top singles chart in Canada [20] and peaked at #99 on the Oricon singles chart in Japan. [21] Clapton included the song on his compilation album Time Pieces: Best of Eric Clapton . [22] The single's B-side, George Terry's "Mainline Florida", was described as "breaking away from the established tone" of the album and features Clapton's using talk box during his outgoing solo. [23] Clapton often played "Hand Jive" live, and it appeared on the live DVD One Night Only Live . [17] [24] Author Harry Shapiro said that the song could sound like "a dirge on bad nights but uplifting when the mood was right". [25] Music author Dave Thompson claimed that Clapton's "live versions almost get you learning the [hand jive] movements all over again." [26]
George Thorogood recorded a version of "Willie and the Hand Jive" for his 1985 album with the Destroyers Maverick . [27] His single version charted on the Hot Mainstream Rock Tracks chart, peaking at #25, and reached #63 on the Billboard Hot 100 chart. [1] [28] Allmusic critic James Christopher Monger called the song one of Thorogood's "high points." [29] Thorogood included the song on his 2000 compilation album Anthology, his 2002 compilation album On Tap Plus, his 2003 compilation album The George Thorogood Collection and his 2008 compilation The Best of George Thorogood & the Destroyers. [30] [31] [32] [33]
Other artists who covered the song include: Johnny Rivers, New Riders of the Purple Sage, The Flying Burrito Brothers, Sandy Nelson, The Tremeloes, Amos Garrett, Ducks Deluxe and Levon Helm. [4] Lee Michaels released a version of the song on his 1971 album, 5th . [34] The Grateful Dead played "Willie and the Hand Jive" live several times in 1986 and 1987. [5]
Footage from Otis' performance of "Willie and the Hand Jive" at the 1970 Monterey Jazz Festival was included in Clint Eastwood's 1971 film Play Misty for Me . [2] [35]
This song can be heard in the film The Shawshank Redemption .
Johnny Otis was a first generation Greek-American singer, musician, composer, bandleader, record producer, and talent scout. He was a seminal influence on American R&B and rock and roll. He discovered numerous artists early in their careers who went on to become highly successful in their own right, including Little Esther Phillips, Etta James, Alan O'Day, Big Mama Thornton, Johnny Ace, Jackie Wilson, Little Willie John, Hank Ballard, and The Robins, among many others. Otis has been called the "Godfather of Rhythm and Blues".
461 Ocean Boulevard is the second solo studio album by English musician Eric Clapton. It was released in late July 1974 by RSO Records, after the record company released the hit single "I Shot the Sheriff" earlier in the month. The album topped various international charts and sold more than two million copies.
George Lawrence Thorogood is an American musician, singer and songwriter from Wilmington, Delaware. His "high-energy boogie-blues" sound became a staple of 1980s USA rock radio, with hits like his original songs "Bad to the Bone" and "I Drink Alone". He has also helped to popularize older songs by American icons, such as "Move It on Over", "Who Do You Love?", and "House Rent Blues/One Bourbon, One Scotch, One Beer".
From the Cradle is the twelfth solo studio album by Eric Clapton, released on 12 September 1994 by Warner Bros. Records. A blues cover album and Clapton's follow-up to his successful 1992 live album, Unplugged, it is his only UK number-one album to date.
Timepieces: The Best of Eric Clapton is a greatest hits album by British musician Eric Clapton. The album was originally released by RSO/Polydor Records in April 1982. The following year a second volume, Time Pieces Vol.II Live in the Seventies, was released by the label. The album has been reissued several times and has been awarded certifications in several regions. Billboard reported the album sold more than 13,400,000 copies worldwide.
The hand jive is a dance particularly associated with music from the 1950s, rhythm and blues in particular. It involves a complicated pattern of hand moves and claps at various parts of the body, following and/or imitating the percussion instruments. It resembles a highly elaborate version of pat-a-cake. Hand moves include thigh slapping, crossing the wrists, fist pounding, hand clapping, and hitchhike moves.
Main Course is the thirteenth studio album by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
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Crossroads 2: Live in the Seventies is the seventh live album and a box set by Eric Clapton, released in 1996. Unlike the first Crossroads box set that encompasses more than three decades of Clapton's work, Crossroads 2 is a chronicle of Clapton's live shows between 1974 through 1978. The album is largely focused on longer renditions of electric blues. Four studio outtakes are also included.
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell, that has been a hit for many artists in different genres in the years since. The best-known versions are by the Carpenters in 1971, Luther Vandross in 1983, and Sonic Youth in 1994.
Maverick is the sixth album by the band George Thorogood and the Destroyers. It was produced by Terry Manning and released in January 1985. Some of its songs are among Thorogood's best-known, including "I Drink Alone" and "Willie and the Hand Jive", the latter being his only single to reach the Billboard Hot 100 chart.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, After School Session, in May 1957; and as an EP. The single reached number four on Billboard magazine's Most Played R&B In Juke Boxes chart, number 11 on the Most Played R&B by Jockeys chart and number seven on the R&B Top Sellers in Stores chart in the fall of 1956.
"Bring Me Sunshine" is a song written in 1966 by the composer Arthur Kent, with lyrics by Sylvia Dee. It was first recorded by The Mills Brothers in 1968, on their album My Shy Violet. In the UK, the song is associated with the popular comedy duo Morecambe & Wise, after it was adopted as their signature tune in their second series for the BBC in 1969.
"Before You Accuse Me" (also known as "Before You Accuse Me (Take a Look at Yourself)") is a song written and recorded by American musician Bo Diddley in 1957. The song was originally released as the B-side to Diddley's "Say Bossman" and included on his self-titled debut album in 1958. Backing Diddley on vocal and guitar on the original recording were Jody Williams on guitar, Willie Dixon on bass, and Frank Kirkland on drums. The song has also been recorded by several other artists, such as Creedence Clearwater Revival and Eric Clapton.
Bo Diddley Is a Gunslinger is the fifth studio album by American rock and roll pioneer Bo Diddley released in December 1960 by Checker Records. The album title comes from the album's first track called "Gunslinger" and the cover art has Bo Diddley dressed in Western-style clothing. The songs for Bo Diddley is a Gunslinger were recorded from October 1959 to February 1960. Several tracks of interest are "Sixteen Tons" which Bo was supposed to perform on The Ed Sullivan Show, the title track, and "Diddling".
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