| Pass the Pipe | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1979 | |||
| Genre | Reggae | |||
| Label | Mango | |||
| Toots and the Maytals chronology | ||||
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Pass the Pipe is an album by the Jamaican reggae band Toots and the Maytals. [1] [2] It was released in 1979 on Mango Records. [3]
| Pass the Pipe | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | 1979 | |||
| Genre | Reggae | |||
| Label | Mango | |||
| Toots and the Maytals chronology | ||||
| ||||
Pass the Pipe is an album by the Jamaican reggae band Toots and the Maytals. [1] [2] It was released in 1979 on Mango Records. [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [4] |
| Robert Christgau | B+ [5] |
| The Encyclopedia of Popular Music | [6] |
| The Rolling Stone Album Guide | [7] |
New York praised the "raspy lushness" of Toots Hibbert's vocals. [8] The New York Times wrote: "Although customarily raucous, the Maytals' reggae retains a marked gospel intensity. As such, Pass the Pipe does not represent a new direction so much as a greater concentration on one aspect of Toots and company's mature gifts. Highly recommended." [3] The Bay State Banner thought that the "guitar and bass men shun the usual metallic riffing in favor of a reedy vegetable sound that purrs and mushes against your speakers." [9] Stereo Review deemed Pass the Pipe "a recording of special merit." [10]
Dave Thompson, in Reggae & Caribbean Music, thought that on Pass the Pipe "jazz influences creep into the now solidly soulful brew." [11]
Reggae is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. Reggae is rooted out from traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
"Punky Reggae Party" is a song by Bob Marley, recorded and released in 1977. Not appearing on any studio album, it was released in 1977 as a 12-inch single in Jamaica only on the Tuff Gong and Lee Perry's Black Art labels, as a B-side to the "Jamming" single on Chris Blackwell's Island Records label in some countries and was later released as a live single on Babylon by Bus. Subsequently, it appeared on a number of compilations and "Best of" albums as well as the Deluxe Edition of Exodus and the 2002 CD reissue of Legend.
Specials is the debut album by British ska revival band The Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.
The Maytals, known from 1972 to 2020 as Toots and the Maytals, are a Jamaican musical group, one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music.
Frederick Nathaniel "Toots" Hibbert, was a Jamaican singer and songwriter who was the lead vocalist for the reggae and ska band Toots and the Maytals. A reggae pioneer, he performed for six decades and helped establish some of the fundamentals of reggae music. Hibbert's 1968 song "Do the Reggay" is widely credited as the genesis of the genre name reggae. His band's album True Love won a Grammy Award in 2005.
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery.
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost.
Robert Warren Dale Shakespeare was a Jamaican bass guitarist and record producer, best known as half of the reggae rhythm section and production duo Sly and Robbie, with drummer Sly Dunbar. Regarded as one of the most influential reggae bassists, Shakespeare was also known for his creative use of electronics and production effects units. He was sometimes nicknamed "Basspeare".
Marcia Llyneth Griffiths is a Jamaican singer best known for the 1989 remix of her single "Electric Boogie", which serves as the music for the four-wall "Electric Slide" line dance. It is the best-selling single of all time by a female reggae singer.
Pressure Drop is the second solo album by English singer Robert Palmer, released in 1975. Palmer is backed by Little Feat and other musicians. The title track is a cover version of the reggae hit by Toots and the Maytals. However, many other songs on the album use "New Orleans funk ... along with smooth, dated disco ballads smothered in strings". Continuing his association with Little Feat started by his cover of "Sailing Shoes" on his 1974 debut album Sneaking Sally Through the Alley, Feat was used as backing band on several cuts, most notably Lowell George's slide guitar on "Here With You Tonight". George also contributed the tune "Trouble" on which Feat pianist Bill Payne plays the intro. David Jeffries' review says that the album is considered "too blue-eyed and polished for fans of Palmer's more gutsy moments" but concludes that "Pressure Drop has grown into the great overlooked album in Palmer's discography". In June 2009, the album was ranked as No. 20 on Mojo's list of the 50 best records released by Island. The album peaked at No. 136 in the US.
Funky Kingston is the name of two albums by Jamaican reggae group Toots and the Maytals. The first was issued in Jamaica and the United Kingdom in 1973 on Dragon Records, a subsidiary label of Island Records, owned by Chris Blackwell. A different album, with the same cover and title, was issued in the United States in 1975 on Mango Records. That album was compiled from three previous Maytals albums by Island Records employee Danny Holloway and peaked at #164 on the Billboard 200. It was also voted the eleventh best album of 1975 in the annual Jazz & Pop poll. In 2003, the American version was placed at number 378 on Rolling Stone's list of The 500 Greatest Albums of All Time, 380 in a 2012 revised list and 344 in a 2020 revised list.
Black Roots is a 1979 album by Sugar Minott. It was the first to appear on Minott's Black Roots label, and was described in the book Reggae: 100 Essential CDs – The Rough Guide as a "classic, which catches the singer on the cusp of the roots and dancehall phases, and with total control over his music." The album includes contributions from some of Jamaica's top session musicians including Leroy "Horsemouth" Wallace, Noel "Scully" Simms, Eric "Bingy Bunny" Lamont, Gladstone Anderson, Larry 'Professor Bassie' Silvera and Ansell Collins, with harmony vocals provided by Don Carlos, Lacksley Castell and Ashanti Waugh. Two of the tracks on the album had previously been issued as singles – "Hard Time Pressure" and "River Jordan". The album was described by Dave Thompson in his book Reggae & Caribbean Music as a "deeply dread collection...time has bestowed a stately uniqueness to it". Alex Henderson, writing for AllMusic, said of the album: "If you combined Stax's raw production style with the type of sweetness that characterized a lot of Chicago, Detroit and Philadelphia soul and added a reggae beat, the outcome might sound something like Black Roots."
In the Dark is the second international album release by the reggae singing group Toots and the Maytals, issued in Jamaica and in the United Kingdom on Dragon Records, DRLS 5004, a subsidiary label owned by Chris Blackwell. It was released in September 1974.
Paul Douglas is a Jamaican musician, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, "dependable drummer Paul Douglas played on countless reggae hits."
Reggae Got Soul is an album by the Jamaican reggae group Toots and the Maytals, released in July 1976 by Island Records.
This Is Reggae Music: The Golden Era 1960–1975 is a reggae retrospective anthology issued as a 4-CD box set in 2004 by Trojan Records. The anthology, which was compiled by Colin Escott and Bas Hartong, is arranged in chronological order and features tracks by various artists, starting with mento and ska from the first half of the 1960s, then progressing to the slower rhythms of rocksteady and reggae, which both emerged later in the decade, continuing into the 1970s. Several of the acts featured are Derrick Morgan, Desmond Decker & the Aces, Toots & the Maytals, Jimmy Cliff, and Bob Marley and the Wailers.
The Expanders are an American roots reggae band from Los Angeles, California.
Got to Be Tough is a studio album by Jamaican reggae band Toots and the Maytals. It was released through Trojan Jamaica/BMG on 28 August 2020 and financed by Trojan Jamaica owner Zak Starkey, who also played guitar for the recording. The album is the first studio release from Toots and the Maytals in more than a decade and the first after an accident wherein bandleader Toots Hibbert was hit in the head with a glass bottle, leading to his hiatus from performing. The lyrical content of the album is political, featuring pleas for unity among people.
Positive is a studio album by the Jamaican reggae group Black Uhuru, released in 1987. A dub album, Positive Dub, was released the same year. Positive was the final album with vocalist Delroy "Junior" Reid.
Toots in Memphis is an album by the Jamaican musician Toots Hibbert. Released in 1988, Toots in Memphis was recorded without the Maytals. The majority of the album's tracks are covers of American R&B songs.